Listen to an audio of Aerosmith's song, 'Lover Alot' from their album, “Music From Another Dimension.” - Rolling Stone
Home Music Music News

Aerosmith’s Steven Tyler on ‘Lover Alot’ – Track-by-Track Premiere

Band aims for vibe of ‘dancing around the fires and being tribal’

Aerosmith, 'Music from Another Dimension!'Aerosmith, 'Music from Another Dimension!'

Aerosmith, 'Music from Another Dimension!'


Click to listen to Aerosmith’s ‘Lover Alot’ will be premiering Aerosmith’s Music From Another Dimension! album, one track at a time, in the weeks leading up to the November 6th release.

This driving rocker is an echo directly from Aerosmith’s earliest hit-making years, and could arguably fit easily on any of their classic Seventies albums. A collision of guitars erupts behind an excited Steven Tyler, who rips through an avalanche of innuendo and explicit sexuality: “You get a thrill from the smell of her hair/You get a high from the taste of her wet/It’s certified, bu-bu-bu-but chu ain’t getting there yet!”

It begins with a false start and a groan from drummer Joey Kramer, then dives in without a break until it crashes to a shriek and a close. It’s the kind of sound many fans have expected to come with the return of producer Jack Douglas, chief collaborator on Aerosmith’s first decade of career-defining work. (Douglas also plays some percussion on “Lover Alot.”)

100 Greatest Artists of All Time: Aerosmith

“He had been pummeled by people too: ‘Do a record with Aerosmith, and make it sound like the old days,’ and all that shit,” says guitarist Joe Perry of the producer. “So I think he had more of an agenda of how to get it to sound, but he never sat in a room like this and said, ‘Listen guys, I really think we should get a record that’s a little bit of Rocks and a little bit of Toys, but a little bit of Permanent Vacation, but not so much that.’ He did it from the background, because Jack can be a pretty sneaky fuck too.”

The song began to develop with Tyler and Perry at early album sessions in Boston. The guitarist picked up a six-string baritone bass, and Tyler says he aimed for a vibe of “dancing around the fires and being tribal.”

The final track is a speedy, hard-rocking rant, but the band was also careful about what to leave out. “It’s a classic case of what you don’t play,” says Perry. “You leave holes and that makes you want to move. It’s one of those things you just feel.”


Powered by
Arrow Created with Sketch. Calendar Created with Sketch. Path Created with Sketch. Shape Created with Sketch. Plus Created with Sketch. minus Created with Sketch.