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Jimmy Page Before Led Zeppelin: 20 Great Sixties Session Songs

Delve into the guitar great’s sideman career with this comprehensive playlist, featuring the Stones, Bowie, Donovan and many more

In the late 1960s and throughout the Seventies, Jimmy Page helped shape and define the future of rock & roll with his work in the Yardbirds and Led Zeppelin. However, in the years prior, he’d already made an immeasurable impact on the sound of popular music by way of the hundreds and perhaps even thousands of recording sessions he sat in on as an anonymous face in the many studios that dotted London at the time.

Whether it was jamming on a rock track with the Kinks, the Rolling Stones or the Who, playing the blues with Otis Spann, or providing the backbone to pop hits by Marianne Faithfull and Shirley Bassey, Page was a true Renaissance man who had little trouble handling any style that came his way. And while the full scale of Page’s session discography may never really be known, there are more than enough compelling examples to prove the significance of the future icon’s early work. Here are 20 tracks that every Page enthusiast needs to know.

Jimmy Page

DETROIT, MI - AUGUST 10 : Guitarist Jimmy Page of the rock band "The Yardbirds" poses for a portrait before their show at Green's Pavilion in Lakeview Park on August 10, 1966 in Manitou Beach, MI. (Photo by Wilson Lindsay/Michael Ochs Archives/Getty Images)

Wilson Lindsay/Michael Ochs Archives/Getty

Jeff Beck, “Beck’s Bolero” (1967)

As he was preparing to get to work on his first solo single after leaving the Yardbirds in 1966, Jeff Beck decided to reach out to his old bandmate and childhood friend Jimmy Page to lend a hand by producing the session and putting together a band to back him in the studio. Page put out the call and enlisted John Paul Jones to play bass and the Who's Keith Moon to play drums while he would play a 12-string electric rhythm, allowing Beck to take the lead.

The song, based on the rhythm of French composer Maurice Ravel's orchestral piece Boléro, was recorded at IBC Studios in London on May 16, 1966, but wouldn't be released for another 10 months, as the B-side to "Hi Ho Silver Lining." The four players involved were so enthusiastic about the results that day, however, that talk started up about forming a real band out of the project. Moon had one of the lines of the century when he quipped that the project would "go over like a lead balloon." Thus, the seeds of what would become Led Zeppelin were sown in Page's mind.

Jimmy Page

DETROIT, MI - AUGUST 10 : Guitarist Jimmy Page of the rock band "The Yardbirds" poses for a portrait before their show at Green's Pavilion in Lakeview Park on August 10, 1966 in Manitou Beach, MI. (Photo by Wilson Lindsay/Michael Ochs Archives/Getty Images)

Wilson Lindsay/Michael Ochs Archives/Getty

Johnny Hallyday, “A Tout Casser” (1968)

Touted early on in his career as the "French Elvis," by 1968, Hallyday was one of the biggest names in Europe. He would go on to log two back-to-back Number One albums in his home country that year, and two more the next. The fourth track on his album Jeune Homme, "A Tout Casser" (or "Breaking Everything" in English) is a full-on wailing psychedelic breakdown that fits in comfortably with what Page had only just been trying to do with the Yardbirds before they melted down. It's a stunning number replete with panned sounds, backwards echo and wah-inflected guitar licks, all signature elements that the guitarist would employ to great effect in the years to come.