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Jack White’s 15 Best Cover Songs

The ‘Lazaretto’ master’s greatest renditions of other people’s material, from dusty blues classics to modern pop hits

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Jack White has made his name over the past decade-and-a-half by making music that injects the pure, potent sentiments of the past with a fresh manic spark that’s all his own. But as he consciously undertakes that endeavor, a parallel current runs through his B-sides and his live shows, where he unearths a number of tunes from days gone by and pinches and pulls at them until they’re of a piece with the rest of his work.

This fascination with re-imagining songs, both famous and obscure, has continued from the earliest days of the White Stripes, through his various band projects and solo efforts and up to last month’s world record setting pressing of the “Lazaretto” seven-inch. It’s resulted in a number of fascinating covers. Here are some of the best, from Bob Dylan to Gnarls Barkley. By Colin Joyce

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The Dead Weather, “Are ‘Friends’ Electric?”

Other than being a couple of oddballs who have carved out a fruitful existence at the fringes of pop, there's little obvious similarity between Jack White and Gary Numan, but nevertheless the Dead Weather pounded out a simmering rendition of the latter's synth-pop classic in 2009. The glitzy keyboard flourishes on Numan's original are replaced by mucky, plucky organ parts and twitchy guitar lines. It's not quite as overtly pummeling as the rest of the band's repertoire, but the reimagining is grounded and earthy where Numan's version was icy and robotic.

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The White Stripes, “Conquest”

To the uninformed, White's version of "Conquest" bears all the hallmarks of a proper White Stripes track, right down to Meg's minimal floor tom rumble, but the song's roots go back more than 50 years. Composed by Corky Robbins and made popular by Patti Page in 1952, "Conquest" is a Spanish-tinged lounge pop tune that the duo amped up on their 2007 album Icky Thump. This tale of the romantically hunting and hunted feels far more urgent in White's hands, and that's no doubt due to the stormy, unhinged guitar leads that he drops all over the track's three-minute runtime.

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