Artists Can Now Ask Spotify For Playlist Placement - Rolling Stone
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Artists Can Now Ask Spotify For Playlist Placement

Playlist submission feature has received 67,000 requests from artists and labels so far

Jayden Bartels at 'The Darkest Minds' film screening, Los Angeles, 2018Jayden Bartels at 'The Darkest Minds' film screening, Los Angeles, 2018

Spotify said that more than 10,000 artists, including Jayden Bartels, have been added to Spotify editorial playlists for the first time.

Scott Kirkland/PictureGroup/Shutterstock

Spotify just took a new playlist-related feature out of beta — and while doing so, revealed a few numbers attesting to the might of the playlists themselves. In June, the music-streaming service started allowing artists and labels to submit unreleased music directly to its editorial team for playlist consideration. On Wednesday, announcing that the playlist submission feature has been finalized, Spotify said that more than 67,000 artists and labels have submitted music through the tool and more than 10,000 artists have been added to Spotify editorial playlists for the first time.

Such artists include Gustavo Bertoni, whose song “Be Here Now” shot from 7,000 monthly streams to 617,000 after it was slotted into two popular Spotify playlists, Acoustic Morning and Fresh Folk. British rock band Yonaka similarly went from 82,000 to 290,000 after being added to New Music Friday. Spotify’s announcement also quoted Belgian rapper Bryan Mg, who said he received concert booking requests, radio station invitations and a trove of new social media followers in the weeks after landing on the La Vida Loca playlist.

“I found out I was on the playlist and the streams started jumping. It was an insane, immediate reaction,” Jayden Bartels, a 13-year-old pop newcomer whose song “Can’t Help Me Now” tripled to 72,000 streams a month after it was added to New Music Friday, tells Rolling Stone. “I was not expecting those streaming numbers.”

Bartels says the playlist placement has changed the way she’ll think about her distribution strategy going forward. “It hasn’t changed how I’m making my songs or putting out music, but I have a new goal of always getting on these playlists and submitting my songs, because I realized how much exposure can be gained,” she says.

Musicians submit songs directly through the Spotify for Artists platform, which allows one unreleased song to be considered at a time for placement on one of Spotify’s official playlists (which can be distinguished from non-Spotify playlists by the company’s small green logo in the image corner). Spotify’s FAQ notes that “submitting a song doesn’t guarantee a place on an editorial playlist, but does give it the best chance,” and also that “it’s not possible to pay to increase your chances, nor can any external parties influence our editors.”

It’s a PR win-win: Artists get to put their music up for career-changing exposure and Spotify gets to counter any claims that its playlists might be too biased in favor of industry relationships. But the power of the service’s playlists — one that’s sure to grow now that Spotify is encouraging more artists to use the official submission feature — is also yet another threat to the traditional regime of distribution and promotion in the music business. Record stores used to look to record labels for posters and other promotional materials to highlight favored music; now, labels also look to the digital record store.

In This Article: music streaming, Spotify


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