Twenty-five years ago, Kurt Cobain predicted that grunge would become corny. “Grunge is as potent a term as new wave,” he told Rolling Stone. “You can’t get out of it. It’s going to be passé.” At the time, Eddie Vedder was on the cover of Time, fashion designer Marc Jacobs was dressing models in flannel and even The New York Times was questioning, “How did a five-letter word meaning dirt, filth, trash become synonymous with a musical genre, a fashion statement, a pop phenomenon?” Although the word has fallen out of vogue, the music from the time remains vital.
That’s because, whether the bands liked the term or not, grunge was a movement. In less than a decade, Nirvana and a handful of bands from the Seattle area had crawled out of obscurity and commandeered pop culture, rebuilding it in their own image. They pinned their hearts to their sleeves in their lyrics, they created an inclusive environment for women and others marginalized by the poofy-haired rock mainstream of the Eighties, and — taking a cue from punk rock — they did away with the artifice of rock stardom. Their music was a hybrid of hard rock, metal and punk (with a sprinkle of Neil Young here and there), which gave them a wide enough swath of flannel for each band to have its own unique snarl. Soon, bands from all over the world were getting widespread recognition after years of duking it out on indie labels. But within a few years of reaching critical mass, it all seemed to fade away quickly, as nu-metal became rock’s shiny new object.
That’s not to say that grunge died, since scene standouts like Pearl Jam, Mudhoney, Alice in Chains and Melvins still release critically acclaimed and/or commercially successful albums, but it has become a part of America’s cultural fabric. The genre’s influence still resounds in hip-hop (Jay-Z appropriated the chorus of “Smells Like Teen Spirit” for his 2013 song “Holy Grail”) and magazines like InStyle are reporting on a resurgence of grunge fashion. And younger acts like Bully, Metz and Speedy Ortiz and even Juice Wrld continue the genre’s traditions of brittle guitar riffs and throat-shredding honesty.
Because 1994 was the last time grunge dominated the mainstream — it was the year that Alice in Chains, Soundgarden, Stone Temple Pilots, Nirvana and Pearl Jam all had Number One LPs, and, tragically, it was also the year that Kurt Cobain died by suicide — we’ve decided to mark the 25th anniversary of that year by reflecting on the best albums of the era. To capture the breadth of the genre and prove that the music never became passé, our editors have selected records by bands that topped the charts, as well as ones by unsung heroes like Paw, the Gits and the U-Men, and even the odd grunge forefather. And we’ve left off a few records that were once huge, by Bush, Candlebox and Silverchair, for instance, that just haven’t stood the test of time.
So snuggle into your best thrift-store sweater, lace up your Doc Martens and let your hair hit your shoulders, so you can properly enjoy the 50 Greatest Grunge Albums.