Hip-Hop Albums: 30 Best of 2018 – Rolling Stone
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30 Best Hip-Hop Albums of 2018

This year saw releases from rap’s biggest names, but it still felt like a changing of the guard for the genre

year end hip hop

2018 was a monumental year in hip-hop. Every marquee star the genre has put out a project (if you include Kendrick Lamar’s Black Panther soundtrack, which you should), from Kanye West’s frenzied five week rollout of G.O.O.D. Music artists, to Jay-Z and Beyoncé finally dropping their long-hinted at collaboration album Everything Is Love, and Drake doing that thing that Drake does, which is own the charts for most of the year with cuts from Scorpion. Usually, this would be all we have time for. But this year felt different — just as important as the A-List names that have been at the top of the game for most of the 2000s were the new stars being minted seemingly every month. Travis Scott, longtime king of the youngest fans in hip-hop, put out his career-best Astroworld; Cardi B surprised everyone with the diamond-solid Invasion of Privacy; Tierra Whack announced her presence with the stunningly creative calling card that is Whack World. It was a big year for the big names, but it also felt like a changing of the guard. It’s not likely to slow down now.

Travis Scott, Astroworld
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Travis Scott, ‘Astroworld’

Astroworld is a monument to excess in a year overcome with bloat. What it took Kanye West five albums to do, his protege accomplished in 17 songs. Grandiose, intricate, and ferocious, Travis Scott’s quixotic epic honors the past and present of his hometown Houston with the biggest beats, smartest transitions and best guest list he’s ever come up with. “Who put this shit together, I’m the glue,” Scott defiantly proclaimed on “Sicko Mode.” The Glue has built the best rap album of the year.

Cardi B, invasion of privacy
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Cardi B, ‘Invasion of Privacy’

“I’m a rich bitch and I smell like it,” Cardi B announces on her instant-classic debut. Cardi could’ve followed up the bloody-shoed success of “Bodak Yellow” with an LP of funny Twitter snaps. Instead, Invasion of Privacy established her as an innovator with her own instantly influential voice — whether she’s claiming the Dirty South in “Bickenhead” or celebrating her Dominican flash in “I Like It,” with Bad Bunny and J Balvin. In a year when hip-hop seemed mopey and insular, her neon-bomb charisma and willingness to stomp on our pop pleasure buttons was incredibly refreshing. She starts out in the strip clubs, wears off-white to church (“make the preacher sweat” rhymes with “Jesus wept”), makes her man stutter in “Be Careful” and teams up with SZA for the climactic “I Do,” proclaiming, “I think us bad bitches is a gift from God.” Amen, Cardi.

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