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Fats Domino: 12 Essential Songs

From “The Fat Man” to “Blueberry Hill” and beyond, we look back at the late New Orleans hitmaker’s finest

fats domino

We look back at 12 great songs by late New Orleans hitmaker Fats Domino, including "Blueberry Hill," "Ain't That a Shame" and more.

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Few artists embodied the innocent release and ecstasy of early rock & roll like Fats Domino. He was the music’s first piano wizard and a huge influence on generations of musicians, from fellow Fifties icons like Jerry Lee Lewis and Little Richard to future New Orleans soul stars like Dr. John and Allen Toussaint, to rock-era piano men like Billy Joel and Elton John. “That innocence is there in his music,” Dr. John wrote in a tribute when Rolling Stone named Domino one of the 100 Greatest Artists of All Time. “He’s a good man, and people respond to that goodness.” The effortless easy-rolling freedom of songs like “Whole Lotta Loving,” “I’m Walkin'” and “Blueberry Hill,” the ticklish intimacy of “I Want to Walk You Home” and the cool heartache of “Ain’t That a Shame” still resonate more than 60 years after they were hits. Though his chart success dried up in the 1960s, Fats Domino still sits smiling and vibrant, at the center of everything wide open and fun about American pop music. 

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“Jambalaya” (1961)

This Hank Williams song had become an instant standard – after Williams took it to Number One in 1952, Jo Stafford quickly followed with a sappy pop version that made it to Number Three. Jerry Lee Lewis subjected it to a whole lot of shaking in 1956, but it wasn’t until Fats took hold of it in November of 1961 that anyone actually connected to New Orleans had a go. In his hands it goes from a novelty song to a fully felt description of a life well lived – you could say Fats Domino’s entire career had been dedicated to big fun on the bayou. Over a horn section that swells and kicks, Fats lays down a steady-rolling rhythm that clears space for one of his most relaxed vocals, near to crooning. A B side to “I Hear You Knocking,” his cover went to Number 30. The following year came Ray Charles’ Modern Sounds in Country and Western Music, but Fats was there first.

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