How Trombone Shorty Reunited the Meters - Rolling Stone
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How Trombone Shorty Reunited the Meters

‘My cousin told me I wouldn’t be able to pull it off,’ he says

Troy Andrews of Trombone Shorty & Orleans Avenue performs in Manchester, Tennessee.Troy Andrews of Trombone Shorty & Orleans Avenue performs in Manchester, Tennessee.

Troy Andrews of Trombone Shorty & Orleans Avenue performs in Manchester, Tennessee.

Jason Merritt/Getty Images

Growing up in New Orleans, Troy “Trombone Shorty” Andrews always wanted to be a part of the Meters, the city’s pioneering funk band. So when he reunited the collective for his new album, Say That to Say This, it was a historic moment for him and the Crescent City – but an idea that needed a lot of convincing. 

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“[My cousin] told me I wouldn’t be able to pull it off because they haven’t gotten together in 30-something years,” Shorty tells Rolling Stone. “I called each member, and each one had a little moment of silence when I told them what my idea was. At that moment, I was iffy about whether it was going to work out or not.”

The ’70s incarnation of the Meters line-up of Art and Cyril Neville, Zigaboo Modeliste, Leo Nocentelli and George Porter Jr. hadn’t recorded in the studio together since 1977’s New Directions. On Shorty’s new record, they contributed to an updated version of a song off that album, “Be My Lady.” Shorty’s revamped version sounds similar, though it’s far more succinct. 

Although this mini-Meters reunion was for another artist, they fell back into their old routine rather easily. “You never know [what will happen] when you go into a room with players after being away from recording,” Meters’ bassist George Porter Jr. says. “From where I was setting it was like we had never stopped doing this. After all, these guys are pros. There was no mystery what we were there to do and everyone came to give Troy what he needed and wanted and that was what happened.”

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The Meters weren’t the only A-level talent Andrews rounded up for Say That to Say This. The record was co-produced by Raphael Saadiq, who brought his vintage mentality to the sessions. “We stuck to the basics on this record,” Shorty says. “We just played it straight through as if we were playing back in the ’70s before Pro Tools. We just wanted to get better as musicians.”

Even with this musical coup he’s pulled off, Shorty hopes this isn’t the last time the Meters rejoin. “I would love to do it,” he says. “If I could get them to do a full-length record, I would just love to play the horn parts for them. If we could pull that off, I’d be in the studio tomorrow.”

Correction: An earlier version of this story incorrectly identified the Meters line-up involved with Trombone Shorty’s new album. 

In This Article: The Meters, Trombone Shorty


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