Poetry, fiction and songwriting were more or less equal forms of expression to Leonard Cohen – although one paid a hell of a lot better than the others. After mastering the mystical power of melody, Cohen went on to enjoy a long, fruitful career marked by spiritual hiatuses, reinvention and a surprising late-career second act unprecedented in American entertainment.
Cohen was the sexy, late-blooming gloom-monger among a small, elite coterie of singer-songwriters who came to define the Sixties and early Seventies. His rumbling voice, Spanish-y guitar lines and deeply poetic lyrics transubstantiated the sacred into the profane and vice versa. While early songs like "Suzanne," "Sisters of Mercy" and "Bird on a Wire" made him a college-dorm fixture, later masterpieces like "Everybody Knows," "I'm Your Man" and "The Future" introduced him to a new generation of post-punks and fellow travelers.
And then, in his 70s, he had to do it all over again, thanks to a larcenous manager. But touring rejuvenated our hero, not to mention his reputation. Cohen's songs, both old and new, sounded deeper, richer, and more important than ever, as this sampling demonstrates.