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50 Best Songs of 2016

Beyoncé owned our world, Drake lit up the dance floor, and Rae Sremmurd got their John Lennon on

Top 50 Singles of 2016, Drake, Fifth Harmony, Rae Sremmurd

Fifth Harmony, Drake and Rae Sremmurd made some of the best songs of the year.

Ida Mae Astute/ABC/Getty, Chris McKay/Getty, Roger Kisby/Getty

All corners of the music world kept booming in 2016 – even when everything else about our world looked like it was on the verge of blowing apart. From rock & roll legends to rap upstarts, from future-shock R&B visionaries to rootsy country story-tellers, from teen-pop smoothies to leather guitar heroes, from the dance floor to the mosh pit, great songs seemed to keep coming out of nowhere. Some became worldwide hits; others were lurking in the shadows. But these were the songs that hit hardest and rang truest all year long.

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Ariana Grande feat. Nicki Minaj, “Side to Side”

The teen-pop princess turns dangerous woman, teaming up with "Young Nicki Chimney" for this Max Martin-produced bit of Swedish reggae – an ode to having so much sex you can't walk straight the next day.

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21 Savage & Metro Boomin feat. Future, “X”

The Atlanta trap contender teams up with Future for a thugged-and-drugged banger, boasting "I spent your rent at the mall," while producer Metro Boomin gives it all a creepy cinematic vibe.

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Bob Dylan, “That Old Black Magic”

The only guy this year to release a Frank Sinatra tribute album and win the Nobel Prize for Literature. Dylan pays his respects to the Chairman of the Board, rasping a standard from the Johnny Mercer songbook and yet somehow bringing his own sense of menace to it.

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Danny Brown feat. Kendrick Lamar, Ab-Soul, Earl Sweatshirt, “Really Doe”

His hard-stomping posse cut with Detroit producer Black Milk, passing the mic to Kendrick Lamar, Ab-Soul and Earl Sweatshirt in a virtuoso battle rhyme. Earl has the funniest line: "I'm at your house like, 'Why you got your couch on my Chucks?'"

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The Monkees, “Me & Magdalena”

Who could have expected a comeback this great? Mike Nesmith gets to show off all the mileage on his country-fried pipes in this superb road-weary ballad, written to order by a lifelong Monkees fan, Death Cab for Cutie's Ben Gibbard.

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Lucy Dacus, “I Don’t Wanna Be Funny Anymore”

Barely into her twenties but already a major talent, the Virginia songwriter gets lost in mixed-up identity confusion with some Johnny Ramone in her guitar and a voice that leaps straight to your heart.

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Chance the Rapper feat. Saba, “Angels”

Chance gives it up to his native Chicago with this steel-drum funk, spreading juked-up positivity through the streets ("Grandma say I'm kosher, mama say I'm culture") until he gets the whole city doing flips like the Cubs just won Game Seven.

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Kendrick Lamar, “Untitled 05 | 09.21.2014.”

K-Dot debuted this as part of his epochal Grammys performance in March, tapping into spiritual doubts – "I'm living with anxiety/Ducking the sobriety /Fucking up the system, I ain't fucking with society" – with a sax sample from jazz legend Eric Dolphy and a heavenly R&B hook sung by Anna Wise.

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Mannequin Pussy, “Romantic”

The gloriously snotty Philly punks celebrate modern romance as a hellhole, blasting out their shoegaze guitar fuzz. "You would sleep with me if you could do it comfortably" is one very special valentine.

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Wilco, “If I Ever Was a Child”

Jeff Tweedy at his most low-key and likeable, a three-minute acoustic memory of growing up miserable in the Midwestern suburbs, with a taste of Nels Cline twang to make the pain go down smooth.

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Red Hot Chili Peppers, “Dark Necessities”

Their big comeback hit collabo with Danger Mouse, with Anthony Kiedis getting personal about his darkest, druggiest memories over a Flea bassline full of blood, sugar, sex and magic.

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Young M.A, “Ooouuu”

An up-and-coming Brooklyn MC who's definitely got her own voice¬: She's a bully, a boss, a lesbian and a thug, ruling the radio with a club banger about sipping that drink, smoking that loud, stealing your groupies ("Baby gave me head, that's a low blow/Damn she make me weak when she deep throat") and living that life.

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Rae Sremmurd feat. Gucci Mane, “Black Beatles”

No wonder Macca himself is a fan. The rap duo come together and rock their John Lennon lenses with a party-and-bullshit anthem so undeniable it hit Number One. Everybody's welcome at their club: young bloods, old geezers, weirdo girls with green hair, dealers, haters, Gucci Mane. A blunted time is guaranteed for all.

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Lvl Up, “Pain”

The year's most heart-shredding air-guitar jam. The Brooklyn indie upstarts deliver a hate song that feels so real because it's also a love song, rocking out with a touch of Elliott Smith in the vocals and a climactic guitar outburst that reaches back to Dinosaur Jr. and Neil Young.

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Fifth Harmony feat. Ty Dolla $ign, “Work From Home”

Fifth Harmony celebrate the joys of the freelance life, which for them means having insane amounts of sex on the clock. That lightheaded beat spiced up the radio all year, as these pop divas keep taking care of business and working overtime.

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Solange, “Cranes in the Sky”

Solange drops a song that can always stop you dead in your tracks, no matter where or when you hear it – describing the kind of sadness she can't escape by crying, drinking, sexing or shopping it away. The music builds from quiet meditation – that Raphael Saadiq bass – into towering soul.

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Pwr Bttm, “Projection”

The glitter-punk bravados sing about growing up queer and scared and lonesome, staring out the window at the other kids, lamenting, "My skin isn't made for the weather." It gets to the heart of how this whole year felt.

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Kanye West, “Ultralight Beam”

Kanye goes to church, with a gospel choir chanting, "This is a God dream." He brings in Kirk Franklin, Kelly Price, The-Dream and Chance the Rapper to help him plant a foot on the devil's neck.

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David Bowie, “No Plan”

Recorded during the Blackstar sessions, but held back for the Lazarus soundtrack, "No Plan" is a magnificent coda. The Thin White Duke sings a spectral torch ballad about floating over New York City: "There is no music here/I'm lost in streams of sound." He gazes down on Second Avenue with a ghostly sax as his life fades out of sight – one last transmission from the Bowie universe.

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Drake feat. Wizkid, Kyla, “One Dance”

Aubrey Graham celebrates the big 3-0 by scoring his first Number One hit as a lead artist: a tropical summer jam with a Caribbean lilt that evokes Lionel Richie in pastel-shirt mode. When he mixes in Nigerian singer Wizkid and London diva Kyla, he turns "One Dance" into a utopian fusion of global styles, by way of Toronto.  

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Frank Ocean, “Ivy”

It was worth the wait. Ocean sings an avant-R&B tale of heartbreak over distorted electric guitar, his plaintive voice confessing, "I thought that I was dreaming when you said you loved me." The guitar – from Rostam Batmanglij, late of Vampire Weekend – follows him all through the song, as he revisits memories of lost youth and innocence. It's the most powerful song Ocean has created yet (co-written with Batmanglij, producer Om'Mas Keith and Jamie xx), a highlight of Blonde that mixes up the soul and rock elements of his music with a sensibility that still feels unmistakably hip-hop. In "Ivy" he gives the sense of a diary entry where a long-buried memory surges back into his mind in bits and pieces. Even if his broken romance was sheer misery at the time, he still misses it, right down to the way he mourns, "We'll never be those kids again," building to a Brian Wilson-worthy wipeout wave of bittersweet angst.

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Beyoncé, “Formation”

Beyoncé debuted this battle cry at the Super Bowl back in February, shocking the nation with her Black Panther-inspired imagery. "Formation" was the hit that stayed omnipresent all year long, yet just seemed to get more massive and demanding with time. Even before the rest of Lemonade existed, it stood as Bey's most lyrically defiant and musically militant statement about who she is, where she's from and where she's going, declaring, "My daddy Alabama/My ma Louisiana/You mix that Negro with that Creole make a Texas bama." That Mike Will Made It synth hook was the hot sauce in her bag, an ominous warning siren. From an artist who's already spent so long at the center of American culture, it was a statement of blackness and feminism (with Big Freedia to rep for queer voices), but also a party invitation nobody could resist. "Formation" was a song that kept hope alive in a bleak year – and it will be essential ammo for the struggles to come in the next. Get in formation.

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