Linkin Park at Number One - Rolling Stone
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Linkin Park at Number One

Rap-metal men move 810,000 copies of second album in opening week

For all the talk about the dwindling batting averages that are
record sales, a few grand slams are still leaving the park in
awe-inducing fashion. This week, Linkin Park’s Meteora
stormed out to a Number One debut with sales of 810,000, according
to SoundScan. So in the midst of a monstrous music industry slump,
five of the fifteen best first-week sales marks in SoundScan
history have been registered in the past twelve months — the
others being Eminem’s The Eminem Show, the Dixie Chicks’
Home, Shania Twain’s Up! and 50 Cent’s Get
Rich or Die Tryin’

The week’s next two highest debuts put up numbers that would’ve
been strong enough for a Number One debut in a week not
dominated by a juggernaut like Meteora. Celine Dion’s
One Heart sold 432,000 copies at Number Two and Now
That’s What I Call Music! 12
slid in at Number Three with
sales of 256,000.

Last week’s Number One and Two are still selling. Get Rich
or Die Tryin’
moved another 193,000 copies to move past 4
million, while Norah Jones’ Come Away With Me sold another
149,000 copies. Another pair of debuts followed: Brian McKnight’s

U Turn sold 109,000 at Number Seven, while rapper
Cam’ron’s side project the Diplomats jumped in at Number Eight with
92,000 copies of Diplomatic Immunity sold.

The Academy Awards did not prove much of a sales catalyst. The
8 Mile soundtrack, which won the Best Original Song
Oscar-winner for “Lose Yourself” actually fell on the charts, from
Number Ten to Number Nineteen, selling 12,000 copies fewer than the
previous week. The soundtrack to Chicago, which won most
of the of other awards, enjoyed a sales increase of 25,000 to
121,000 but fell two spots from Number Four to Six.

Next week’s Linkin Park sales will be the more telling indicator
of how the record business is doing. Meteora‘s success
jibes with the blitzkrieg releases that register monstrous
first-week sales. But such momentum without a string of hit singles
tends to result in a quick flameout (see Up!, which is
sitting at Number Forty-seven not yet five months after its

The flip side to the sales grand slam is steady progress
through, um, singles. Kid Rock’s Cocky nearly vanished
from the charts before clawing its way back as high as Number Four
on the strength of the single “Picture” . . . more than a year
after it’s release. And Cocky is an exception, not the
rule. The record is a codger, one of only thirteen releases in the
Top 200 that are in the retirement home for albums more than a year

And then there’s the word-of-mouth plan for success. Be it an
initial deep discount at retail outlets (both John Mayer’s Room
for Squares
and Jones’ Come Away With Me were sold
for as little as $7.99 to built new listener interest) or a
grassroots build-up through good press and touring (see Dave
Matthews Band), some albums are beginning to sneak in from the
fringes. And the White Stripes’ Elephant will be as
interesting an indicator as is available for a non-mainstream band
breaking through to big sales. The band’s DIY ethic served it well
with 2001’s White Blood Cells, a relatively inexpensively
produced album that earned extra buzz by a relatively inexpensive
video and free critical praise. Quietly that record sold more than
600,000 copies, modest compared to sales pachyderms released by the
likes of Eminem, ‘N Sync and Britney, but profitable nonetheless.
Obviously Elephant won’t be stamping on Meteora‘s
first-week figure, but strong six-figure sales should make it a
contender for a Top Five debut.

This week’s Top Ten: Linkin Park’s Meteora; Celine
Dion’s One Heart; Now That’s What I Call Music!
; 50 Cent’s Get Rich or Die Tryin’; Norah Jones’
Come Away With Me; the Chicago soundtrack; Brian
McKnight’s U Turn; the Diplomats’ Diplomatic
; Evanescence’s Fallen; and R. Kelly’s
Chocolate Factory.

In This Article: Linkin Park


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