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500 Greatest Songs of All Time

Rolling Stone’s definitive list of the 500 greatest songs of all time.

By Jay-Z

A great song doesn’t attempt to be anything — it just is.

When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come. It transcends time. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. Think of “Bohemian Rhapsody,” by Queen. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural.

When I’m writing a song that I know is going to work, it’s a feeling of euphoria. It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone. As soon as you start, you get that magic feeling, an extra feeling. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work.

Read Jay-Z’s full essay here.

51

Grandmaster Flash and the Furious Five, ‘The Message’

Writers: Duke Bootee, Melle Mel
Producer: Sylvia Robinson
Released: May '82, Sugar Hill
7 weeks; No. 62 

"The Message" was a breakthrough in hip-hop, taking the music from party anthems to street-level ghetto blues. It began as a poem by schoolteacher Bootee; Sugar Hill boss Robinson decided to make it a rap record with Melle Mel of the Furious Five. Said Flash in 1997, "I hated the fact that it was advertised as Grandmaster Flash and the Furious Five, because the only people on the record were Mel and Duke Bootee." But the song, driven by its signature future-shock synth riff and grim lyrics about urban decay, became an instant sensation on New York's hip-hop radio. "It played all day, every day," Flash said. "It put us on a whole new level."

Appears on: The Best of Sugar Hill Records (Rhino) 

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