The Best Music Venues in America: Readers’ Choice

Opened 15 years ago in a vacant jewelry store and haberdashery on the Lower East Side, the 550-capacity club is a must-play for bands on the way to stardom. David T. Viecelli, agent for Arcade Fire, says it's "another dressing room or two shy of perfection." It's both intimate and grand, with consistently great sound and sightlines, and touches of old-school class, like 84-year-old brass rails.

Capacity: 550
Website: http://www.boweryballroom.com
Fun Fact: Joan Baez’s live album Bowery Songs was recorded during her November 2004 show at the famed venue.

Perhaps the world's only concert venue with a Lebanese restaurant upstairs, the Middle East opened in 1970 and began playing host to rock bands 17 years later. The site now hosts three music venues along with the restaurant; the downstairs club, with a capacity of nearly 600, is the crown jewel, attracting top indie acts to Cambridge's bustling Central Square.

Capacity: 575
Website: www.mideastclub.com
Fun Fact: WBCN’s renowned “battle of the bands” has taken place at the Middle East for the last two decades.

Few clubs have such an impressive history: The Troub was key to L.A.'s late-Sixties rock explosion and the glam-metal scene of the Eighties, a room where both Jim Morrison and Axl Rose became legends. More recently, everyone from Radiohead to the White Stripes has kept its legacy alive.

Capacity: 400
Website: www.troubadour.com
Fun Fact: Legendary potheads Cheech and Chong were discovered by Lou Adler at the Troubadour’s Monday Hoot night in 1970.

Promoter Bill Graham's first event at this theater was a benefit for the San Francisco Mime Troupe in 1965. Among the local acts on the bill: the Jefferson Airplane and the newly renamed Grateful Dead. The rest is rock history – Graham developed the early history of West Coast rock & roll at the Fillmore, hosting Jimi Hendrix, Otis Redding, The Who, Howlin' Wolf and hundreds of other Hall of Fame names. The scene became so big that Graham had to relocate to the Fillmore West (where Led Zeppelin played a set still prized by bootleggers) and spin off New York City's Fillmore East (where Hendrix, The Who and the Allmans cemented their legends). Graham closed his beloved club in 1971, but after his death 20 years later, his promotion company reopened it at its original 1805 Geary Boulevard location. The original concert posters lining the walls today are so comprehensive they're almost intimidating.  "Legend," sums up Brian Ahern, a William Morris booking agent.

Capacity: 1,100
Website: http://www.thefillmore.com
Fun Fact: After Graham closed the Fillmore, it reopened in the Eighties as The Elite Club, starring Black Flag, Bad Brains, the Dead Kennedys, Public Image Ltd. and other punk pioneers.

In its 56 years, the Continental evolved from burlesque house to anything-goes rock room to revamped rockabilly joint with a killer jukebox. Squeeze in, get sweaty.

Capacity: 300
Website: www.continentalclub.com
Fun Fact: The club was BYOB when it opened in 1957.

Chicago's 31-year-old North Side fixture opened with a $5 R.E.M. show – but it became a rock mecca when local heroes like Smashing Pumpkins, Liz Phair, Veruca Salt and Urge Overkill, not to mention out-of-towners like Nirvana and Pearl Jam, grew into headliners in the Nineties. From the outside, it looks like nothing more than a joint next to the sidewalk, but the front hallway opens into a huge room with a balcony that seems to float over the stage. (The prized location in the audience is front-row, second floor.) Chicago's a discerning crowd, too: "The room has a sense of drama to it, with the high stage," says Corin Tucker. "The audience can sometimes seem to be a bit standoffish at first, but if you hit the right notes, the right spots, people roar to life in there." And if a plain old rock club is too boring for you, check out the cutting-edge DJs in the basement SmartBar.

Capacity: 1,100
Website: http://www.metrochicago.com
Fun Fact: At one Sleater-Kinney show, a "rock & roll psychic" was hanging around backstage. "He told me I needed to be very careful as there could be an accident in my future," Tucker recalls. "Come on! I was spending 10 hours a day in a van and was completely freaked out for the rest of the tour."

At first, the Ryman was for fancy types – the Metropolitan Opera, John Philip Sousa, Charlie Chaplin,  Harry Houdini and President Theodore Roosevelt appeared on stage in the decades after steamboat captain Thomas G. Ryman built it for $100,000 in 1892. But in 1943, the Grand Ole Opry radio show needed a new stage to accommodate roaring and occasionally misbehaving country-western crowds, so it moved to the Ryman. It's gone on to welcome just about every country star you can think of over the years, from Hank Williams and Johnny Cash to Taylor Swift. Chicago promoter Andy Cirzan calls it "the legendary mother church."

Capacity: 2,362
Website: http://www.ryman.com
Fun Fact: The Ryman's first-ever sellout was a lecture by Hellen Keller in 1913.

After opening in 1980 in an out-of-the-way part of town, the 9:30 became ground zero for D.C.'s Reagan-era hardcore scene – local teenager Dave Grohl saw hundreds of bands there. The club snagged every name in new wave, punk and alt-rock, including R.E.M., Nirvana and Green Day, before moving on to more mainstream stuff like Johnny Cash and Bob Dylan. Since moving to a larger location in 1996, playing the 1,200-capacity club has remained a rite of passage for indie acts on the rise. Says Fall Out Boy's Patrick Stump, "It's got so much character, you wonder if the locals know how lucky they are." More importantly for artists, adds Britt Daniel of Spoon and Divine Fits: "I can't think of any other club that gives its bands bunk beds, laundry, and a private balcony."

Capacity: 1,200
Website: http://www.930.com
Fun Fact: Early on, owners almost named the club Chair Dancing Nightly, Tuba Dancing, Aerosol or Cool Whip.