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The 25 Greatest Rock Memoirs of All Time

Awesome rock & roll reads, from Keith Richards and Patti Smith to Slash and Nikki Sixx

The 25 Coolest Rock Memoirs

Funny thing about rock memoirs: They tend to have the same plot. Our heroes always begin with big dreams about making it as rock stars. There’s the sleazy bars, the cheap motels, the shady managers. Then they get a taste of the big time: hit records, limos, drug orgies, groupies, diseases, the works. What could go wrong? Craaaash! But hey, Elizabethan revenge tragedies all have the same plot too, and nobody complains when the royal family gets butchered in the final scene. Great rock memoirs don’t always come from great artists: sometimes it takes one-hit wonders, losers, hacks, junkies, crooks. Every rock & roll character has a story to tell. Here are 25 of our favorites.

Anthony Kiedis: Scar Tissue (2004)

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18

Anthony Kiedis: ‘Scar Tissue’ (2004)

The Red Hot Chili Pepper tells a quintessential made-in-L.A. rise-and-fall-and-rise story, complete with all the californicatory details. Kiedis muses about his childhood, his band and his many, many, many ex-girlfriends, most of whom inspire him to share a kind word, a nude photo or both. Scar Tissue might have the best final sentence of any book on this list, starring Kiedis' lovable pooch Buster: "And when I do think, 'Man, a fucking motel room with a couple of thousand dollars' worth of narcotics would do me right,' I just look over at my dog and remember that Buster's never seen me high." Let's hope Buster gets his own book someday.

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Henry Rollins: Get In The Van: On The Road With Black Flag (1994)

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17

Henry Rollins: ‘Get In The Van: On The Road With Black Flag’ (1994)

Did Jack Kerouac ever write a book this great? In a word, no. This is the real on-the-road American adventure: a band of antisocial maniacs who hate each other crammed in a van, bumming from town to town, sleeping on floors when they're lucky, getting clubbed by the cops when they're not, doing it all for those few minutes of glorious noise. Black Flag were a great hardcore band – their records sound even mightier now than they did at the time – and Rollins' tour diaries are the essence of that pain-is-my-girlfriend punk spirit.

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Nick Kent: Apathy for the Devil: A 70s Memoir (2010)

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16

Nick Kent: ‘Apathy for the Devil: A 70s Memoir’ (2010)

Nick Kent was England's most notorious rock critic – he could do drugs with Keith Richards, get murder threats from John Bonham, do drugs with Iggy, date Chrissie Hynde, do drugs with Lemmy, get chain-whipped to a bloody pulp by Sid Vicious, do a lot more drugs. You might believe about half the stories here, at best; Kent likes to brag about how many famous songs were written about him. But that just adds to his charm as a self-promoting bullshit artist. And make no mistake – without self-promoting bullshit artists, there would be no rock & roll at all.

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Ronnie Spector: Be My Baby: How I Survived Mascara, Miniskirts, and Madness (1989)

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15

Ronnie Spector: ‘Be My Baby: How I Survived Mascara, Miniskirts, and Madness’ (1989)

The New York doll of the Ronettes had one of rock & roll's biggest voices. She also had one of rock & roll's most famously nightmarish marriages, as she was practically kept captive by Phil Spector for years. But if you're looking for self-pity, you'll be disappointed, because her book, like her voice, is full of cocky, smart, self-aware humor. And yes, in case you were wondering, it totally sucked to be married to Phil Spector.

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John Lydon: Rotten: No Irish, No Blacks, No Dogs (1993)

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14

John Lydon: ‘Rotten: No Irish, No Blacks, No Dogs’ (1993)

The former Johnny Rotten has all the dirt about how the Sex Pistols pissed off the world. But he's also got poignant details about his hardscrabble youth in London's Irish-immigrant squalor, raised by a mother even more badass than he was. He also shares his deep hatred for religion, the Queen, the other Sex Pistols, hippies, rich people, racists, sexists, the English political system, Malcolm McLaren and of course, Pink Floyd. "A lot of people feel the Sex Pistols were just negative," he says. "I agree, and what the fuck is wrong with that? Sometimes the absolute most positive thing you can be in a boring society is completely negative."

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David Lee Roth: Crazy From The Heat (1998)

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13

David Lee Roth: ‘Crazy From The Heat’ (1998)

You know what's crazy? How underrated this book is. It really deserves to be read wherever generally insane ramblings by generally insane men are read. But it never got its due recognition, because it came out in the late Nineties, when public interest in Roth and the Van Halen brothers was at an all-time low. Diamond Dave fills every page of this masterpiece with stark raving lunatic rock & roll Zen wisdom.

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Tommy James: Me, The Mob and the Music (2010)

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12

Tommy James: ‘Me, The Mob and the Music’ (2010)

The Goodfellas of rock & roll literature. Everybody knows the Tommy James oldies – "Mony Mony," "Hanky Panky," "Crimson and Clover," etc. But according to Tommy, these songs got on the radio because he had some influential mobbed-up friends pulling the strings. (And of course, pocketing the loot.) The whole topic of criminal connections in the music business is still taboo – see Fredric Dannen's 1990 classic Hit Men for the full picture. But Tommy James is the first star to tell the story from the inside: How the Mafia gave the world "I Think We're Alone Now."

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Chuck Berry: The Autobiography (1989)

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11

Chuck Berry: ‘The Autobiography’ (1989)

The "Johnny B. Goode" man who invented rock & roll tells a few stories about what he saw along the way. As a Fifties black pop star, scoring hit records in a land full of violent racism, his story seems to touch on all the contradictions and injustices of American culture. In the early '60s, while bands like the Beatles, the Stones and the Beach Boys were hero-worshipping him, Berry himself was rotting in jail, railroaded in a blatantly racist trial. That's where he wrote the deeply ironic "Promised Land" – a classic celebration of American dreams, written in a prison cell.

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David Bowie: Moonage Daydream: The Life and Times of Ziggy Stardust (2002)

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10

David Bowie: ‘Moonage Daydream: The Life and Times of Ziggy Stardust’ (2002)

It's a massive coffee-table art book, with lavish images of Bowie in the Seventies from photographer Mick Rock. But the main attraction of Moonage Daydream is the text by the man himself. He's funny whether he's shopping for shoes with Cyrinda Foxe (who teaches him to wear "palm-tree'd fuck-me pumps") or sipping tea with Elton John ("We didn't exactly become pals, not really having that much in common, especially musically") or partying it up with Mick Jagger ("I have absolutely no recollections of this party at all"). The closest we'll ever get to a straight-up Bowie autobiography – but who'd ever want anything straight-up from Bowie?

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Jay-Z: Decoded (2010)

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9

Jay-Z: ‘Decoded’ (2010)

If you're curious about what it's really like to be Shawn Carter, you'll learn more about his hard knock life from his albums, which have always gone heavy on the In My Lifetime narrative. But what he's really trying to do here is write the whole story of hip-hop, merely using himself as a prime example, as he rises from criminal-minded fan to aspiring rapper to industry mogul. Most surprising moment: Hov defends "Beach Chair" as "one of the hidden jewels of my catalog."

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Kristin Hersh: Rat Girl (2010)

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8

Kristin Hersh: ‘Rat Girl’ (2010)

Even if you know nothing about Hersh's band – the 1980s Rhode Island art-punks Throwing Muses – her story is an essential first-hand account of the indie rock uprising. Her narrative voice is warm, friendly and surprisingly funny. When Hersh gets pregnant and decides to have the kid, without giving up her band, she shrugs, "I'll cross the living-in-a-van-is-probably-child-abuse bridge when I come to it." Deep down it's a story about messed-up kids finding one other, starting a band, and accidentally scrounging up an audience of similarly messed-up kids. It belongs on the shelf next to Michael Azerrad's classic Our Band Could Be Your Life.

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Paul McCartney: Many Years From Now (1997)

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7

Paul McCartney: ‘Many Years From Now’ (1997)

Officially this is an "authorized biography," by longtime Beatle hagiographer Barry Miles. But that's just a front, because the book really exists as a vehicle for McCartney to tell his story in his own words. Some fans were understandably put off by the way he squabbles over credits, even breaking down songwriting credits by percentages. (To pick one controversial example, he calculates "Norwegian Wood" as 40 percent his and 60 percent John's.) But on the page, as well as in song, his voice overflows with wit and affection. And he did less to fuck up his good luck than any rock star who ever existed, which might be why his memories make such marvelous company.

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Nile Rodgers: Le Freak (2011)

Ebet Roberts/Redferns; Courtesy of Spiegel & Grau/Random House

6

Nile Rodgers: ‘Le Freak’ (2011)

The "sex, drugs and disco" revolution of the Seventies, as seen by the Chic guitarist who permanently changed the way music sounds and feels and moves. This is a cerebral and unabashed celebration of disco; as Rodgers puts it, "We shared Afrobromantic dreams of what it would be like to have real artistic freedom." He also reveals that when he and Bernard Edwards wrote the classic "Upside Down" for Diana Ross, everybody at Motown hated it. "We played it for Gene Simmons of KISS, who was recording next door, and he told us it was great. We respected Gene, but he was dating Diana Ross at the time, so what else would he say?"

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The RZA, The Tao of Wu (2009)

Sal Idriss/Redferns; Courtesy of Riverhead Books/Penguin

5

The RZA: ‘The Tao of Wu’ (2009)

How do you choose between the RZA's two excellent memoirs? (Choose the sword and you join me. Choose the ball and you join your mother. You don't understand my words, but you must choose!) The first installment, The Wu-Tang Manual, is more of a beginners-guide handbook to the Shaolin mythology. But The Tao of Wu digs deeper, as the RZA broods on hip-hop and spirituality. He combines esoteric Buddhism, true mathematics, kung fu flicks, chess tactics, and comic books into his own unique theosophical ruckus.

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Slash: Slash (2007)

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4

Slash: ‘Slash’ (2007)

There's no shortage of Sunset Strip metal-sleaze gossip books out there, including other GNR memoirs – see Steven Adler's My Appetite for Destruction or Duff McKagan's It's So Easy (And Other Lies). But Slash's book is one of a kind, surprisingly reflective and wise yet hilariously blasé about all his decadence. Low point: Slash collapses during a hotel drug binge and gets rushed to the hospital, where the doctors restart his heart. He complains, "I had no remorse whatsoever about my overdose – but I was pissed off at myself for having died. The whole hospital excursion really ate into my day off."

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Keith Richards: Life (2010)

Val Wilmer/Redferns; Courtesy of Little, Brown and Company/Hachette Book Group

3

Keith Richards: ‘Life’ (2010)

Like a lot of books on this list – only more so – Life makes you marvel that the guy who lived through all this chaos could end up remembering any of it. In fact, it's hard to imagine how a guy who lived the rock & roll myth as hard as Keith Richards could still talk his way through a transaction at the drive-through window, let alone a book this great. Despite all the bitching about Mick, this book exceeded any reasonable expectation for literary Keefness.

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Patti Smith: Just Kids (2010)

Jorgen Angel/Redferns; Courtesy of Ecco/Harper Collins Publishers

2

Patti Smith: ‘Just Kids’ (2010)

An incredibly romantic portrait of two young hustlers in the big city: Patti Smith and her best friend, artist Robert Mapplethorpe, have to keep telling each other how great they are, because nobody else will believe it. The most amazing thing about this book is the warmth, the lack of bitterness – what Patti Smith seems to remember most about New York bohemia in the 1960s is all the moments of awkward kindness. Best scene: Allen Ginsberg buys Patti a cheese-and-lettuce sandwich at the Automat, because he thinks she's a pretty boy. When she breaks the news that she's a girl, she asks, "Well, does this mean I return the sandwich?" Ginsberg just keeps talking to her about Jack Kerouac while she eats – a gentleman as well as a poet.

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Bob Dylan: Chronicles, Volume One (2004)

Michael Ochs Archives/Getty Images; Courtesy of Simon & Schuster

1

Bob Dylan: ‘Chronicles, Volume One’ (2004)

Everybody knew this guy had a way with words. But it's safe to say that nobody expected his autobiography to be this intense. He rambles from one fragment of his life to another, with crazed characters and weird scenes in every chapter. It all hangs together, from his Minnesota boyhood (who knew Dylan started out as such a big wrestling fan?) to the "deserted orchards and dead grass" of his Eighties bottoming-out phase. He evokes his early folk-rogue days in New York, even though he hated being perceived as the voice of a generation: "I was more a cowpuncher than a Pied Piper." So where's that Nobel Prize already?

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