R.E.M. Issuing Remastered 25th Anniversary Edition of 'Document' - Rolling Stone
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R.E.M. Issuing Remastered 25th Anniversary Edition of ‘Document’

Contains previously unreleased live show from the ‘Work’ tour

R.E.M. in the late 1980sR.E.M. in the late 1980s

R.E.M. in the late 1980s

Ebet Roberts/Redferns

R.E.M. have announced a remastered 25th anniversary edition of their 1987 LP Document, featuring a previously unreleased live recording of a concert during their Work tour on September 14th, 1987 in Utrecht, Holland. The release includes new liner notes and is packaged in a lift-top box that contains four postcards. R.E.M. will also issue a remastered 180-gram vinyl edition of the release. 

Document was R.E.M.’s first platinum record, featuring the Top 10 hit “The One I Love” and one of the band’s most enduring songs, “It’s the End of the World as We Know It (And I Feel Fine).” Reviewing the album , Rolling Stone‘s David Fricke praised the record, calling it their “finest album to date” and writing, “Document is the sound of R.E.M. on the move, the roar of a band that prides itself on the measure of achievement and the element of surprise.”

The band wasn’t sure what to expect when the album came out. “There are a few things on this album that could do well at Top 40 radio,” guitarist Peter Buck told Rolling Stone in 1987. “But then I can’t imagine it happening, knowing us. So I don’t know if I have any commercial expectations for this one at all. I assume it will sell some, somebody’s got to buy it.”

Document was certified platinum, with sales of more than 1 million copies, less than six months later – the first in a string of platinum-selling albums that included the band’s next five releases: Green, Out of Time, Automatic for the People, Monster and New Adventures in Hi-FiLast September, R.E.M. announced they were splitting up after three decades.

The remastered 25th anniversary edition of Document is set for a September 25th release. Check out audio of Buck’s introduction to the album below, recorded in 1987 for attendees of the New Music Seminar. 


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