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Rob Sheffield’s Top 20 Albums of 2017

From Kendrick Lamar and Taylor Swift to Kelela and Japanese Breakfast

rob sheffields top 20 albums of 2017

Rob Sheffield weighs in on his top 20 albums of 2017, including Taylor Swift, Harry Styles and Kendrick Lamar.

What a glorious year for music – as opposed to, well, a few other things. In a rancid year, these albums were something to celebrate, music worth passing along and making noise about. These were my 20 favorites – too many greats to cut it down to a mere top 10. Musically, they’re all over the map: pop thrills, rock & roll animals, hip-hop ragers, soul survivors. But these albums kept me connected to the world, kept me excited for tomorrow, kept me feeling fascination, kept me moving on up. 

rob sheffields top 20 albums of 2017

Japanese Breakfast, ‘Soft Sounds From Another Planet’

Michelle Zauner goes for sci-fi New Wave, expanding the introspective tunes she wrote on last year’s Psychopomp into trips like the six-minute “Diving Woman,” where she vanishes under the sea to be alone with her scary self, or the shoegaze doo-wop of “Boyish.” “I can’t get you off my mind/I can’t get you off in general” – could that be 2017’s answer to Lit’s “You make me come/You make me complete/You make me completely miserable”? (Probably not.)

rob sheffields top 20 albums of 2017

Migos, ‘Culture’

The North Atlanta trap trio hit new heights all year, showing up everywhere from Cardi B’s nails (mazel tov, Offset) to Liam Payne’s solo hit (stay strong, Quavo). “Bad and Boujee” and “Slippery” became signature jams, but Culture hits hardest in “T-shirt,” where they rewind from 2005 to 1995 to 1975 to remember what mama told them. 

rob sheffields top 20 albums of 2017

Randy Newman, ‘Dark Matter’

A year after Leonard Cohen signed off, Randy Newman seems to have drifted into his role as elder Jewish sage, yet another twist in their seemingly opposite yet weirdly linked careers. Like Cohen, Newman never sounded young – he was croaking “I Think It’s Going to Rain Today” in the Summer of Love. So he revels in his voice as the old dirty bastard, even when he opens up for the grief of “Wandering Boy.” There’s something inspiring about all the sarcastic bile on Dark Matter – this rich Hollywood piano man finished these songs because he felt they were worth putting out into the world, which means he felt the world was worth the trouble. In 2017, that was a welcome reminder.