Home Music Music Lists

30 Fascinating Early Bands of Future Music Legends

From Billy Joel’s heavy-metal duo to Madonna’s post-punk act and Neil Young’s Motown outfit, these are the primordial groups that rock forgot

30 Fascinating Early Bands of Future Music Legends

Read about the obscure bands where future music legends from Led Zeppelin to Simon & Garfunkel and Debbie Harry got their start.

Even rock’s biggest names had to start somewhere. Flip through this (way) back catalog of stars’ early projects and you’ll find yourself in a topsy-turvy bizarro-world where Michael Bolton and Billy Joel fronted metal bands, Debbie Harry and the Cars were folked-up singer-songwriters, Madonna was a post-punk drummer and Ronnie James Dio was a Sixties teen idol. By the time you’re done there are more questions than answers. Did Neil Young and Rick James really play in a Motown band together? Did Lemmy really wear a priest’s collar onstage every night? Why were Radiohead so into saxes?

Read on to hear 30 fascinating early bands from future music legends. Brace yourself, because it might get weird. 

Play video

Sammy Hagar’s Sunshine-Pop Duo Samson & Hagar

Little appears to be known about this unusual early chapter in the Red Rocker’s history. After fronting a Southern California band called the Fabulous Castilles (not to be confused with the similarly named group featuring a young Bruce Springsteen), Hagar joined forces with fellow vocalist Pete Samson in 1967. Together they recorded the self-penned song, “Reach Out to Find Me” (backed by Samson’s “Read My Thoughts”) for Ranwood Records. For a backing band, producer Dan Dalton called in the Peppermint Trolley Company, thus melding the future Van Halen shouter with the voices behind the Brady Bunch theme song.The single’s chart failure later that year spelled the end for the short-lived duo. Hagar continued performing in a pack of other SoCal groups – the Johnny Fortune Band and also the Justice Brothers among them – before achieving mainstream recognition in the hard-rocking early Seventies outfit Montrose. 

Play video

The Cars’ Ric Ocasek and Benjamin Orr’s Mellow Early-Seventies Trio Milkwood

The future brain trust behind 2018 Rock and Roll Hall of Famers the Cars first crossed paths in Cleveland back in the mid-Sixties, after Ocasek saw Orr performing with his group, the Grasshoppers, on a local television program. They soon became close, playing both as a duo and in bands at local venues across Columbia, Ohio, and Ann Arbor, Michigan, before winding up in Boston. While there they teamed up with guitarist Jas Goodkind to form Milkwood, a laid-back vocal trio in the Crosby, Stills and Nash mold. The group’s honey-soaked harmonies and gentle acoustic picking caught the attention of audiences throughout the Cambridge club circuit. “We were playing around town and somebody asked us if we wanted to make a record,” Ocasek told Rolling Stone in 1979. “In two weeks we recorded that Milkwood thing.”

Work on what would prove to be the band’s one and only album took place at Aengus Studios in Fayville, Massachusetts. The sessions marked the first collaboration with future Car Greg Hawkes, who played saxophone and provided brass arrangements. “He had the simplicity concept,” Ocasek later said, “but he wasn’t afraid to do interesting things. I knew he’d be the keyboard player I wanted.”

Ten original songs by Ocasek and Orr (credited to their real names, Otcasek and Orzechowski) were released on Paramount Records in 1973 as How’s the Weather. The comically banal title gives some impression of the overall sound of the album, which is mellow to the point of narcolepsy. The wistful, confessional singer-songwriter material, flecked with the occasional “jazz-odyssey” breakdown, is light years away from the robotic New Wave anthems that would make the Cars famous later in the decade. The record-buying public, presumably believing that one CSN was enough, stayed away and the album sank without a trace. 

Show Comments