In the recent series of monumental arrivals in Cuba — Netflix, Airbnb, a U.S. president — none looms as large as the Rolling Stones, who played to an estimated 500,000 Cubans in Havana on Friday. On an island overlooked by time for more than a half century, the group became the focal point of life for at least a day. The iconic tongue logo sprouted up on T-shirts across Havana, and cabbies, bartenders and friendly locals asked almost anyone, “Do you know the Rolling Stones will play tonight?” as if to confirm that the concert was indeed real.
Not only was it real, it was free. In front of the Ciudad Deportiva de la Habana, there were no ticket touts or T-shirt vendors. For a convertible peso you could get a cone of popcorn or a bootleg Stones CD outside the gates. Men in traditional green military uniforms were present but unnecessary despite the charged atmosphere leading up to Cuba’s largest concert ever.
The Stones kicked off the night with the staple “Jumpin’ Jack Flash.” The crowd — mostly flying Cuban flags, but Mexican, Argentinean and the Union Jack made appearances as well — gave an appreciative cheer when Jagger greeted them in their native Spanish, in between “It’s Only Rock ‘n Roll (But I Like It)” and “Tumbling Dice.” “This is a new time,” Jagger observed to roars from the crowd, a nod to the Stones’ once-outlaw status in the country.
After crisp takes on standards “Angie” and “Paint It Black,” Keith took over on vocals for “You Got the Silver,” with his counterpart Ronnie Wood adding the slide-guitar parts. Relishing the moment with the spellbound crowd, Keith said: “Maybe I’ll just stay here forever.” Mick rejoined the band for an extended jam out on “Midnight Rambler,” which featured Wood and Richards exchanging fiery licks. Without concession stands, the usual beer-run-shuffle was noticeably absent, but the rapt audience wasn’t going anywhere anyway.
A dozen songs in and the Stones cranked up the energy with an impassioned “Gimme Shelter.” Jagger’s vocals carried the night in many places, but at no point was he in better form than as he traded lines with singer Sasha Allen on the classic anthem. Cuban communism might be losing steam, but over an hour into the show it was clear that Mick Jagger is not.
“Start Me Up” and “Sympathy for the Devil” followed in short order. The Stones closed with “Brown Sugar,” which saw the throngs around the stage — most of whom were born after the Stones’ heyday — fist-pumping in a manner more associated with EDM than rock & roll. The lights dimmed, and the crowd broke into a chant of “Olé” to pull Jagger and Co. back onstage for an encore.