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Gift Guide 2017: The Best Box Sets

Deluxe, rarities-filled packages for serious collectors, die-hard completists and fans of Elvis, Bowie, Dylan, Weird Al – and even Freddy Krueger

rolling stone boxset gift guide

Even in this age of streaming and dead-to-dying brick-and-mortar stores, the most obsessive music and pop culture fans are determined to stay at least a little bit analog. The best time to indulge that collectors’ urge, of course, is over the holidays – with lush, extras-packed box sets that zoom in on a specific, magical moment in an artist’s career, or encapsulate an entire oeuvre. Whether the intended recipient just can’t get enough of David Bowie, Elton John, the Smiths, Weird Al or razor-fingered Freddy Krueger (yes, really), we’ve found a box set just for them.

rolling stone boxset gift guide

Bob Dylan, ‘Trouble No More’

The latest edition of the Bootleg Series is one of the most fascinating, a deep dive 8 CD/1 DVD exploration of Dylan’s strange wanderings through evangelical Christianity from 1979 to 1981. The first two discs cull 19 tracks from shows throughout that period, while a full concert from Germany in 1981 sees him merging back with his secular songbook. Highlighted by fourteen unreleased tracks like the excellent, reggae-steeped soundcheck jam on “Ain’t No Man Righteous, No Not One,” the whole thing is a boon to Dylan fanatics, and there’s a two-CD version available for the merely curious. The DVD contains “Trouble No More: A Musical Film,” a film that incorporates never-seen footage from Dylan’s 1980 tour. $120; amazon.com

rolling stone boxset gift guide

Hüsker Dü, ‘Savage Young Dü’

In recordings that span their first three years of hardcore punk’s breakneck Beatles, this three-disc treasure trove of archival audio and remastered material finds the Minneapolis loud-fast diplomats going from walking to running. Its nearly 70 tracks include embryonic demos, songs that only exist on blown-out live cassettes, a lightning-speed cover of “Chinese Rocks” and unheard early moments that reveal shades of the Ramones, the Damned, the Heartbreakers and Elvis Costello. Their rarely-heard debut 7-inch – “Statues” b/w “Amusement” – even features their trademark white-noise used to more post-punky ends. In lieu of the Hüskers’ broiling, convulsive 1980 SST live album Land Speed Record is a cleaner recording of most of its tracks from a show recorded weeks later. $85 vinyl, $40 CD; numerogroup.com 

rolling stone boxset gift guide

Weird Al Yankovic, ‘Squeeze Box’

Until Saturday Night Live fully liberates its archives, there may be no more artful satirical document of the last 35 years than the collected studio albums of “Weird Al” Yankovic. These 14 studio albums – available on CD or vinyl, both housed in a cardboard accordion – are a catalog of our obsessions, quirks, cultural shifts and fads, like a perpetual “We Didn’t Start the Fire.” Of course, the famous Michael Jackson and Nirvana parodies are here, but possibly the better historical record are twists on Men Without Hats, El Debarge, Fine Young Cannibals, Billy Ray Cyrus, Cherry Poppin’ Daddies and Taylor Hicks. Bonus disc, Medium Rarities, is mostly ignorable, but does, crucially, feature the original version of “My Bologna” recorded in the bathroom of his college radio station’s building and his lost parody of the Beatles’ “Tax Man” (“Pac Man”). $400 vinyl, $300 CD; amazon.com

rolling stone boxset gift guide

Various Artists, ‘Box of Souls: A Nightmare on Elm Street’

The recent flood of
horror vinyl soundtrack reissues hits an absurd, ambitious peak with a set
combining the scores from the first seven films in surrealist slasher franchise
A Nightmare on Elm Street. Seven different composers are compiled here,
all joined by moody original artwork from Chicago graphic designer Mike Saputo
and a certain burned sadist. The Charles Bernstein score to the 1984 original
is the highlight, an 8-track recording full of dark drones, dubby reverb,
playful melodies and post-Carpenter synths – anyone who enjoys Stranger
Things
can find some original vintage here. For the 1985 sequel, Hellraiser
composer Christopher Young provided a supremely creepy score with the buzzy
orchestral fury of Iannis Xenakis or Stanley Kubrick fave Gyorgy Ligeti; and
parts of Craig Safan’s experimental electronic suite for 1988’s A Nightmare
on Elm Street 4: The Dream Master
sounds more like Twin Peaks than Twin
Peaks
composer Angelo Badalamenti’s strange soundtrack to Part 3. $250; mondotees.com

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