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MTV VMAs 2016: 20 Best and Worst Moments

Beyonce’s stunning ‘Lemonade’ spectacle, Kanye’s rambling speech, all four of Rihanna’s medleys and more highs and lows from MTV’s Video Music Awards

MTV's 33rd annual Video Music Awards was intended to be the Rihanna show – since the 28-year-old entertainer was receiving the Video Vanguard Award and was programmed to perform four career-spanning medleys throughout the evening. But it turned into a Beyoncé mini-concert when she and her crew performed an epic medley of songs from Lemonade that left everyone with dropped jaws. Here's the highs and lows from a night of no-show celebs, anticlimactic reinventions and divas in the spotlight.

Best: Rihanna, Take Four

Sometimes songs come along that completely reframe artists' careers, allowing them to show sides of themselves that were always present, but never at the forefront. That's certainly the case with Rihanna's torchy Anti track "Love on the Brain," which is a tour de force that lets her show just how much emotional energy she can wring out of a track — its passing resemblance to Queen's similarly tortured "Somebody to Love" is only enhanced by the ferocity of her vocal, which is wracked with heartache and ambivalent hope. Rihanna's final medley of the night bookended her current single with the aching "Stay" and the glittery "Diamonds," but it was the rip-roaring run through "Brain" that cast her pop megastardom in a new light.

Best Worst VMA Awards 2016

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Worst: The Anticlimactic Return of Britney Spears

We all wished it would be a triumph. We all feared it might be a disaster. Instead, Britney's much-discussed return to the VMAs was just depressingly competent. The visual design was intriguing enough, starting with a silhouetted Britney performing recognizably Britney-ish moves during her new single "Make Me," and the star shined in a skimpy, spangled yellow unitard and boots once she appeared in the flesh. But Ms. Spears not only had to share the stage with the lanky, leather-clad G-Eazy — a capable but mostly charmless rapper — but she had to sing the hook on his hit, "Me Myself and I." The interaction between the two was shockingly sexless even when she was reaching up between his legs from behind. Worst of all, it was downright cruel of MTV to force Britney to take the stage just after Beyoncé's showstopping performance.

Best Worst VMA Awards 2016

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Best: We Like the New Kanye

Kanye West inhabits a very specific Venn diagram where "boundless creativity" meets "oppressive fame." Because of this he not only can treat one of the biggest awards shows as an open mic to just "riff," but the audience will eat it up like he's Louis C.K. or Jerry Seinfeld. He had jokes but also had serious words about murders in Chicago; he alluded to tabloid fodder and defended his controversial video's use of tabloid fodder; he had a zen narcissism ("I am Kanye West … and that feels really great to say") but also made room to call Chance the Rapper "the future." Plus he premiered a music video — the racy, Flashdance-meets-Cat People "Fade" — not on a streaming service where you have to come to him, but on a TV show that everyone was already watching.

Best Worst VMA Awards 2016

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Best: Beyoncé Wins Video of the Year

After racking up 11 nominations — more than any other artist, ever — and delivering a gripping, 15-minute Lemonade medley, it was no surprise that Beyoncé scored the ultimate VMA. "I dedicate this award to the people of New Orleans," said Bey who set her groundbreaking video in the city. From the city's roots in the slave trade, to the economic and environmental devastation it faced post-Hurricane Katrina, to an ongoing epidemic of police violence, "Formation" is a tribute to the endurance of its people, most notably those who are black and poor. Yet Beyoncé and director Melina Matsoukas take it a step further, making the case not just for black survival, but for black empowerment in a series of striking images: her middle fingers up in funeral garb; black women linking their arms in dance; a newspaper headlined "More Than a Dreamer" with MLK's face on the cover; a standoff between a child in a hoodie and row of riot cops; the words "STOP SHOOTING US" scrawled on a wall; Beyoncé herself lain across a New Orleans cop car, sinking in the midst of a flood. To Beyoncé, New Orleans is not just the city she loves; New Orleans is the mirror through which the United States must see itself, warts and all. Whereas 2013's "***Flawless" once called for the world to bow down, 2016's "Formation" is the call to rise up.

Best Worst VMA Awards 2016

Terry O'Neill/Getty, Time & Life Pictures/Getty

Worst: No Mention of Music Video Pioneers David Bowie and Prince

It's pretty hard to imagine what modern pop music would be like if David Bowie and Prince had never existed, but it's impossible to imagine MTV without their visual flair setting dazzling examples in its earliest years. And yet, the VMAs chose not to mourn either recently deceased genius. The night lacked even a respectful mention of either legend by a presenter — though Bowie did appear briefly onscreen when the video for "Blackstar" won an award for art direction. Still, you'd think Bowie, the winner of the very first Video Vanguard Award and a man who was making videos for a full decade before MTV was born, would merit some acknowledgement. The Video Vanguard is an award, it should be noted, the Prince never received – though maybe MTV thought he'd be insulted by the honor once they re-named it for Michael Jackson.

Best Worst VMA Awards 2016

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Worst: Host Schizophrenia

This is the sixth VMAs with no host, a situation that causes the night to swirl with directionlessness and confusion. Key & Peele were spotlight stealers with their performance as a pair of social media influencers snarking and self-aggrandizing, but they were clearly doing bits when the night called for leadership ("Why would you cut to us while she's still on stage?" quipped a desperate Peele about Beyoncé, in one of those moments where every joke has a grain of truth). The night was completely schizophrenic bouncing from K&P doing traditional sketch comedy, to DJ Khaled doing his sincere motivational speaker act, to Jay Pharoah doing some accurate but unfunny impressions to Nicole Byer doing a millennial-ish hyperbole ("I'm dead!") that routinely and confusingly crossed the line between "Christopher Guest-style award show commentator" parody and "actual enthusiasm." We can only imagine if MTV just gave Key & Peele the space to provide multiple voices themselves.

Best Worst VMA Awards 2016

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Worst: Jay Pharoah Makes an Impression

It must be said that Jay Pharaoh is one of the most gifted impressionists working today, a Rich Little for the Lil Wayne generation. It also must be said that his talents were wasted on Saturday Night Live and his talents were wasted at the Video Music Awards. "Kevin Hart works the concession booth" and "Jay Z waits in the bathroom line" are killer set-ups that had no good punchlines. His energy and devotion to playing these characters just made their flopping all the more excruciating. 

Best Worst VMA Awards 2016

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Worst: The Parade of No-Shows

A steady stream of couldn't-be-there-tonights made an already low-energy show feel even more tepid. Puff Daddy informed us early on that Drake – who would turn up later – was "stuck in traffic" after the Canadian star failed to take the stage to accept his Best Hip-Hop Video award. Unlikely Best Male Video winner Calvin Harris skipped the show for a show in the U.K., accepting via satellite, while the Final Five became the Final Four due to Gabby Douglas being hospitalized for a mouth infection. When Fifth Harmony and Ty Dolla $ign actually took the stage to accept their Best Collaboration Video statue, it was almost hard to believe that an honoree had bothered to make it to MSG.

Best Worst VMA Awards 2016

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Best: Alicia Keys Takes a Stand

Forget canned jokes and robotic recitations of what a category means: Alicia Keys turned her presentation of Best Male Video into an opportunity. After noting that it was the 53rd anniversary of Dr. Martin Luther King Jr.'s "I Have a Dream" speech, Keys launched into a poem about the ways in which sex and war are treated by culture that eventually turned into a full-throated hymn about the callousness of the world. "Maybe we could love somebody/maybe we could care a little more/maybe we could love somebody/instead of polishing the bombs of holy war," she sang, sans accompaniment. She then resumed speaking: "I still believe in that dream that one day, our nation is going to rise up and be finally, finally completely about the true meaning of this creed: That all women and men are created equal." The combination of poetry and politics provided a neat flashback to earlier VMA political moments: R.E.M. frontman Michael Stipe's rotation of message-festooned T-shirts, Beastie Boy Adam "Ad-Rock" Horovitz's impassioned speech about women's equality, Beyoncé standing in front of a larger-than-life "FEMINIST." That Best Male Video wound up going to Calvin Harris for "This Is What You Came For," a song that has Rihanna at its sparkling center, only made Keys' call seem more potent.

WORST: Ariana Grande and Nicki Sweat to the Oldies

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Worst: Ariana Grande and Nicki Minaj Sweat to the Oldies

Was it just us, or did it feel a bit chilly in there? Ariana Grande and Nicki Minaj are no strangers – they first slayed together alongside Jessie J on the 2014 hit "Bang Bang," and Grande would resurface later that year on The Pinkprint cut "Get On Your Knees." But neither the spandex nor Buns of Steel could heat up the ladies' frosty on-stage chemistry during their performance of "Side to Side," off Grande's latest album, Dangerous Woman. It was almost cruel to make a virtuosa such as Grande huff out her lines while peddling on a stationary cycle, curtailing her usual live vocal prowess. Not to mention the hunks gingerly diving down to face the divas at crotch level, resulting in one of the most lukewarm allusions to cunnilingus on television. Brrrrrrrrr.

Best Worst VMA Awards 2016

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Worst: Michael Phelps Flails

Fresh from his multiple victories at the 2016 Rio Olympics, swim champion Michael Phelps made a rare appearance last night – as in, on dry-land, fully-clothed and standing upright – to introduce Future's debut VMAs performance. "Remember in Rio when I made that face that ended up all over the Internet?" asked Phelps, awkwardly, in reference to his own viral meme. "I was in the zone with Future's track, 'Stick Talk' blaring in my headphones," he confessed, giving a somewhat plausible reason for his grimace at South African competitor Chad Le Clos. "I might have a lot of golds," he added, "but this guy's got all the platinum." Leave it to the most decorated Olympian of all time to nab a platform on national television to be … a total fanboy. 

Best Worst VMA Awards 2016

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Best: Future Gets Live

For his first VMA appearance, the Atlanta MC didn't hide behind high-concept production number glitz. He just put on a hot rap show, blazing through his 2015 hit "Fuck Up Some Commas" with a fire and poise that made the stage his own, and looking good as always in a layered outfit of just about every shade of red imaginable. And if Future's smooth onstage moves weren't riveting enough, we also got to see Chance the Rapper, dressed in Super Mario hat and overalls, dancing enthusiastically in the crowd. Backed by four dancers and a live band, including a guitarist who exploded into a wicked climax for the outro, Future made it clear that he don't give no fucks – well, they were "f**ks" for TV. 

Best Worst VMA Awards 2016

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Worst: The Directionless Direction

The strangely intimate close-ups of Diddy at the start of the show indicated a bad production choice that would recur throughout the evening. Maybe the idea was to fill the phone, tablet and computer screens that many viewers were using to stream the telecast? The cameras would then swoop out from a distance, possibly to emphasize the size of the event but having the effect of showing you the view from an especially lousy seat at Madison Square Garden. 

Best Worst VMA Awards 2016

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Worst: Nick Jonas Orders “Bacon”

Sometimes there's just way too much going on and yet way too little happening. For this elaborate staging on Jonas's "Bacon," Nick is cast as a waiter at the Tick Tock Diner, a mediocre but conveniently located restaurant near Madison Square Garden, that was populated for the occasion with cameos from many demi-celebs nobody could have been too excited to see, like his brother's band DNCE, internet aggregator the Fat Jew, model Ashley Graham and social media notable Joanne the Scammer. Matters hardly improved when Jonas took to the street outside to find Ty Dolla $ign flanked by two bouncing lowriders in front of a Duane Reade. 

Best Worst VMA Awards 2016

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Worst: The Chainsmokers and Halsey Get “Closer”

Along with gritty pop rebel Halsey, New York City DJ duo the Chainsmokers currently have the Number One single on the Billboard Hot 100 with their carefree summer jam, "Closer." But for a crew of hitmakers, they put on one sleeper of a performance. Comprised of a mountain for a backdrop and some light fog, the sparse visuals hardly warranted broadcast – much less the lackluster, albeit cuddly vocal performance between Halsey and the Chainsmokers' Drew Taggart. Producer Alex Pall looked lonely behind his drum machine while it all went down, ensconced by white mist.

Best Worst VMA Awards 2016

Larry Busacca/MTV1617/Getty

Best: Drake Toasts to Rihanna

The most dominant pop star of 2016 did his best "I'm not worthy" while presenting his old pal Rihanna with her Video Vanguard award, and restored some dignity to the Barbadian singer after Beyoncé had all but stolen the show out from under her. He strolled up in a tux and described his first encounter with "someone I've been in love with since I was 22 years old," whom he met while he was a lowly restaurant singer. He cracked a couple corny jokes – showing a photo of himself with a Rihanna-esque do – and through his humility seemed to re-convince the audience that they were looking at a fellow megastar.

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