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17 Young Innovators Shaking Up the Music Industry

Meet the next generation of app inventors, startup founders, label owners, tastemakers, managers and promoters

Music innovators

The music industry isn't dying; the old way of doing things is dying. Just ask these 17 movers and shakers, all under age 30, who are changing the game and keeping the music biz alive and well. None of them is a professional musician; they're all power players making an impact through other avenues. Some are inventing novel ways of distributing and consuming music with forward-thinking technology. Some are making old formulas new again by embracing the beauty of vinyl, or throwing dance parties – in the morning. Some are shaping the tastes and trends of rappers and ravers to come. All are bringing a fresh dose of blood, sweat and tears to the creation, discovery and sharing of music, and all see a future wide open with possibilities.

Oskar Nick


Founder, Majestic Casual
YouTube has become a major player in the world of streaming music, and one of its biggest channels for EDM is Majestic Casual. It's a one-man shop founded in 2011 by a press-shy German who says to call him Nick. "A person should not be in the center of the brand but the artists and their work," he says via email. His channel promotes artists by pairing music uploads with an evocative image – usually a dreamy, sun-drenched shot of an attractive woman – and this simple formula has garnered it more than 2.28 million subscribers, an average of 32 million plays each month and an estimated yearly revenue of anywhere from $75,000 to $1.2 million. "I like having what we call 'Kopfkino' in Germany: listening to a track and imagining a movie scene. That's what I try to give my subscribers," says Nick.

In the process, he's given invaluable exposure to artists like Perseus, Cyril Hahn and Julio Bashmore. Last year, Miami's Ultra Music Festival featured a Majestic Casual Stage where those musicians nd more performed, and the brand also put on a public showcase at London's Village Underground last May.

Nick says he created Majestic Casual because "I found myself in a world of commercial music, the same tracks running on the radio over and over again, cluttering people's ears. I took the chance to show people the music I love, music which enriches my soul and not necessarily music that sells millions of records."

Claire Bogle and Sascha Stone Guttfreund

Shelley Hiam

Claire Bogle and Sascha Stone Guttfreund

Both 25
Founders, ScoreMore
How does one win the undying loyalty of Kendrick Lamar and Wiz Khalifa? Bust your ass producing a bunch of sell-out shows for them back when nobody knew them from a ping-pong ball in a cup of stale beer. Claire Bogle and Sascha Stone Guttfreund did just that when they were still college sophomores at UT-Austin. "They're the first ones to bring me to Texas for some rap shit," says a youthful J. Cole in a video on their site, alongside numerous other now-big artists. Bogle and Guttfreund's company ScoreMore – whose tagline is "Your Favorite Rapper's Favorite Promoter" – has thrown 600 events since 2009 and covers 11 college markets, including Nashville, Ann Arbor, Oklahoma City and Austin. They also produce the Neon Desert Music Festival in El Paso, and similar shindigs are in the works.

"Touring is more important than it's ever been," says Bogle. "With so much music readily available, it is our job as promoters to listen to the consumer, identify the voids in market places and partner with artist and consumers alike to build experiences that cater to the culture."

Guttfreund agrees. "The concert side of the business is not perfect," he says. "It's destined to feel oversaturated in the big markets while the markets that really would appreciate the experiences are being skipped. For us it's about discovering opportunity, not trying to shove a square peg in a round hole. More cities deserve art and the experience of live music."

Jessica Coles

Jessica Cole

President, Lyric House Music Publishing
Jessica Cole was a CU Denver music business major interning at the Country Music Network when she started wondering how music gets onto TV. After side stints in artist management, then songwriting in Nashville, she returned to Denver and arrived at an answer with the founding of Lyric House. It started out as a songwriting association formed with people she knew from school, but has since grown into a full-service music publisher specializing in song placement for TV, film, trailers and ads. Now primarily based in L.A., Lyric House represents more than 100 bands, artists and songwriters, and has placed songs on channels like Showtime, NBC, ABC and MTV, and with brands like Verizon and Acura.

"Synchronization has become the new radio in many ways," says Cole, referring to licensing deals that allow music to be played with a movie, TV show, video game, etc. "Consumers are turning on their favorite television show and discovering new artists. These music discoveries leave the consumer wanting more out of the experience, leading them to seek out and purchase concert tickets, vinyl and merch. Going forward, the future will continue on this path and transcend even deeper into brand partnerships."

Matthew Brimer

Matthew Brimer

Co-founder, Daybreaker
Hard partying and late-night substance abuse go together like, well, sex, drugs and rock & roll, but Matthew Brimer is out to break that link. "There's already nightlife, but where is the morning life?" he asks. Hence, Daybreaker, an early morning, alcohol-free dance party that "aims to transform both your physical and mental well-being." The bar is stocked with coffee and juice, and the music is a mixture of local DJs and live bands. Hula hoops, dancing carrots and dudes in the corner writing free haikus have also been known to appear. Since Daybreaker's first party in New York City in 2013, Brimer has added events in San Francisco, Los Angeles, Austin, Atlanta, London, São Paulo and Tel Aviv – and more are on the way.

"People have been dancing and engaging in participatory music experiences in communities for thousands of years, and in many ways modern nightlife has lost a lot of what I think is so important and powerful when it comes to music and dance," says Brimer, who, in case it wasn't apparent from that sentence, was a sociology major at Yale. "I'm convinced that we're just on the tip of the iceberg as a society when it comes to how people connect with each other in real life, getting them off their digital devices and being humans together."

Imogene Strauss

Imogene Strauss

Co-founder, Cool Managers
Some people just seem fated to be cooler than the rest of us; such is life for Imogene Strauss, daughter of legendary New York City DJ and producer Justin Strauss. After graduating from college in 2011, Strauss started interning at MoMA PS1 and by the fall had been hired to produce Kraftwerk at MoMA, among other music commissions. (She still consults for PS1's trendsetting Warm Up summer music series.) At the time, she was also working in management, handling day-to-day for Solange Knowles and Devonté Hynes. In 2013, she decided to strike out on her own and co-founded Cool Managers, with Knowles, Hynes (as Blood Orange) and Majical Cloudz as its first clients. The current roster includes the latter two along with Dawn Richard, Tim Hecker, Dubbel Dutch, Nguzunguzu, Ian Isiah and Feral.

"I wanted to be able to work in a way that better suited the artists I worked with," the young tastemaker says. "My goal is always to help visionary artists do things their way and make a living doing it."           

Myles Shear

Myles Shear

Manager (Kygo, Thomas Jack, Riff Raff); Co-founder, EDM Sauce
Myles Shear studied music production at Full Sail University, and his career has zipped along at full sail ever since. At 19, he co-founded popular music publication EDM Sauce – which was named the Number 13 Most Influential Music Blog in the World by Style of Sound last year – and, partly through running that, he became aware of an Australian artist named Thomas Jack. An immediate fan, Shear got him to come to Florida and booked him a tour. "[Jack] actually came and lived with me, in my college dorm, on my futon," he says.

Through Jack, Shear learned about then-unknown Norwegian DJ and producer Kygo, whom he reached out to and started managing. Less than two years later, Kygo's remix of Ed Sheeran's "I See Fire" has 26 million plays on Soundcloud, and Chris Martin has asked him to create a remix for Coldplay. When we spoke with Shear, the phone line buzzed with the background sound of Kygo's entire family hanging at Shear's home fresh after the musician's performance at Miami's Ultra Music Festival. "It's kind of crazy how this all started with being involved in blogs," says Shear.

The EDM power player was also high off the success of signing a deal for Thomas Jack to host a monthly tropical house show on iHeartRadio. He believes that "next level marketing" is the future of the industry. "I'm constantly thinking, 'What am I gonna do [for my artists] tomorrow?' OK – so and so on the Kardashians, or whatever," Shears says. "Constantly thinking of ways for people to pay attention to artists is a huge challenge, [but that's what] the music industry will be revolving around."

Jordan Passman

Jordan Passman

Founder, ScoreAScore
Once upon a time, starving composers looking for work had to brave the wilds of Craigslist, a lawless land of unverified identities and unpaid bills. Now, they – and the companies who seek them – can turn to ScoreAScore, an online marketplace for music, voiceovers and sound design. The site was launched by then-22-year-old Jordan Passman in 2009 out of his parents' Los Angeles house. Today, the company reports 2014 revenue of $1.3 million and boasts clients ranging from Netflix and Nokia to Nintendo and NBC.

Passman believes that technology will continue to shape the music industry and that the future is bright. "There will be more music creators, more listeners, more ways to discover talent, and more platforms for interaction between members of the musical community," he enthuses. "The 'A-list' artists may not earn as much as they did during the golden age of music, [but] I think there will be more artists making a living via the industry than ever before." 

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