Red Hot Chili Peppers Talk Risky Danger Mouse-Inspired Reboot
Early last year, the future looked bright for the Red Hot Chili Peppers. After a year of writing, the band had come up with a batch of new songs that it was proud of. Guitarist Josh Klinghoffer, who joined the Chili Peppers in 2010, was taking on a bigger role in the songwriting and had developed an easy chemistry with his bandmates.
Then frontman Anthony Kiedis and bassist Flea took a snowboarding trip to Montana. “We were jetting down the mountain, going, like, 50 miles an hour, when I just wiped out,” says Flea. “It was like, bam. My arm started swelling up right away. I broke my arm in five places. Big pieces of bone were shorn off.”
Flea managed to snowboard down the mountain, where he was met by an ambulance. He underwent major surgery to repair nerve damage, followed by six months of rehabilitation. The album was put on the back burner as he struggled to rebuild dexterity on his instrument. “I went to play one note and a bunch of pain shot up my arm,” Flea recalls. “I tried to play the simplest things and my hand just wouldn’t do it. It felt like I let everyone down, because we couldn’t work on the record.”
The Chilis used the downtime to rethink their creative process. They were looking for a radical change after 2011’s I’m With You, a commercial disappointment. “We were starting to do the same things we’ve always done,” says Flea of the sessions for that album. “I knew what we were gonna do before we even did it.”
The bandmates made a big decision: This time, they weren’t going to work with Rick Rubin, who had produced each of their albums going back to 1991’s Blood Sugar Sex Magik. Instead, they recruited Brian “Danger Mouse” Burton, whose psychedelic, hip-hop-influenced approach added new life to the sounds of the Black Keys, Beck and U2. “Brian said, ‘I love your songs, and I can really help you make them better,'” says drummer Chad Smith.
While Rubin’s approach had been largely hands-off – “He doesn’t like to spend as much time in the studio,” says Smith – Burton logged long hours, urging the band to write songs with him from scratch. “He would be there from 11 a.m. until 11 p.m.,” says Smith. “He has a studio tan, as they say.” And while the Chilis were used to jamming in a room for hours until they had a song, Burton requested they write by layering instruments separately over drum tracks. “I was really hesitant to do that,” says Flea. “I didn’t want to lose the mightiness of us as a band, our raw identity and spontaneity.”
Many of the songs on the resulting LP – The Getaway, out June 17th – deal with heartbreak: The title track describes learning to cope with loneliness, and “Dreams of a Samurai” is about splitting with a woman “too young to be my wife.” It may not be a coincidence that Kiedis reportedly broke up with his girlfriend, Wanessa Milhomem, last year. “I would say a lot of it is relationship stuff,” says Smith. “You break someone’s heart and …” Kiedis also looks back to the music he grew up with on the fiery “Detroit,” which name-checks everyone from the Stooges to J Dilla. “The chorus is one of my favorites we’ve ever done,” says Flea. “Josh slays it on that song.”