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1994: The 40 Best Records From Mainstream Alternative’s Greatest Year

Green Day, Nirvana, Pearl Jam and 35 other bands who made the word “alternative” lose all meaning

40 Mainstream Alternative Albums of 1994 weezer

At no point between "Smells Like Teen Spirit" and "Nookie" was the alternative bubble more booming than 1994. A record breaking eight alt-rock albums topped Billboard that year, and Lisa Loeb's "Stay" let alternative nation plant a rare flag atop the singles charts. The Offspring sold more of their indie label record than Pink Floyd did on their major label record. Green Day stole Woodstock '94 from Bob Dylan. New Kids on the Block broke up and Earl Sweatshirt was born. Here's the 40 best albums from the year where the losers finally won.

Nine Inch Nails – The Downward Spiral

Courtesy of Nothing Records

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Nine Inch Nails, ‘The Downward Spiral’

Every generation needs its shock-rock icon and Gen X's was undeniably Trent Reznor. "Nine Inch Nails are theater," Reznor told Rolling Stone in 1994. "What we do is closer to Alice Cooper than Pearl Jam." How else could he explain lyrics like "I want to fuck you like an animal" and "God is dead and no one cares" — as well as the fact that he had recorded his second record, The Downward Spiral, in the house where the Manson Family murdered Sharon Tate, at a time when Eddie Vedder was asking not to be called "daughter" over acoustic guitars? But while Cooper's shock tactics often included a moralistic twist, Reznor's allegories were mostly about nihilism and hopelessness: Reznor said that "Big Man With a Gun" was a satire about misogyny in gangsta rap after drawing scorn from the National Political Congress of Black Women, who thought NIN were hip-hop. "I can make something loud, but how can I make it the loudest, noisiest, most abrasive thing I've ever heard?" he asked in 1994. "Can I go 10 steps past the goriest horror film you've ever seen in a way that's more disturbing than cheesy? I know I can." Kory Grow

Green Day Dookie

Courtesy of Reprise Records

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Green Day, ‘Dookie’

If Pearl Jam were too epic was for you, Nirvana too oblique, if your suburban teen inertia sprang from tedium not trauma — well, these nagging brats were here to spill hair dye on your living room carpet. Tré Cool's stop-start drum swats, Mike Dirnt's back-talk bass melodies, Billie Joe Armstong's nuanced machine-gun chording — each element in these 15 simple little tunes (save the goof bonus track) had a twitchy precision that'd get a fancier band called "arty." The noodling bass line for "Longview" may be Mingus compared to the heavy-thumbed pulse Dee Dee Ramone bequeathed to punk's low-end, but it's also every bit as aimless as a song about jerking off in front of the TV demands. "Basketcase" belittles its own stoner panic, "When I Come Around" is a punchy shrug of lovers' squabble, and the fierce sweep of "Welcome to Paradise" hints at the rock operas to come once they grew up to become a fancier, even artier band. Keith Harris

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