Rush‘s Geddy Lee and Alex Lifeson inducted Yes into the Rock and Roll Hall of Fame Friday night at Brooklyn’s Barclays Center. It came four years after Rush’s own entrance into the legendary hall, a memorable event in which Lifeson said nothing but “blah blah blah” over and over as a way to mock long-winded speeches.
But when it came time to honor one of his greatest influences, Lifeson found he had a lot more to say than gibberish. It was a very moving tribute to the forefathers of prog rock. Read the full speech by Lifeson and Geddy, below.
Lifeson: We’re honored to be here tonight doing this. It’s really, really great. We all start somewhere. For me, my journey with Yes began when I was a teenager gently fishing out the Yes album out of its sleeve being just a bit freaked by the disembodied head on its cover, placing the needle on the groove, sitting back, letting the music wash over me. I may have smoked a cigarette or something, but Yes were my gateway band in so many ways. There’s nothing so fleeting yet enduring about the way music when you’re 17-years-old.
As Yes played in my room, I played too. I spent hours picking my way through songs like “Starship Trooper” and “Yours Is No Disgrace.” How wonderful is that swirling outro in “Starship Trooper”? I must’ve played that a million times. But I loved their music. Even more, once I learned to master…I never really did. I never did them justice. But I loved them still. Yes helped give me the gift of music, which is everything, as you know. They made me want to be a better musician, and that provided some of the determination to one day stand on this stage giving tribute to this amazing band.
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I’ll leave you with this: the musical choices we make in our youth help to mold who we become. Choose the guitar intro for “Going for the One.” Choose learning how to play “Starship Trooper” on a cheap secondhand guitar. Choose Chris Squire’s amazing bass tone. Choose Jon Anderson’s ethereal vocals. Choose Fragile. Choose wearing a cape before Rick Wakeman did. Choose staying out all night to see your favorite band. Choose “Roundabout.” Choose the glorious guitar work in “Owner of a Lonely Heart.” So beautiful. Choose the Rock and Roll Hall of Fame. And definitely, choose Yes.
Lee: I’d like to ask the Rock and Roll Hall of Fame to indulge me a few moments to share some personal experiences of Yes, the band. So picture this: in the early Seventies, I spent from one to three years in Grade 10 in high school seated at the back of a class with my new pal Oscar. He sat right across from me, and the teacher’s words were bouncing aimlessly off us as Oscar riffed on some of our favorite Monty Python skits. He had me at the dead parrot gag. How could we not become friends? It wasn’t just the Ministry of Silly Walks that we bonded over.
I could still recall one of the days that we [left] school and were sitting cross-legged on the floor of Oscar’s room as he introduced me to an album called Time and a Word by a band called Yes. I still thrill to the bass part in “No Opportunity Necessary, No Experience Needed” the way I did when I first heard it that day. For years people asked me why I played a Rickenbacker bass, and all I have to do is point to that album, that song. Then Oscar played me “Yours Is No Disgrace” then “I’ve Seen All Good People.” We both sat there open-mouthed as the songs rose up around us and our musical worlds shifted and fell from its axis. I might’ve been a young musician jamming to basement grooves in Toronto, but through Yes, I was tuning into a wider world of possibilities. One where music seemed to have no limitations.
It was a crisp night in 1972 when Oscar and myself and this guy, Alex Lifeson, wind up over night, around the block in what was Toronto’s Maple Leaf Gardens to finally see this Yes live for ourselves. The sky was a high dome of stars, and as I recall, Alex kept us going by skipping to the store and bringing back honeydew drinks. I could close my eyes now and I’m back there. Intellectually, visually, viscerally sitting in row 10. It was like nothing I’d ever seen or experienced before. It was actually profound. It’s not overstating things to say it changed the way I played and listened to music forever. So here we are, decades later, and the music of Yes is still showing me that music truly is a continuum. On behalf of Oscar, my good friend and Alex’s Leo, who is not here tonight, Alex and myself, I say thank you, Yes. It’s our great, great privilege and our great honor to right a total wrong and to finally welcome Yes into the Rock and Roll Hall of Fame.