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All 129 of Taylor Swift’s Songs, Ranked

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook through ‘Reputation’ era

Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. It’s in her music where she’s made her mark on history – as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg – and she hasn’t exactly slowed down since then.

So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor – the songwriter she was born to be. Let’s break it down: all 115 tunes, counted from the bottom to the top. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingénue right up to Reputation. Every fan would compile a different list – that’s the beauty of it. But they’re not ranked by popularity, sales or supposed celebrity quotient – just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. All that matters is whether they’re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.)

Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let’s step back from the image and pay homage to her one-of-a-kind songbook – because the weirdest and most fascinating thing about Taylor Swift will always be her music.

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125

“I’m Only Me When I’m With You” (2006)

Could there be a less Swiftian sentiment? For better or worse, this girl is always herself. That’s kinda the point.

Best line: “I’m only up when you’re not down/Don’t wanna fly if you’re still on the ground.”

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124

“Two Is Better Than One” With Boys Like Girls (2009)

A long, long, very long duet with former Good Charlotte and Fall Out Boy tourmates Boys Like Girls, who are either from London or Nashville (they seem to switch accents at random).

Best line: “You’ve already got me coming…undone.” 

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123

“Silent Night” (2007)

This bizarre version manages to miss almost every single note in the melody. They sure were in a rush to get this Christmas album out.

Best line: “Shepherds quake at the sight.”

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122

“Both of Us” With B.o.B (2012)

Nice try at remaking “Airplanes,” but that Hayley Williams lightning does not strike twice.

Best line: “Your money’s all gone, and you lose your whip.” 

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121

“The Last Time” (Ft. Gary Lightbody) (2012)

Her duet with the guy from Snow Patrol. Unfortunately, their voices don’t mesh at all – what, is he auditioning for a Spandau Ballet tribute band? The funny moment is the très Eighties synth-horn blurp at the three-minute mark.

Best line: “This is the last time I’m asking you this/Put my name at the top of your list.” 

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120

“The Outside” (2006)

Still a rookie, still learning, still trying to get away with “read between the lines” and “the road less traveled by” in the same verse.

Best line: “Nothing seems to work the first few times/Am I right?”

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119

“Girl at Home” (2012)

A perfunctory cheating-is-bad homily, with barely any chorus.

Best line: “I feel a responsibility/To do what’s upstanding and right.” 

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118

“Come in With the Rain” (2008)

She leaves her window open overnight, just in case her ex falls out of a cloud. There’s a great “oooh” in the second chorus – one of those moments you can tell she’s an Oasis fan. (This song makes you suspect “Don’t Look Back In Anger” is a fave.)

Best line: “I could stand up and sing you a song/But I don’t wanna have to go that far.”

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117

“Half of My Heart” With John Mayer (2009)

The real prize from his Battle Studies album is “Heartbreak Warfare”; this is lesser J.M., with an underexploited T.S. cameo and an increasingly irritating premise of hearts having fingers, which they don’t. No wonder the girl in the dress cried the whole way home.

Best line: “Half of my heart’s got a grip on the situation.” 

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116

“The Other Side of the Door” (2008)

Again with the slamming doors. Tay, Tay – even the great songwriters can get away with exactly one slamming door per career. And just to be on the safe side, she throws in pouring rain, photo albums, a little black dress (which rhymes with “mess” and “confess”), a guy throwing pebbles at her window… In other words, this would be the ultimate Swift song – except there are over a hundred better ones.

Best line: “Me and my stupid pride are sitting here alone / Going through the photographs, staring at the phone.”

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115

“Superman” (2010)

A Lois Lane fantasy, left off Speak Now for good reason.

Best line: “Tall, dark and beautiful/He’s complicated, he’s irrational.”

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114

“Cold as You” (2006)

“I start a fight ’cause I need to feel something” – give her credit for honesty, even in this raw phase.

Best line: “Every smile you fake is so condescending.”

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113

“If This Was a Movie” (2010)

“Good evening, sir. May I help you? You’re a guy in a Taylor Swift song who wants to stand outside the window in the pouring rain, begging the love of your life to forgive your sorry ass? Take a number and get in line. No, that line.”

Best line: “But I’d take it all back now!”

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112

“Sweeter Than Fiction” (2013)

A warm-up for the synth-pop of 1989, from the One Chance soundtrack.

Best line: “What a sight when the light came on.”

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111

“A Perfectly Good Heart” (2006)

“It’s not unbroken anymore”? Paging the eminent cardiologist Dr. Toni Braxton.

Best line: “Why would you wanna make the very first scar?/Why would you wanna break a perfectly good heart?”

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110

“White Christmas” (2007)

Unlike “Silent Night,” this was a yuletide carol she could handle, with a straight-down-the-middle country rendition.

Best line: “Where the treetops glisten.”

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109

“I Don’t Wanna Live Forever” With Zayn Malik (2016)

Neither she nor Zayn sound deeply interested in this dueling-falsettos battle from the Fifty Shades Darker soundtrack. Maybe it works in the movie, but who wants to go find out? Really, they sound like two ghosts standing in the place of…sorry, sore subject, let’s drop it.

Best line: “I’ve been looking sad in all the nicest places.” 

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108

“You Are in Love” (2014)

One of her through-the-years romances, this one featuring a snow globe.

Best line: “For once you let go of your fears and your ghosts.”

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107

“Mary’s Song (Oh My My)” (2006)

Another through-the-years romance, but with a sweet homespun touch.

Best line: “I’ll be 87, you’ll be 89/I’ll still look at you like the stars that shine in the sky.”

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106

“Highway Don’t Care” With Tim McGraw and Keith Urban (2013)

A duet from McGraw’s album Two Lanes of Freedom, with a guitar solo from Keith Urban. The plot: His ex is driving away, listening to a Taylor song on the radio, as Tay tries to coax the woman into turning the car around and going home. Perhaps McGraw’s finest duet since his great lost Nelly jam, “Over and Over.”

Best line: “I bet you’re bending God’s ear talking ’bout me.”

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105

“Change” (2008)

Oh, the fall of 2008 – Chuck and Blair were still an item, Suede was killing it on Project Runway, and “Change” was a de facto victory song for Obama, complete with a thumbs-up for the “revolution.” Yeah, those were different times.

Best line: “These walls that they put up to hold us back will fall down.”

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104

“Nashville” (2011)

A cover of an obscurity by country singer David Mead, tucked away as a bonus on the Target edition of the Speak Now Tour Live DVD.

Best line: “Was that a blood or wine stain on your wedding dress?”

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103

“Sweet Escape” (2011)

From the same live DVD, a remake of the Gwen Stefani solo hit. Taylor’s vocal sure fits the Gwen just-a-girl sensibility.

Best line: “I must apologize for acting stank.”

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102

“Out of the Woods” (2014)

Taylor loves to sing about boyfriends who are terrible drivers, but this guy takes the prize – he crashes their snowmobile and gets twenty stitches in the hospital. Call a cab, girl. “Out of the Woods” has great verses that unfortunately get ruined by a weak chorus and godawful production. (Jack Antonoff was still learning how to work with her voice, and wow, he wasn’t even halfway there yet – it’s the production equivalent of a snowmobile wreck. Why did he think this tune needed male Tarzan yodels?) The song deserved so much better, since the lyrics are packed with poignant details – did they take the Polaroid couch selfie before or after they moved the furniture so they could dance? Either way, here’s hoping it earns a yodel-free
do-over.

Best line: “Two paper airplanes flying, flying, flying.”

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101

“I’d Lie” (2006)

A perky outtake from the debut, briefly released as a bonus download for people who bought the CD.

 Best line: “He loves to argue, born on the seventeenth.”

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100

“Look What You Made Me Do” (2017)

The reason fans once cared about rap beefs: they inspired great songs, whether it was Queens vs. the Bronx (“The Bridge” vs. “The Bridge Is Over” vs. “Have a Nice Day”) or LL Cool J vs. Kool Moe Dee (“How Ya Like Me Now” vs. “Jack the Ripper” vs. “Let’s Go” vs. “To Da Break of Dawn”). But this just sounds like a trivial time-waster by her standards – Swift’s celebrity feuds are not really one of the hundred most interesting things about her. The main attraction is the retro Panic! at the Disco vibe. “Look What You Made Me Do” turned out to be the lamest track on Reputation, but an impressively perverse head fake – a lead single that ended up having nothing to do with the album, musically or conceptually, making sure her new relationship songs would come as a surprise. To find a comparable stunt, you might have to go back to 1982, when Michael Jackson fooled the world into thinking Thriller was going to be a whole album of “The Girl Is Mine.”

Best line: “It’s much better to face these kinds of things with a sense of poise and rationality.” Oh wait – that actually is Panic! at the Disco.

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99

“Never Grow Up” (2010)

A folksy fingerpicking change of pace on Speak Now, pining for childhood innocence – though it feels more like a leftover from the debut.

Best line: “You’re mortified your mom’s dropping you off.”

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97

“I Want You Back” (2010)

A live acoustic tribute to the then-recently departed Michael Jackson, with a bit of Motown tremble in her voice.

Best line: “Now it’s much too late for me to take a second look.”

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96

“The Way I Loved You” (2008)

She meets a low-stress boy who doesn’t want love to be torture. Alas, this suitor is toast, because he reminds her how much she misses the manic pixie drama vampire she dated before. Sorry, dude – she loves the players, and she loves the game.

Best line: “He respects my space/And never makes me wait.”

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95

“Thug Story” With T-Pain (2009)

The classic T-Pain and Taylor duet from the 2009 CMT Awards, still T-Swizzle’s finest rap performance.

Best line: “No, I never really been in a club/Still live with my parents, but I’m still a thug/I’m so gangsta you can find me baking cookies at night/You out clubbing, but I just made caramel delight.”

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94

“I Wish You Would” (2014)

One of her many, many songs set at 2 a.m. – clearly the most inspiring hour on Swift Standard Time – with a staccato disco guitar lick.

Best line: “We’re a crooked love in a straight line down.” 

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93

“Umbrella” (2007)

The Rihanna hit, briefly covered on the Live from SoHo digital album. Her finest Ri tribute remains her 2011 version of “Live Your Life” with T.I. onstage in Atlanta – sadly unreleased, but a duet that deserves to be enshrined for the ages.

Best line: “Stand under my umbrella, ella, ella.” 

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92

“I Heart ?” (2008)

The trad country sound she soon left behind, from her Beautiful Eyes EP.

Best line: “Wake up, and smell the breakup/Fix my heart, put on my makeup.”

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91

“Don’t Blame Me” (2017)

She tries on the moody “bad girl goes to church” vibe of Madonna circa Like a Prayer – addicted to love, falling from grace, going down on her knees to beg for one more kiss.

Best line: “My name is whatever you decide.”

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90

“Breathe” (Ft. Colbie Caillat) (2008)

A gorgeous duet full of low-key nuances – her humming after the first verse, that “sorry, sorry, sorry” fade, the way Colbie’s voice lifts hers.

Best line: “It’s tragedy, and it’ll only bring you down.”

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89

“The Moment I Knew” (2012)

A somber piano ballad about getting stood up on your 21st birthday.

Best line: “There in the bathroom/I try not to fall apart.” 

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88

“Untouchable” (2009)

A rare case where she retools somebody else’s song on one of her proper albums – the all-but-unknown Y2K-era rock band Luna Halo, who previously opened for Hoobastank. Her Fearless version sounds practically nothing like their original (though both name-check .38 Special’s Eighties classic “Caught Up in You“). In fact, it’s tough to fathom how she heard the original as raw material she could use – now that’s ears.

Best line: “In the middle of the night when I’m in this dream/It’s like a million little stars spelling out your name.”

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87

“Pour Some Sugar On Me” With Def Leppard (2008)

She makes a daring leap into the hair-metal mom market by teaming up with Def Leppard on CMT Crossroads, a move that works almost frighteningly well. Peak glam, especially when she asks the gender-torching question, “Demolition woman, can I be your man?”

Best line: “Do you take sugar? One lump or two?”

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86

“Christmases When You Were Mine” (2007)

Taylor writes her own ace lovelorn holiday standard, ambushing her ex with one of those squirm-packed Merry-Christmas phone calls. Awkward question: “When you were putting up the lights this year/Did you notice one less pair of hands?” Eat your heart out, Mariah.

Best line: “I bet you got your mom another sweater.”

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85

“American Girl” (2009)

A bang-up claim on the Tom Petty classic – she used his original as her live entrance music for a while. Then she switched to Lenny Kravitz’s “American Woman.”

Best line: “Oh yeah! All right!” 

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84

“Invisible” (2006)

A teen ditty about a boy who doesn’t realize she’s alive, from pretty much the last moment in history that was possible. Clever pop-obsessive touch: The final steel-guitar twang echoes Elton John’s “Rocket Man.” If you think that’s an accident…this is Planet Tay. There are no accidents.

Best line: “We could be a beautiful miracle, unbelievable, instead of just invisible.”

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83

“Jump Then Fall” (2009)

Ironclad rule of pop music: Songs about jumping are never a bad idea. Dig that “listens to Sublime once” vocal.

Best line: “I watch you talk, you didn’t
notice.”

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82

“Breathless” (2010)

Digging deep in the Nineties modern-rock crates, she does right by a previously obscure (to me) nugget from the New Orleans band Better Than Ezra – from 2005!, 10 years after their MTV hit! – as a charity benefit for the Hope for Haiti Now album.

Best line: “I’ll never judge you/I can only love you.”

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81

“King of My Heart” (2017)

Love how this American queen pronounces “Jag-yew-waaar” – has she been listening to Hall & Oates, or has she just reached the English-accent point in her fame arc?

Best line: “Up on the roof with a schoolgirl crush / Drinking beer out of plastic cups.”

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80

“Superstar” (2009)

“You smile that beautiful smile, and all the girls in the front row scream your name.” No relation to the 1969 Leon Russell and Bonnie Bramlett ballad immortalized by the Carpenters – except they’re both poignant ballads about groupies crushing on distant guitar boys. Well, as Journey warned, lovin’ a music man ain’t always what it’s supposed to be.

Best line: “You sing me to sleep every night from the radio.”

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