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No Apologies: All 102 Nirvana Songs Ranked

RS tackles the complete catalog of the band that defined the Nineties and made the world a lot noisier

nirvana kurt cobain dave grohl krist novoselic

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We've dug deep into the catalog of the chaos-embracing sludge-pop titans who changed the world and tackled a massive task: ranking all 102 album cuts, B-sides, bonus tracks, officially released covers, bootlegger-traded originals, home demos, Peel Sessions, and 4-track experiments we could find, from Nirvana's formation in 1987 to their McCartney-assisted reunion in 2013. It's no secret that the 38 songs on Nirvana's three classic albums blurred the lines between punk's most subterranean muck and pop's highest reaches. But they also left behind a wealth of other material from the shaggy to sublime, from combustible to calm, from coulda-been hits to unfinished sketches. Here it is, from Aero to Zeppelin, and everything in between. (Listen to the full playlist on YouTube here.)

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57

“Aero Zeppelin”

Cobain proudly included Aerosmith's Rocks in the famous list of his top 50 albums, and Cobain and Novoselic listed both Zeppelin and Aerosmith in an ad for a drummer they placed in Seattle rock mag The Rocket. But despite the fact that it often appeared in their early live sets right alongside Zep's "Immigrant Song," "Aero Zeppelin" is no mere metalhead homage. Instead it's more an early example of Cobain's hunger to find a middle ground between the thunderous swagger of hard rock and punk's warped idea of catharsis. Its lyrics interrogate what musical fandom means, a central preoccupation of Cobain's, while the music twists Seventies swagger into new, angrier forms. One of the earliest Nirvana songs, it would show up on Incesticide years after they'd stopped playing it. JON DOLAN

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56

“Curmudgeon”

Nirvana's April 7, 1992 session at Laundry Room Studio, located in a yellow house in West Seattle, marked the band's very first post-Nevermind recording work. The date, with Laundry Room head Barrett Jones at the helm, yielded three Nirvana deep cuts: "Oh, the Guilt," a cover of the Wipers' "Return of the Rat" and this song (though demos of "Frances Farmer" and, possibly, "Very Ape," were tracked as well). Of the songs, "Curmudgeon" – which is distinguished by the heavy, at times overwhelming, phasing effect added to Kurt's guitar – was the first to see release, being issued just three months later as a B-side to "Lithium." RICHARD BIENSTOCK

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55

“Mexican Seafood”

"Mexican Seafood," was part of Nirvana's first-ever studio demo, recorded on January 23rd, 1988 with the Melvins' Dale Crover on drums and producer Jack Endino behind the board. Originally released in 1989 on C/Z Records' Teriyaki Asthma Vol. 1 (alongside Helios Creed, Coffin Break and Yeast), the song's choppy guitar chords and Kurt's pseudo-English accent point to a heavy British post-punk influence (Cobain's 50 favorite records included Gang of Four, Public Image Ltd. and the Slits among others). The song's gross-out lyrics, meanwhile, marked the first time that his enduring fascination with bodily functions at their most disgusting made it onto wax. DANIEL EPSTEIN

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54

“Spank Thru”

A good argument can be made for "Spank Thru" as the song that started it all. Dating back to his 1985 Fecal Matter demo, it was the first Cobain-penned song that got Krist Novoselic's attention, thus kick-starting the formation of Nirvana. "One of the songs on [the tape] was 'Spank Thru,'" Novoselic recalled in a 1992 interview with WFNX music director Kurt St. Thomas. "He turned me on to it, and I really liked it, it kind of got me excited. So I go, 'Hey man, let's start a band.' We scrounged up a drummer, and we started practicing. Took it very seriously too." Once the band had mobilized, it became the third Nirvana song to find official release (finding its way on 1988's Sub Pop 200 compilation) and has continued to make appearances on most of their official live albums. DANIEL EPSTEIN

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53

“Paper Cuts”

Cobain bios overflow with stories of how much Kurt idolized the Melvins, and few songs telegraph that love more than the punishing, titanic "Paper Cuts." Nirvana drafted then-and-current Melvins drummer Dale Crover to fill in on a 10-song demo while both bands recovered from lineup implosions; three songs from that demo ultimately ended up on Bleach after failed attempts to rerecord them with Chad Channing. "Paper Cuts" bears Crover's influence the most, infused with his trademark, stop-start concrete thud. The lyrics – inspired by an Aberdeen family who imprisoned their children in a blacked-out room – touch on the suburban atrocities that Cobain would revisit in songs like "Polly," but the band was never this heavy again. TOM MALLON

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