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My Grammys: Weird Al, David Sedaris and More Remember the Big Night

Margaret Cho, Nate Ruess, Mastodon and Giorgio Moroder share stories from backstage

Grammy Awards

Grammy Awards


With the 57th annual Grammy Awards just days away, Rolling Stone asked a handful of past winners and nominees about their favorite memories of Grammys past. Our group of comedians, authors and musicians responded with tales of getting dressed down by Pink, wearing the nomination medallion to the dinner table and possibly eskimo-kissing Paul McCartney.

Basement Jaxx

Frank Micelotta/Getty

Basement Jaxx’s Felix Buxton

One Win: Best Electronic/Dance Album (2005)

I thought, "If we're getting a Grammy, we definitely want to be there." We were trying to find out before if we were going to get it, but they didn't let us know. So we had to go there and wait for hours while they gave Best Polka award, best whatever and whatever. But for us, it was great. You see all the cartoon characters, and Beyoncé and Snoop Dogg all rubbing shoulders with each other. It's quite entertaining, and to see what a business it is, particularly the big American acts, to see how much their PR agents were involved.

It's a circus, and it's great to kind of witness it. I remember afterwards Usher had some party, an afterparty that everyone wanted to go to, which it took me absolutely ages to plug into. There were hundreds of people outside all going, really stressed and wanting to get in there. Then I eventually managed to get us in, and it was just everyone pointing their phones, videoing Usher and Tarantino, and it was a rubbish party. [Laughs.] I thought, "How ridiculous?" It was really amazing to see the whole hype machine and the big bullshit factor — the people waiting outside and then getting in there to see that this is all there is. I feel like that was the same thing as the Grammys. You're seeing the whole red carpet thing and people beating themselves up and working out that it's a real industry. We came from a point of doing our music where it was like a scene. It was not to do with this big, corporate pop industry. For us, it was one of the first times seeing that.

Weird Al Yankovic

Al Yankovic arrives at the Staples Center for the 54th Grammy Awards in Los Angeles, California, February 12, 2012. AFP PHOTO Joe KLAMAR (Photo credit should read JOE KLAMAR/AFP/Getty Images)

Jason Merritt/Getty

“Weird Al” Yankovic

Three Wins: Best Comedy Recording (1985), Best Concept Music Video (1989), Best Comedy Album (2004)

It was surrealistic the first time [I was nominated]. I was just a couple years out of college — with a degree in architecture, no less — and all of a sudden, there I was in a rented tux at the Grammy awards! And I have to say, as mind-blowing as it was 30 years ago, it doesn't feel any less mind-blowing now. Being a Grammy nominee never gets old — I'm not jaded about it in the slightest.

The very first time I was nominated, I was up against Rodney Dangerfield and Richard Pryor, so, no, I wasn't expecting to win. When they called my name, I thought somebody had made a mistake! 

[In 2007] I remember Chamillionaire came up to me on the red carpet to tell me that "White & Nerdy" clinched his Grammy win because my parody made it "undeniable" that "Ridin'" was the Rap Song of the Year. 

[All of the ceremonies I've attended have] all been great and memorable, but my favorite was probably last time — three years ago — because I got to bring my 8-year-old daughter with me to the Grammys. She even got interviewed on the red carpet, and totally nailed it!


Giorgio Moroder

LOS ANGELES, CA - JANUARY 26: Producer Paul Williams, recording artist Pharrell Williams, and musician Giorgio Moroder attend the 56th GRAMMY Awards at Staples Center on January 26, 2014 in Los Angeles, California. (Photo by Michael Kovac/WireImage)

Michael Kovac/Getty

Giorgio Moroder

I remember I was sitting next to my wife and Pharrell and of course the [Daft Punk] guys when they said "And the winner is…"; and I see Taylor Swift jumping up because she had an album and I didn't really hear what they said. They didn't say Daft Punk, they said the name of the album. I was like "Oh!" And I was sitting and I saw them get up and I asked my wife, "Did we win?" And she said, "Yeah! Didn't you listen?" [Chuckles.] It was nice.

Slipknot Clown

LOS ANGELES, CA - JANUARY 26: Slipknot Clown attends the 56th GRAMMY Awards at Staples Center on January 26, 2014 in Los Angeles, California. (Photo by Steve Granitz/WireImage)

Steve Granitz/Getty

Slipknot’s Clown

I just sat there and smoked cigarettes outside, and was like, "You guys will figure it out." [Security] were just so fucking freaked out. Finally, they come up to me, and I'm like, "Here's the deal, I've won a fucking Grammy. It's so heartbreaking that it's so hard for you fucks to figure it out." After about 25 minutes at every door, they let me in everywhere. It's great walking down the red carpet, and having people go, "What is this thing?"

We've done this before. It's so funny listening to them talk. I like to ruin everyone's day. When they walk the red carpet, all of a sudden there's a clown in a $2,000 suit. We just want to let everyone know, "I don't know what you think of Slipknot. I don't really fucking care. But we aren't going anywhere. I'm right here, right now in your face, and you didn't think so. You're not safe."

When I was rolling through security, first you have these idiot punk fucks — moronic, scared, non-competent people. They were assholes. The kids and the lower security — people taking your ticket or whatever — everyone knew who I am and think it's badass. They're real fans and the real workers of the night. They're not getting awards, they're giving out Cokes. The high-up security people and the cops too. The real cops with the real guns would be like, "Aw, can't wait for the new album, man." As the enemy is all around, the secret society is right next to them.

The Grammys are nothing but achievement for me, man. It's hard to ignore the work of this little band from Iowa called Slipknot. You can't fuck with our work — you just can't. Who's doing it bigger and better? Sure, pop bands have millions of dollars in production, we don't need all that. We're a war onstage. I have gentlemen in tuxedos that are 70 years old coming to say congratulations. I have no idea who they are, but they're watching.

It's kind of a ridiculous thing. Best metal performance? Whatever that means. It's so funny, you got all these shitheels that play on tape there. Got their panties up their ass, and all these fucking fruitcakes doing whatever. Best metal performance? Whatever. It should be best band in the fucking solar system for us. I'm pretty sure that it's our time again this year. On our third record when we won it was the same thing. We worked our asses off. Whoever does win deserves it.

When we won in 2006, I lost my father three or four months prior. I was just in a zone. I feel like he had something to do with it. It was a nice way of ending any sort of ceremony. I pulled it in. It was just what I needed. My wife bought me a piano, and I keep my Grammy there. I'd like to think of a long line of great songwriters that achieved what their dream is, their art. I use that as an inspiration. It reminds me of hard work and digging in.

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