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40 Best Rap Albums of 2017

Migos, Jay-Z, Kendrick Lamar and more of the year in rhymes

40 Best Rap Albums of 2017

Quavo of Migos, Jay-Z and Kendrick Lamar

Hip-hop was the success story of 2017, the streaming model providing new levels of speed and access to music that always thrived as dispatches from someone’s here and now. Yes, this meant Jay-Z was able to work in a joke about Al Sharpton’s selfies on an album released weeks later, but it also means Future, 21 Savage and Trippie Redd can flood the market with their latest ideas. Stars were made on SoundCloud, Drake called his 22-track release a “playlist,” Run the Jewels dropped their album via streaming (in 2016!) before their retail release date, and Kendrick Lamar provided a new way to hear his double platinum album by re-releasing it with the track list backwards.

Migos, 'Culture'
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Migos, ‘Culture’

As trap has become pop’s lingua franca, no one can better celebrate the triumph than Migos. The smoked-out slow roll of their music connects studio maximalism with the D.I.Y. instantaneity of iPhone and YouTube auteurs. Anyone can do it, but no one else can do it like this. The sound-effect hooks come from keyboards and their own mouths, each bwah, skrrrt, brrrup signifying their ability to transform nothing into something, and back again, in a blink. Their flows changed up moment to moment, presenting an authority at once casual and complete, and working pop music’s greatest trick: turning the transitory into the eternal. J.L.

Kendrick Lamar, 'Damn'
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Kendrick Lamar, ‘Damn.’

Rap’s most powerful voice at the absolute top of his game, with nothing left to prove but his staying power. Where 2015’s To Pimp a Butterfly and 2016’s Untitled Unmastered exploded rap formally with disparate flows, kaleidoscopic Flying Lotus beats and Afro-delic Kamasi Washington jazz-funk jams, Damn. shows how dazzling the man can be simply spitting verses. On “Feel,” he unloads his head over a trippy Sounwave slow jam, going roughly 50 lines without break on one stretch, a virtuoso synaptic display echoed across the set. Lamar’s political conscience hasn’t flagged, but he’s more about self-examination here. On the fearless “Fear,” one of his deepest moments, he chronicles a lifetime of anxieties and cites his “fear of losin’ creativity.” It’s a sentiment easy to relate to – but based on the evidence, one imagines he’s got little to worry about. W.H.

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