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Best. Show. Never.: The Greatest TV Series That Never Were

With so many genius ideas for shows pitched, how did we get ‘The Leftovers’? Inside prime time’s lost treasures

best show never

Fredrick Broden

In the past year alone, networks have passed on series by Deadwood auteur David Milch, Being John Malkovich screenwriter Charlie Kaufman, and comedy gods Tina Fey, Lorne Michaels and Paul Feig. Why do so many shows never make it to your TV? What have we been missing?

"It's a terrible system, and I don't know anyone but agents who likes it," says Oz and Homicide showrunner Tom Fontana. "Every year, I watch the pilots of the shows that failed – and they're often my favorite ones. I'm always just kind of heartbroken."

A lot of the heartbreak stems from the networks' anachronistic factory system: a brutal annual creative gauntlet devised in the 1950s to attract ads for the fall's new cars. The Darwinian odds of a show making it are minuscule. "Let's say each year there are 5,000 pitches," says Fontana. "Maybe a thousand get to the script stage. Out of those, maybe a network will spend money on 10 or so pilots."

Of those 10 or fewer pilots at each network, many will never be seen outside conference rooms or test screenings. "I had a pilot for CBS that we made with a great cast that took on Wall Street and called them archcriminals, which they are," says John Cusack. "They spent $8 million making it and then didn't put it out."

Because of the tournament-style timeline, every year producers have to fight over the same actors and creative teams, often shooting pilots with a third-choice actor because the perfect actor is already committed to a show that probably won't survive the process, either. "As much as we wish there were, say, an enormous number of hilarious 30-year-old people, and there's a lot, there's only a few who are unbelievable," says Judd Apatow. "There's 30 pilots, so 27 of them are not getting the right person."

Of course, there are a million reasons a series can die, from bad writing to meddling executives and egomaniacal showrunners. But, knowing that HBO passed on Mad Men before it ended up at AMC, it's hard not to imagine an alternate reality where Apatow had been able to get all his shows on television. Apatow gave Rolling Stone an exclusive look at his hilarious 2001 comedy North Hollywood. "ABC couldn't have cared less," says Apatow. "Not one person said, 'Let's find a way to make it work.' They canceled it like it was nothing."

With so many promising ideas never making it to your screen, here are a few of the greatest misses of recent years.

John Hawkes

Actor John Hawkes poses for a portrait during the 2011 Sundance Film Festival at the WireImage Portrait Studio at The Samsung Galaxy Tab Lift on January 22, 2011 in Park City, Utah.

Jeff Vespa/Getty Images

‘How and Why’

FX Ongoing

In the half-hour single-cam pilot that Charlie Kaufman (screenwriter of Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind) shot for FX, the brilliant John Hawkes plays a TV host who loses his gig and has to move to a smaller market, where he works for a younger guy (Michael Cera) and with a new crew. Sally Hawkins played his wife, and Catherine Keener was set to guest-star. Trade website Deadline Hollywood reported that FX didn't appreciate its unusual tone and felt it "would not mesh well with the rest of the lineup." Kaufman is rumored to be shopping the show to other networks.

Darren Aronofsky

VENICE, ITALY - SEPTEMBER 10: Jury member Darren Aronofsky attends the Closing Ceremony during the 68th Venice Film Festival at Palazzo del Cinema on September 10, 2011 in Venice, Italy. (Photo by Gareth Cattermole/Getty Images)

Gareth Cattermole/Getty Images


HBO 2013

A series about con men and magicians who try to take down Hitler, with a script by novelists Michael Chabon and Ayelet Waldman, directed by Black Swan's Darren Aronofsky? The promising show
(described by The Wrap as "Inglourious Basterds with magic") has been in development since 2011 – but HBO stepped away last year, along with Aronofsky. But, like any number of these recent pilots, it could spring back to life. "Sometimes good projects don't go away," Aronofsky says. "They just go into hibernation for a while."

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