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20 Biggest Songs of the Summer: The 1950s

From mambos to the birth of rock, the best songs for hitting the drive-thru in the warmer months

20 Biggest Songs of the Summer: The 1950s

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If the postwar prosperity of Fifties America gave us the emergence of both rock & roll and teen culture itself, it serves to reason that it also gave us the summer jam – or at least pop music’s increased social significance in the months when school is out. Billboard didn’t originate the Hot 100 until 1958, so this list was compiled by tabulating length of peaks within that chart window, as well as peaks across pre-Hot 100 sales, jukebox and disc jockey charts between the summer solstice and the autumnal equinox, from 1950 to 1959. We’ve also taken the liberty of deleting all the ballads – so our apologies to Percy Faith, Nat King Cole, Perry Como, the Andrews Sisters and many more. By Al Shipley

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11. The Crew-Cuts, “Sh-Boom”

A year before Pat Boone scored his first hit covering Fats Domino, the Canadian flat tops in the Crew-Cuts provided an early example of white artists bringing crossover success to songs originated by black artists. The Chords recorded “Sh-Boom” first, making it a rare top 10 hit for a black group, before the Crew-Cuts swooped in and took it to Number One.

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10. Rosemary Clooney, “Come On-A My House”

The flirtatious “Come On-A My House” is, it may surprise you, the only pop smash co-written by a Pulitzer Prize-winning author: dramatist and novelist William Saroyan. But even after the song helped Rosemary Clooney become a household name, she admitted openly that she’d always hated the song, and that Mitch Miller had ordered her to record it.

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9. Pérez Prado & His Orchestra, “Cherry Pink (And Apple Blossom White)”

“The King of the Mambo,” Prado helped popularize the Cuban-originated genre in America with a rare instrumental chart-topper, “Cherry Pink (And Apple Blossom White).” One of Prado’s songs became a summer jam decades later, in 1999, when Lou Bega updated his “Mambo No. 5.”

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8. Johnny Horton, “The Battle Of New Orleans”

Four years after Mitch Miller took an ode to the Texas Revolution to the top of the charts, rockabilly singer Johnny Horton achieved the same feat with a light-hearted song about another 19th century military conflict. Marching snare drums: the hot beats that powered 1950s summer jams!

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7. Frank Sinatra, “Learnin’ The Blues”

In the spring of 1955, Sinatra released the landmark LP of his greatest musical reinvention, In The Wee Small Hours. But Ol’ Blue Eyes never stopped cranking out standalone 45s, and this slightly jauntier but still lonesome track became his biggest pop hit of the era.

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6. Elvis Presley, “(Let Me Be Your) Teddy Bear”

In hindsight, “(Let Me Be Your) Teddy Bear” is probably the slightest of Presley’s initial run of chart-toppers, hitting in the summer of 1957 after the colder months had been heated up by classics like “Love Me Tender” and “All Shook Up.” And yet, his hiccups and vocal tics have seldom been more charmingly goofy as they were in this 106-second gem.

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5. Mitch Miller, “The Yellow Rose Of Texas”

“The Yellow Rose of Texas” was first published in 1858. But it took 97 years to become a chart-topping hit, when pop producer Mitch Miller came up with a catchy arrangement of the tale of the Battle of San Jacinto that knocked Bill Haley out of the Number One spot.

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4. Sheb Wooley, “The Purple People Eater”

Shelby F. Wooley was a character actor with a long career in westerns, appearing in movies like High Noon and The Outlaw Josey Wales. But he found pop immortality in the novelty song “The Purple People Eater,” and enjoyed a string of country hits while mentoring future Nashville legend Roger Miller.

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3. Gogi Grant, “The Wayward Wind”

As was frequently the case in the Fifties, Stanley Lebowski and Herb Newman’s “The Wayward Wind” was recorded by several different artists, many of which ended up competing for the hit. Country singer Tex Ritter, British radio personality Jimmy Young and a pre-stardom Shirley Bassey all took a swing at “The Wayward Wind” in 1956, but it was Gogi Grant, recording for the tiny Era Records label, that made it one of the summer’s biggest hits.

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2. Bill Haley & His Comets, “Rock Around The Clock”

“Rock Around The Clock” didn’t top the charts until summer 1955, after its initial release a year earlier as a B-side failed to attract much notice. Thankfully, placement of the song in the hit ’55 film Blackboard Jungle helped the song rock around the calendar and ultimately become the first Number One of the rock & roll era.

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1. Elvis Presley, “Don’t Be Cruel”

1956 became the summer of Elvis, or rather the first of several, with the July release of “Don’t Be Cruel” (backed by another chart-topper, “Hound Dog”). In early September, Presley opened his first Ed Sullivan Show appearance with this hip-swiveling classic, and the rest is history.

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