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25 Essential LGBTQ Pride Songs

From Sylvester to Perfume Genius to everyone in between, editors pick the most evocative, transformative songs

Is there an LGBTQ sensibility? What was it 40 years ago, before much of today’s language for gender and sexual identities even existed? Or, much more simply: Which songs best evoke the sex, drama, heartache, struggle, liberation and mindfucks of queer lives then and now? What follows is not a comprehensive (or ranked) list, but one that bridges the gap between post-Stonewall disco parties and gender-queer millennial rock of today. While some classics do appear on our list, others do not – sorry, Gloria Gaynor, Kylie Minogue, RuPaul, Britney and Cher, we still adore you — here are 25 essential pride songs from the 1970s to today.

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Madonna, “Vogue” (1990)

With a small budget of $5,000, Madonna and her then go-to remixer Shep Pettibone banged out this track (originally considered a B side for another single), improvising that movie-star rap last-minute in a basement studio in midtown Manhattan. “She was always a first-take artist,” Pettibone told Billboard in 2015. The result wasn’t just one of the Queen of Pop’s most definitive hits but an improbable connector between Old Hollywood, the late Eighties club scene and Harlem drag balls, finding glamour, subversion, inspiration and self-preservation at the peak of the AIDS epidemic. (Plus, that video! Those men! The dancing!) With this as her springboard, Madonna would later dive head-first into LGBT subcultures via her “Justify My Love” video and, more expansively, in her Sex book and Erotica album. Soul is in the musical. –JR

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

George Michael, “Freedom! ’90” (1990)

It would be eight more years until George Michael would come out to the general public, but the gifted, soulful and charismatic former Wham! frontman had long been a white-hot sex symbol, role model and trendsetter for gay men and other LGBTQ individuals across the world. “In terms of my work, I’ve never been reticent in terms of defining my sexuality. I write about my life,” he told CNN in his 1998 coming-out interview. And while later music would directly address his sexuality and his relationships (including the loss of a partner to AIDS), his ageless 1990 single pointed to a radical, transformative honesty not yet ready to be said aloud: “I think there’s something you should know/I think it’s time I told you so/There’s something deep inside of me / There’s someone else I’ve got to be.” The accompanying video – in which the marquee-handsome superstar goes M.I.A. to let supermodels do the lip-syncing, and his cheesy Faith-era leather jacket goes up in flames – remains unmatched. –JR

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Deee-Lite, “Groove Is in the Heart” (1990)

Expertly layering one funky sample after another, the psychedelic, pansexual trio of Deee-Lite – fronted by a drag-inspired Lady Miss Kier – introduced a vibrant queer club-kid energy and aesthetic to the masses with this orgiastic track and accompanying video. It remains a magnetic gateway for anyone itching to let their freak flag fly.  –JR

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Pansy Division, “Anthem” (1993)

These Bay Area gay punk pioneers found a hint of mainstream fame when they toured with Green Day on their Dookie run in 1994, but it was their sexy lyrics and who-gives-a-fuck attitude that endeared them to a generation of queer kids – before that term was even fashionable. It’s difficult to pick one song that defines them – with songs like “Dick of Death,” “Groovy Underwear” or their classic cover of Prince’s “Jack You Off” – but we went with one that seems to defy the idea of a gay “anthem” no matter how you think of it. “One thing that we have is that we’ve always sung about being gay. We’re not just gay and musicians,” Jon Ginoli told Rolling Stone last year before the release of their latest album, Quite Contrary. “We have sung about being gay as a part of the topic within our songs. I think, over time, some of them are less specifically gay than they were at first because it seemed like, when we had the chance that was really what we wanted to sing about and that was really unique.” –JP

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Melissa Etheridge, “Come to My Window” (1993)

Etheridge was feeling lonesome on tour, longing for a lover who was slipping away, when she penned this hit that ended up on her brazenly titled breakthrough album, Yes I Am. Little did she know that her cowgirl blues would not only win her the Grammy for Best Female Rock Vocal Performance but would also yield an empowering theme for the gay community. “At the same time the album became a hit, I came out publicly,” she told Entertainment Weekly in 2009. “The gay community lifted me up and supported me. That bridge in the song was taken to an anthem level. (‘I don’t care what they think/I don’t care what they say/What do they know about this love anyway?’) It bypassed any meaning I ever put in the song and became part of a mass consciousness. It is still a huge moment when I perform it live.” –SE

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Peaches, “Fuck the Pain Away” (2000)

Good advice from Canada’s raunchiest sex sage. With the help of a Roland MC-505, the bisexual drama teacher–turned-rapper sparked a titillating new wave of sleazebag disco with her 2000 LP, Teaches of Peaches. Although “Fuck the Pain Away” was too risqué to chart, its unforgettable, braggadocious lines permeated everything from South Park to 30 Rock and 2003 film Lost In Translation: “Suckin’ on my titties like you wanted me/Calling me all the time like Blondie/Check out my Chrissy behind/It’s fine all of the time.” It was reportedly Madonna’s favorite workout song, and she also featured it in her London play, Up For Grabs. In a 2003 interview with The Guardian, Peaches divulges that she sent Madonna and Guy Ritchie some autographed panties as thanks. “I signed some underwear,” she says, “I wrote, ‘Dear Guy, fuck ya later, love Peaches,’ and for Madonna I wrote, ‘Dear Madonna, fuck ya now, love Peaches.’ It’s cool.” –SE

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Hedwig and the Angry Inch, “Wig in a Box” (2001)

If any show tune’s making this list, let it be a Hedwig original. Centering on a transgender rock singer from Berlin, the iconic Broadway musical and film took shape in New York City drag club SqueezeBox!, where Mitchell first conceived of the character known as Hedwig. With the help of house-band leader and Hedwig composer Stephen Trask, Mitchell finally got the guts to debut Hedwig live at SqueezeBox! in 1994. His first wig was propped up by paper towel rolls, hot glue and staples. “I had never done drag, I had never sung with a rock band,” said Mitchell to Rolling Stone. “It was like I was baptized. Everything I did was completely in support of Hedwig. I’d go off and do a sitcom and use the money to buy wigs and make my own costumes.” –JP

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Limp Wrist, “I Love Hardcore Boys/I Love Boys Hardcore” (2001)

Leathered up and lathered in each others’ sweat, American hardcore band Limp Wrist were at the forefront of the Queercore movement in the late Nineties. As both devoutly straight edge and proudly homosexual, their substance-free stance made them stand out in a time when bars, clubs and other intoxicating spaces comprised the few safe havens for LGBTQ people. Their 2001 song “I Love Hardcore Boys/I Love Boys Hardcore” was an especially cheeky, cathartic release for frontman Martin Sorrondeguy, who came out in the later years of his tenure in Latinx punk band Los Crudos. “I would have never come out in the Eighties,” Sorrondeguy once professed to The Portland Mercury. “I recall spotting a few folks who were queer in those times and I was nervous for them. There were many violent folks around at the time so it was a bit scary. When I came to the point where I was actively gay it took a bit of time to get comfortable and come out but I felt ready for whatever came my way.” –SE

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Scissor Sisters, “Take Your Mama” (2004)

New York City’s queens of camp Scissor Sisters portrayed the dilemma of coming out to family as pure comedy: In “Take Your Mama” out, frontman Jake Shears suggests plying your mother with liquor before you break the news. The song appeared on their self-titled debut, which topped the U.K. Albums chart and went nine times platinum. Bono lauded them as “the best pop group in the world” that year, and Elton John would collaborate with the band on their 2006 smash hit “I Don’t Feel Like Dancin’.” Although only a fraction of the band’s success in Europe translated to the United States, “Take Your Mama” remains a staple in gay bars across the country. –SE

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Hercules and Love Affair, “Blind” (2008)

“Blind,” the 2008 collaboration between DJ Andy Butler and transgender singer Anohni, became an instant dance-floor classic in the aughts. Anohni elevated the dark nu-disco cut with her syrupy, Nina Simone–inspired lilt. Butler later told The New York Times that “Blind” recalled “growing up a gay kid, my immediate family and social group rejecting me, and asking why I was born into this situation. … But knowing that as soon as I could escape, I would, and that I would find freedom and solace. As an adult, however, I found a life full of excess and other wounded people and confusion. Thus, I felt blind.” –SE

25 Essential Gay Pride Songs: Rolling Stone Editor Picks

Robyn, “Dancing on My Own” (2010)

Yes, this historic banger also belongs to Lena Dunham and brilliant Swedish women of all persuasions. But there’s something about the picture painted in Robyn’s not-so-mini pop masterpiece that’s deeply resonant to queer, marginalized people: Its protagonist is at her most rejected, lonely and isolated as she tries not to feel like a freak eyeing an ex with his (or her) new piece at a club. Rather than go home or make a scene, however, this heartbroken heroine does what we all should: Dance alone and for herself. –JR