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Michael Jackson Remembered: The Tributes

The King of Pop’s friends, fans and fellow artists celebrate the man and the music

michael jackson tribute

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As one of pop's most respected performers, Michael Jackson was beloved by everyone from his heroes to his descendents. We've gathered a generation-spanning collection of tributes from R&B royalty to rock icons to the new school of chart-toppers inspired by his moves, pipes and unending compassion.

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Adam Levine

I never met him, but he was probably the single most important musical influence for me. I would say even before I got into the Beatles, I was into Michael Jackson. If you were living in 1984 and you were five years old, that was your world. Wearing the glove, dancing around the living room. That was your life. He was so all-consuming at the time. That was probably the biggest he ever was. His death has launched a lot of retrospectives and people are celebrating his music, but, I haven't stopped celebrating Michael Jackson since 1984. I've been blasting since the '80s. He was a very rhythmic kind of singer and writer, so his melodies were all very rhythm based. He played off of the drums a lot and I learned how to do that from Michael Jackson. There's no way it could have been from anyone else. He started that whole type of writing.

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Glen Ballard

I'd been producing for Quincy [Jones], and I had tried to write something for Bad but it hadn't been accepted. We were closing out the record, and Quincy said, "Don't you have anything for us?" So [singer] Siedah Garrett wrote "Man in the Mirror" on a Saturday night at my house in Encino. We didn't have a chance to dress it up, so I didn't feel like it had a chance, but Quincy played it for Michael, and he said, "Make a track." The song was this really magical moment, and it had everything to do with Michael's vocal interpretation. In the last two minutes, Michael started doing these incantations: all the "shamons" and "oohs." He went to that place on his own. We certainly couldn't have written that.

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Mike and I met a couple of years ago through a friend. We recorded at his home studio, and his kids were always there. He was always monitoring them – making sure they were doing their homework, eating right. He would personally cook for them, always healthy stuff. They were the main focus of his life – we could be in the middle of recording, and he'd drop everything to make sure they were good.

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About two years ago, Michaelcalled my cellphone, and I hung up on him, because I thought somebody was playing. Michael Jackson don't call your damn cellphone. A couple of minutes later, he called back, and I was like, "Oh, damn." I lied and told him I was going through a tunnel and we got disconnected. He wanted to meet somewhere secluded, so we met at Lyor Cohen's house because they're good friends. I don't get star-struck, because people are people, but Michael was an energy. I felt his presence when I walked into the room. We talked about working together, where he wanted to go musically. I'd submit three or four songs a couple of times a month, and he'd tell me what he liked or didn't like: "Take this part and change it; make the hook stronger." He was being very selective – this was either going to be his comeback album or a very sad attempt, and he didn't want the latter.

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