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20 Best Dramatic Duets of All Time

From breakups to make-ups, here are 20 guy/girl pairings that make beautiful harmonies

Don Henley Stevie Nicks Dramatic Duets

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So many co-sung tunes are a man and a woman trading bars about love and heartbreak, but only a handful of them have enough tone, intent, content, and chemistry to resonate. Here are 20 of the most memorable. By Maura Johnston and Julianne Escobedo Shepherd

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3. Stevie Nicks & Don Henley – “Leather & Lace”

The grizzly-voiced leaders of Fleetwood Mac and the Eagles, respectively, were practically born to sing together about difficult love: Their voices cracked in complimentary places and, on this 1981 hit, both sounded like they'd been caravan-ing on motorcycles across the open highway for a long time. A relationship conversation in real time, they devote the song to singing how true they promise to be to one another, but in a lonely minor key so you get the feeling they both know they're lying to themselves. But here in the moonlight, they need each other today – and for now, it's all that matters.

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2. Diana Ross & Lionel Ritchie – “Endless Love”

This Lionel Richie-penned track topped the Billboard Hot 100 for a solid two months in 1981, and it's easy to hear why; the lush production and restrained yet powerhouse performances by Richie and his duet partner Diana Ross made it the type of song that any human with even an inkling of romantic feeling could relate to. The reaction startled Richie, who at that point was still with the soul outfit the Commodores: "Things got unbelievable," Richie said in a 1982 interview with the Chicago Tribune. "It was 'Endless Love,' endless award shows, endless everything." Endless variations on that song's theme, too — it's since been covered by Mariah Carey and Luther Vandross, a slew of American Idol hopefuls, and Richie himself (with Shania Twain as his foil). 

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1. Kenny Rogers & Dolly Parton – “Islands in the Stream”

The Bee Gees — Barry, Robin, and Maurice Gibb — worked with Kenny Rogers on his 1983 country chart-topper Eyes That See In the Dark. The fact that they wrote this fidelity-minded smash surprised people —although their handiwork is made plain by the exquisite harmonies on its chorus. (That chorus returned to the pop charts 15 years later, when Mya and Pras appropriated it for the briefly ubiquitous "Ghetto Superstar.") The blindingly obvious chemistry between Rogers and Parton turbocharged this track's popularity, and it became the Number One song of 1983 and the second crossover hit for both of the Nashville superstars. 

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