"Listen to the Band" (1969)
Mike Nesmith: This has a really interesting pedigree. I write half a chapter in my new book about it because it was such an unusual moment. The Monkees series was over and we'd already done the movie. That kind of put a tag on everything. I wanted to go down to Nashville while I still had some Monkee money and have my songs played by the Nashville cats like David Briggs, Jerry Carrigan and Norbert Putnam. These were the guys that put together this extraordinary music that launched a cultural revolution with Wilson Pickett, Aretha Franklin and the whole R&B thing.
When I went into the studio it was a completely different vibe then the Wrecking Crew guys in L.A. Those guys did commercials, orchestral stuff, TV shows and so forth. In Muscle Shoals, it was all R&B all the time. They were exceptional players. I played the song for them and they were like, "Yeah, that's cool." We laid down the tracks, and when I went back to Los Angeles I added horns to it.
I was thrilled with the result. I ran into Richard Perry, who was a producer of some note at the time and very successful with big acts. I met him on Harry Nilsson's "Without You" record. I said, "Richard, I just did this record and I'm so proud of it. I really want to play it for you." He said, "Oh, that is pretty good." I said, "It's gonna be on the next record. I'll be happy to get you one." He said, "Yeah, okay. I don't think I'd ever buy a Monkees record, just on principal." I just thought, "Wow, that's what this is born into." It was born an orphan. There was no place for it, no traction.