50 Greatest Romantic Comedies of All Time
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Movie Lists
From '30s screwballs to 21st-century meet-cutes, Rock and Doris to Hanks and Ryan — our picks for the best rom-coms ever
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‘Birds of Passage’ Review: Colombian Crime Saga Is Stunning, Surreal, Epic
Posted in: Movie ReviewsDrug-war story set in the South American nation's indigenous community is bold, brilliant — and a regional reinvention of the gangster movie
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A Candid Conversation With Richard E. Grant
Posted in: Movie FeaturesThe Oscar nominee opens up about his extraordinary (and highly volatile) childhood, having a nervous breakdown and where his Barbara Streisand fandom comes from
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‘Piercing’ Review: Murder Means Never Having to Say Your Sorry
Posted in: Movie ReviewsCinematic hot take on Ryu Murakami's S&M/psychopath love story is one part Seventies horror, one part misguided lit-adaptation — and all gorgeous surfaces
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Revisiting Hours: ‘North Dallas Forty’ vs. the NFL
Posted in: Movie FeaturesDan Epstein on how the 1979 football-movie classic rips a pre-free agency, pre-Kaepernick league a new one
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25 Movies We Can’t Wait to See at Sundance 2019
Posted in: Movie ListsFrom docs on 'Alien' and Alexandra Ocasio-Cortez to indie dramas, Aussie revenge flicks and more — our picks for the 2019 festival's must-sees
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Revisiting Hours: ‘Pulse,’ The 21st Century Internet Ghost Story
Posted in: Movie FeaturesThe last column of 2018 looks at the crystal-ball ghost story of our current moment — Kiyoshi Kurosawa's online-horror waking nightmare
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‘The House That Jack Built’: Lars von Trier’s Serial-Killer Movie Is One Huge F–k You
Posted in: Movie ReviewsThe director's portrait of an artist as a psychopath reminds you that everything is permitted — except failed acts of provocation
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10 Best Documentaries of 2018
Posted in: Movie ListsFrom stunning portraits of small-town America to a trip back to 'Mister Rogers' Neighborhood' — these were the nonfiction highlights of a very good year
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Revisiting Hours: Working-Class Heroes — ‘Blue Collar’
Posted in: Movie FeaturesThis week's streaming column: Alex Pappademas on Paul Schrader's 1978 profane, pulpy, prescient-as-hell comedy about the wage-slave blues
