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All 129 of Taylor Swift’s Songs, Ranked

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook through ‘Reputation’ era

Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. It’s in her music where she’s made her mark on history – as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg – and she hasn’t exactly slowed down since then.

So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor – the songwriter she was born to be. Let’s break it down: all 115 tunes, counted from the bottom to the top. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingénue right up to Reputation. Every fan would compile a different list – that’s the beauty of it. But they’re not ranked by popularity, sales or supposed celebrity quotient – just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. All that matters is whether they’re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.)

Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let’s step back from the image and pay homage to her one-of-a-kind songbook – because the weirdest and most fascinating thing about Taylor Swift will always be her music.

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34

“Sad Beautiful Tragic” (2012)

She must have heard a Mazzy Star song on the radio that morning and thought, “Hey, this sounds like fun.” All the details are in place, from her woozy Hope Sandoval mumble to the way Nathan Chapman nails Sandoval’s exact tambourine sound. Such an underrated Red gem, one she’s almost never done live. Would any other songwriter on Earth have the sheer gall to get away with that title? Let’s hope nobody tries.

Best line: “You’ve got your demons, and, darling, they all look like me.” 

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33

“I Did Something Bad” (2017)

Wait, she fell in love with a narcissist? Who saw that coming? Despite the Eurodisco bleeps and bloops, this is a total Nineties grunge-rock rager – she switches into Eddie Vedder/Scott Weiland mode when she growls that “over and over and over again if IIII could.” Here’s hoping she breaks out the electric guitar to rock it live, especially the witch-burning finale when she leaps into the “light me up” chant.

Best line: “I never trust a playboy but they love me / So I fly ’em all around the world and I let them think they saved me.”

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32

“Mine” (2010)

“You made a rebel of a careless man’s careful daughter” is one of those hooks where she seems to cram a whole life story into one line.

Best line: “I was a flight risk with a fear of falling.”

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31

“Wildest Dreams” (2014)

You rang, Goth Taylor? At first this might have seemed like a minor pleasure on 1989, but it really sounds stronger and stronger over the years, especially when she hiccups the words “my last request ih-is.” The video features giraffes and zebras.

Best line: “He’s so tall and handsome as hell/He’s so bad, but he does it so well.” 

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30

“This Love” (2014)

A meditative 1989 nocturne – half acoustic introspection, half electro reverie – as she genuflects in the midnight hour.

Best line: “I could go on and on, on and on/And I will.”

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