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No Apologies: All 102 Nirvana Songs Ranked

RS tackles the complete catalog of the band that defined the Nineties and made the world a lot noisier

nirvana kurt cobain dave grohl krist novoselic

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We've dug deep into the catalog of the chaos-embracing sludge-pop titans who changed the world and tackled a massive task: ranking all 102 album cuts, B-sides, bonus tracks, officially released covers, bootlegger-traded originals, home demos, Peel Sessions, and 4-track experiments we could find, from Nirvana's formation in 1987 to their McCartney-assisted reunion in 2013. It's no secret that the 38 songs on Nirvana's three classic albums blurred the lines between punk's most subterranean muck and pop's highest reaches. But they also left behind a wealth of other material from the shaggy to sublime, from combustible to calm, from coulda-been hits to unfinished sketches. Here it is, from Aero to Zeppelin, and everything in between. (Listen to the full playlist on YouTube here.)

Nirvana
8

“About a Girl”

“Even to put ‘About a Girl’ on Bleach was a risk.” Kurt Cobain told Rolling Stone in 1994. “I was heavily into pop, I really liked R.E.M., and I was into all kinds of old Sixties stuff. But there was a lot of pressure within that social scene, the underground – like the kind of thing you get in high school. And to put a jangly R.E.M. type of pop song on a grunge record, in that scene, was risky.” Cobain’s legend status makes it easy to forget how young the man taking these risks was – just 21 during the recording of Bleach. And this song, with all its voice cracks and ginger pop chords, belies his inexperience, particularly in the woman-realm —he’s a mischievous paramour trying to get over, but his good intentions come through in the chords. Clearly he eventually got off the couch belonging to the girl in question, Tracy Marander, but deep beneath his sly pleas, you can tell he himself was unsure that he ever would. JULIANNE ESCOBEDO SHEPHERD

nirvana
7

“Lithium”

At its heart, “Lithium” is a curled-lip condemnation of blind faith and the born-again Christians Cobain knew in his youth. According to biographer Everett True, Cobain said the character in the song “decided to find God before he kills himself.” The frontman went on to say, “It’s hard for me to understand the need for a vice like that, but I can appreciate it, too. People need vices.” With its soft and loud sections, the song exemplifies the bipolar pop that made Nevermind great. It’s unruly and unwieldy, and wasn’t easy to record: When Cobain couldn’t get his guitar to sound right in the studio, he threw it during a temper tantrum and began screaming. The cacophony became bonus track “Endless, Nameless.” KORY GROW