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500 Greatest Songs of All Time

Rolling Stone’s definitive list of the 500 greatest songs of all time.

By Jay-Z

A great song doesn’t attempt to be anything — it just is.

When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come. It transcends time. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. Think of “Bohemian Rhapsody,” by Queen. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural.

When I’m writing a song that I know is going to work, it’s a feeling of euphoria. It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone. As soon as you start, you get that magic feeling, an extra feeling. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work.

Read Jay-Z’s full essay here.

405

Blue Öyster Cult, ‘(Don’t Fear) the Reaper’

Writer: Donald Roeser
Producers: Murray Krugman, Sandy Pearlman, David Lucas
Released: July '76, Columbia
14 weeks; No. 12

This Long Island band's death trip was picked by Rolling Stone critics as the best rock single of 1976. With its ghostly guitars and cowbell, "Reaper" has added chills to horror flicks from Halloween to The Stand. Bonus points for the crackpot theology about how "40,000 men and women every day" join Romeo and Juliet in eternity.

Appears on: Agents of Fortune (Columbia)

404

The Shangri-Las, ‘Remember (Walkin’ in the Sand)’

Writer: George "Shadow" Morton
Producer: Morton
Released: Aug. '64, Red Bird
11 weeks; No. 5

The Shangri-Las, two sets of sisters from Queens, were in high school when producer Morton hired them to record "Remember" — a tune he claimed to have written in 20 minutes on the way to the studio. One story has it that a 15-year-old Billy Joel played piano on the session. Morton went on to produce the New York Dolls.

Appears on: The Best of the Shangri-Las (Mercury)

403

Elvis Presley, ‘Can’t Help Falling in Love’

Writers: George Weiss, Hugo Peretti, Luigi Creatore
Producer: Joseph Lilley
Released: Oct. '61, RCA
14 weeks; No. 1

This adaptation of Giovanni Martini's 18th-century song "Plaisir d'Amour" was given to Elvis for his movie Blue Hawaii — hence the Hawaiian steel guitar. But this was no vacation for Presley: It took him 29 takes to nail his exquisitely gentle vocals. The song became the closing number for most of his Seventies concerts.

Appears on: Elvis 30 #1 Hits (RCA)

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402

The Five Stairsteps, ‘O-o-h Child’

Writer: Stan Vincent
Producer: Vincent
Released: April '70, Buddha
16 weeks; No. 8

"O-o-h Child" gave the Five Stairsteps — four brothers and a sister from Chicago — a pop-soul classic that rivaled the hits of another sibling gang, the Jackson 5. The children of police detective Clarence Burke, the Five Stairsteps, who played their own instruments as well as sang, ranged in age from 13 to 17 when Curtis Mayfield signed them to his Windy C label.

Appears on: Soul Hits of the '70s: Didn't It Blow Your Mind! Vol. 2 (Rhino)

401

The Lovin’ Spoonful, ‘Summer in the City’

Writers: John Sebastian, Steve Boone, Mark Sebastian
Producer: Erik Jacobsen
Released: June '66, Kama Sutra
11 weeks; No. 1

"Summer in the City" was a stylistic turn for the Lovin' Spoonful — tougher and less daydreamy. "We felt the only way we could stick out would be to sound completely different from one single to another," said John Sebastian. With a barrage of car horns on the bridge, the record evoked its subject with urban grit and Gershwin-esque grandeur.

Appears on: The Lovin' Spoonful Greatest Hits (Buddha)

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