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Readers’ Poll: The 10 Best Tom Petty Albums

Your selections include ‘Echo,’ ‘Wildflowers’ and ‘Damn the Torpedoes’

Tom Petty and The Heartbreakers

Tom Petty and The Heartbeakers

Chris Walter/WireImage

Tom Petty and the Heartbreakers are going on a rare American theater tour this summer, which he says is a chance to break out deep cuts from his four-decade catalog. With that in mind, we asked our readers to vote for their favorite Tom Petty album. The response was huge, and the top album won by only seven votes. Click through to see the results. 

Tom Petty and The Heartbreakers

MCA Records

2. ‘Damn the Torpedoes’

Much like Bruce Springsteen's Born to Run a few years earlier, 1979's Damn the Torpedoes was Tom Petty's make-it-or-break-it third record. He was an established live act by this time, but he didn't have an album that lived up to the hype. As the title suggests, he wanted to craft a disc that boldly charged ahead, regardless of the dangers. From the opening notes of "Refugee," it was clear that the album was a masterpiece. The track listing almost reads like a greatest-hits disc from there: "Here Comes My Girl," "Even the Losers" and "Don't Do Me Like That."

"This is the Tom Petty and the Heartbreakers album we've all been waiting for," wrote Ariel Swartley in the original Rolling Stone review. "That is, if we were all Tom Petty fans, which we would be if there were any justice in the world, live shows for all, free records everywhere and rockin' radio." 

Tom Petty and The Heartbreakers

Warner Bros. Records

1. ‘Wildflowers’

It was an extremely close contest, but Petty's 1994 solo disc Wildflowers won this poll by a hair. Petty cut the solo album over the course of two years with producer Rick Rubin. It's an extremely mellow effort, highlighted by the title track, "You Don't Know How It Feels to be Me," "It's Good to be King" and "Honey Bee."

Rubin insisted the group use no synthesizers and non-acoustic keyboards so they'd have a more organic sound. "The [album's] key virtues are grit and grace, and Rubin's taut, muscular production emphasizes both these gifts," Elysa Gardner noted in the original Rolling Stone review.  "Buoyant tracks like 'A Higher Place' and 'You Wreck Me' remind us that Petty and his band were the first to marry the chiming lyricism of the Byrds to a more raw, harder style of rock & roll, prefiguring the approach R.E.M. and others would later use to revitalize contemporary music. . . Wildflowers is worthy of that longstanding impact and evidence that this American boy is moving through middle age with all the gusto and poise that his admirers have come to expect."

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