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Salt-N-Pepa: Our Life in 15 Songs

The hip-hop pioneers tell the stories behind “Push It,” “Shoop,” Whatta Man” and more

Salt-N-Pepa: My Life in 15 Songs

Everett Collection

Over the course of five albums released between 1986 and 1997, Salt-N-Pepa were funky pioneers popping the bubbles of rap machismo, taking aim at tramps, cheaters, gutter-minds, slut-shamers and smooth-talkers. After becoming first female rappers to be certified Platinum, partially thanks to the success of 1986’s smash “Push It,” they were included the very first crop of nominees for the Rap Performance Grammy. “I’ll Take Your Man” helped shape the sound of New Orleans rap and 1988’s “Shake Your Thang” became an important bridge between hip-hop and D.C.’s percussive gogo scene. Bolstered by singles like “Shoop” and Whatta Man,” their 1993 album Very Necessary became a five-times-Platinum success, and the group ended up everywhere from Woodstock ’94 to Deadpool.

“Back then, touring was really hard for us,” says Cheryl “Salt” James. “We had young kids, and so the boys would be out on the road, they would tour for a whole year, Salt-N-Pepa, we would do, like, three months at a time. Now we’re touring, like mad.”

The group is currently making up for lost road time crossing Canada as part of the I Love the ’90s Tour alongside Kid N Play, Coolio, Kool Moe Dee, Tone Loc, Young MC and more. After an October run in the U.K., the tour will convene in January for the inaugural Ship-Hop Cruise, taking a nostalgia trip from Miami to Cozumel. It’s a fine time for them to look back, and Rolling Stone caught up with Salt, Sandra “Pepa” Denton and Deidra “Spinderella” Roper to find out the stories behind these trailblazing hits. 

“Whatta Man” feat. En Vogue (1994)

Salt: One thing about Salt-N-Pepa, we’ve always been quite unaware of how famous we really are.

Pepa: I’m the one that said, “Let’s get En Vogue.” And they was like, “En Vogue?! We can’t get no En Vogue!”

Salt: We were debating on the whole En Vogue thing, and we were like, “Do you think they’ll do it?!

Pepa: And, honey, what a collaboration.

Salt: I think “Whatta Man” was a great song but that visual, with me and Tupac in the bed together. … Oh that was him, honey. [Laughs.] That was him.

Pepa: I was going with Treach at the time. … Those girls got to pick they man.  … Like, that’s a fun time in videos. You get to pick boys. But I had a man, so I was stuck with my man. Cheryl was able to get Tupac! … I mean, I had my Treach, but I’m just saying. That’s the fun time! That’s when you get to go play! And you don’t gotta hide it! [Laughs.]

Salt: First of all, of course, every girl loves Tupac. And I remember my baby daddy at the time was in the room. I had to tell him to leave! [Laughs.] And if you look at that video, I remember it because he was being quite bold, as Tupac of course would be, and I was being really shy. I’m kind of cringing back a couple of times because [shrieking] he’s all over me, and we’re in the bed together, in front of all these people! It was a great experience, but if I could have it now, I would have been a lot less shy. But yeah, he didn’t show his face in the video. And there was some controversy around him at that time, and that actually was a record company decision. I actually called him and apologized, because hearsay is hearsay. We don’t know … a lot of times, it’s guilty until proven innocent when it’s supposed to be innocent until proven guilty, so that was a little bit hard, not to have his face shown in the video. Which wasn’t our choice at that time.

Me and Tupac had a little chemistry, but I knew not to mess with that. I wouldn’t have been able to handle that guy! … When we won a Grammy, he sent us, to our hotel room, a cake shaped like a gun. I think it was a Glock. And we didn’t know if he was threatening us or congratulating us. [Laughs.]. We were like, “What did we do?” This has to be his way of congratulating us. And it was. But that was such a Tupac thing to do. 

“None of Your Business” (1994)

Salt: Being a mom, the “If she wanna be a freak and sell it on the weekend” part was the part that I was having a lot, a lot, a lot of problems with. I actually remember feeling kind of like I was going against everything that not only I’m about, but [also] Salt-N-Pepa as women and female empowerment and respect and everything. To me, that’s basically condoning prostitution, which I don’t condone, and didn’t then, and still don’t. So that was just something I would never, ever, ever say. Like, vehemently would never, ever say. So then me and Hurby were going back and forth, and I said, OK, so at the end, can I say something about judgment. The whole “Only God can judge” thing at the end was like my compromise with him or his compromise with me, ’cause he really wanted that line in the song. But it never, ever, ever, ever sat well with me.

Pepa: And of all the songs in the world to win the Grammy for. … I know kids look up to us. And I get it. But that was my song. … And I like saying “none of your business.” Because I live by that, to this day. … Yeah, we don’t like, “If I wanna be a freak and sell it on the weekend,” but guess what, it’s none of your business. Because some girls, I know they sold it, and they went to college. But it’s none of anybody else’s business.

Spinderella: “Bone” was the word back then [laughs.] We were pushing the envelope, we were talking like we’d talk behind the scenes.

Salt: A lot of people disagree with me, they hate that I feel that way, I know Pepa does, but … I don’t know. It’s just the way that I feel. And I can’t help it. Essence used to do a TV awards show. [Editor-in-chief Susan L. Taylor] asked us not to do “None of Your Business” as a woman. She explained the lyrics and what it’s saying that she doesn’t feel it’s female empowerment-worthy, for Essence. And I understood it. So now I’m caught between a rock and a hard place and I said, OK, well, it’s the hit song right now, it’s part of our medley. That particular line I told her we would take out along with some other words. But when I got on stage, I kind of forgot, or lost it, because it was an industry audience, those things are kind of nerve-wracking and I said the lyrics that I said I would not say. And I remember her being so angry with us. But it made me go, “Wow, somebody that agrees with me about some of the things that this song is saying.” And I didn’t feel so crazy.

Pepa: We finally, after all these years, found a way to do this song, finally. … I’m not gonna lie. I wanted to do that song. That’s the song [that helped make the proudest] moment of my life, winning the Grammy, televised. Back then, they weren’t even televising rap. And that song won me the Grammy, and I wasn’t ashamed of it. So [Salt] got pissed, because everybody wanted to hear it. And she could tell that I disagreed. And it was feelings. She knew how I felt. I couldn’t discuss it. I couldn’t say, “Girl, do the song.” I just had to take it. I just had to just live with it, her decision of not wanting to do the song at all. … We found a way that Salt goes off the stage, I do that song with the crowd, and they lose they minds. I honored her. I respect her decision. But my fans wanted that song. 

“Ain’t Nuthin’ But a She Thing” (1995)

Salt: Yes! Yes! I wrote that song. … It was the polar opposite [of “None of Your Business”]. And when I listen to the lyrics, I’m like, “Damn!” It’s so empowering to me. And the video, I put the concept together and everything, the female soldiers and the firewomen and the astronauts. Celebrating being able to give birth. And Pep at the end of the video – guy was trying to rape her, and she beat the crap out of him with her purse. It was just like, Yes! Now this, for me, it wasn’t a commercial hit, it didn’t win a Grammy, but it was such a powerful female song. 

“Champagne” (1996)

Salt: Pepa, we call ’em “Pepa-isms,” you know. Pepa’s a talker. And she’s Jamaican, so she says funny things a lot. So when I’m with her a lot of times, she’ll say something and I’ll be like, “That’s a song.” So it was one of those days. And she was talking about her life and, you know, how fabulous she is, and everybody wants to hang out with her. She was like, “‘Cause you know, I got the champagne and the ha ha, right?” And I was like, “Damn, that’s a song.”

It ended up being for the movie [Bulletproof]. I remember having a conversation with the head of the record company at that particular time, and saying, “Yo, can we push this? Can we put this out as a real single? Like take this seriously and put some weight behind it.” And they were like, “Why?” I remember trying to fight to get that song played on the radio and not just have it be part of a movie soundtrack, but, you know, I lost that fight.

It was a changing of the guards time, which Salt-N-Pepa get caught in a lot. Executives start leaving the company and then things start falling through the cracks. It was one of those situations. We were going from one company to another, so nobody really wanted to be bothered at that point. And that’s kind of what happened with [final album] Brand New. We didn’t really have a real home, and then Hurby wasn’t involved, and it was a bad time for Salt-N-Pepa. So that record was never taken seriously at all, or never even attempted to be promoted. 

“Gitty Up” (1998)

Salt: I think it was the first, last and only attempt the record company made to kind of put something out for [final album Brand New]. It got a lukewarm response. But that video was insane. I practically edited that video myself, because it was like, we were in that situation where nobody cared. I had to fly to L.A. and sit with the editor. They were, like, so over us at that point. I just feel like based on the the Rick James sample, the video and everything, I thought it would have done better. But, you know, everything is not gonna hit.

Pepa: Yes, I had higher hopes for that song. I don’t know what happened. … I felt cheated. The video was great. The song is sexy. Our flow was great. I had high hopes for that song. Something went wrong, and I wish I could play it again.

Spinderella: It wasn’t our biggest single, of course, but it was a good depiction of us being sexy, and delivering those lyrics, and we were right in our prime

Salt: I had shortly left the group after that, because it was just emotionally, so many things going on and a lot of it was the friendship between Pep and I … it was going south. And I didn’t really understand what was going on. It was just one of those really bad, bad times in our lives, in our careers, personally, and business-wise, changing record companies and not knowing where we belong. I think that was just not a good time for Salt-N-Pepa period, to put out – even try to put out – music, because of all the things that were happening between us.

It took a while. Salt-N-Pepa got back together and we grew up and we had therapy and we hashed out our differences. With Iyanla Vanzant, actually. She helped us work out some stuff. And we realized a lot of things about our relationship and what happened between us. And the bottom line is I think we both just felt under-appreciated. But we were young. Once Salt-N-Pepa started, it just never stopped. 

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