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Rob Sheffield’s Top 25 Songs of 2016

Beyoncé’s ultimate kiss-off, Rae Sremmurd’s sublime Beatles ode and other standout tracks from the year that was

Rob Sheffield's Top 25 Songs of 2016

Rob Sheffield counts down his 25 favorite songs of 2016.

Josh Brasted/WireImage/Getty, Jimmy King, Kevin Mazur/WireImage/Getty

Nobody likes you when you're 2016, as Blink-182 might have put it. But this lemon of a year had a bounty of great songs. These are my 25 favorites of 2016 (though some gems are over on my albums list, to avoid duplicating all the same artists). Including, but not limited to: hits, obscurities, guitar monsters, pop twirlers, rap Beatlemaniacs, soul shakers, punk blurts, and karaoke room-clearers. And the Monkees, obviously.

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20

Fifth Harmony feat. Ty Dolla $ign, “Work From Home”

If you are ever unlucky enough to get trapped in a karaoke bar when I grab hold of this song, you will definitely wish you were work-work-working from home, and so will the bartender. Apologies in advance.

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21

Maren Morris, “Drunk Girls Don’t Cry”

The Texas gal blew up into one of 2016's brightest Nashville upstarts, with a foul-mouthed chant for all the country girls at the bar who get so cry they can't stop drunking

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22

DNCE, “Cake by the Ocean”

My favorite scene in the Mike Love autobiography is when he goes deep on his creative process during the composition of "California Girls." "So I wrote, 'The East Coast girls are cool.' No. 'The East Coast girls are sharp.' Not quite. Then: 'Well, East Coast girls are hip.'" Eureka! I think DNCE put similar cerebral ministrations into this beach-blanket hit, where the Joest of Bros writes a song that's basically a Weird Al parody of itself.

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23

Maxwell, “1990x”

When the going gets weird, the weird go Nineties. Slow-jam perfection, so saturated in old-school R&B it should have a line about a two-way pager.

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25

Leonard Cohen, “Treaty”

The late, great Merle Haggard had a provocative line a few years ago about surviving into old age. "It's kind of like finding out there's time on the show and you've played your best songs," he told Rolling Stone's Jason Fine. "God was kind. But now he expects some work out of it." Leonard Cohen also got assigned extra work in his final years, and he made the most of it, closing his encore with the magnificent "Treaty." The chorus recycles a melodic hook from one of his most famous ballads, "Anthem," as he sings, "We sold our souls for love but now we're free." There's a poignant urgency in that moment – the man was in a hurry to finish the damn song. So he got it done. One of his best. And by the time he died in November, the song was out there in the world, where it belongs.

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