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15 Rock & Roll Rebels

For these 15 revolutionaries, the only place to be was on the outside looking in.

Rebels in Music

Deep down, the bad boys are quite often the sensitive ones – the ones who feel the world's pain. They don't "do what everybody else does" because they don't understand why things have to be that way. And they often welcome the ostracism they get in return: "If you've got a blacklist, I want to be on it," as the socially conscious songwriter (and major Clash fan) Billy Bragg once sang. Here are 15 true revolutionaries, for whom the only place to be was on the outside looking in.

Steve Earle circa 1980

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Steve Earle

A hardcore country traditionalist, Steve Earle has spent his career bucking the Nashville establishment and upholding the left-wing values of the old Greenwich Village folk scene. Praising his favorite songwriter, Townes Van Zandt, he called him "the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that." After 9/11 Earle became a polarizing figure over his song "John Walker's Blues," which sought to humanize John Walker Lindh, the American who fought for the Taliban in Afghanistan. Earle's songs have expressed his support for anti-war protesters, the Occupy Wall Street movement and his opposition to the death penalty (see "Ellis Unit One" for the Dead Man Walking soundtrack). "I'm my daddy's worst fears realized," Earle sang in 1990, when he was struggling with a major drug addiction, on the song "The Other Kind." "There are those that break and bend/I'm the other kind."

Mick Jones, Paul Simonon, Topper Headon and Joe Strummer of The Clash pose in New York City circa 1978.

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The Clash

"If you ain't thinking about man and God and law," as The Clash's Joe Strummer once said, "then you ain't thinkin' about nothing." Unlike their inspiration, the Sex Pistols, whose early gigs motivated Strummer and guitarist Mick Jones to form their band, The Clash passed over nihilism in favor of political activism.  Their debut single, "White Riot," is sometimes misinterpreted as a call for a race war; in fact, Strummer was urging U.K. youth to rise up against the ruling class, as he'd seen black activists do. The band's viewpoint went global with their artistic breakthroughs, 'London Calling' ("Spanish Bombs") and especially the 1980 triple album 'Sandinista!', which was named for the Nicaraguan revolutionaries. "You grow up and you calm down and you're working for the clampdown," the band sang, imploring their listeners not to lose the idealism of youth. Strummer maintained it until his premature death in 2002 at age 50.

Sid Vicious, Paul Cook, Johnny Rotten and Steve Jones of Sex Pistols on the set of 'Pretty Vacant' circa 1978.

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Sex Pistols

When they were elected to the Rock and Roll Hall of Fame in 2006 on the superhuman strength of their lone studio album, 'Never Mind the Bollocks, Here's the Sex Pistols,' the Englishmen snubbed the ceremony. "We're not coming," the band wrote in what looked like a ransom note. "We're not your monkeys." Though they helped shape the punk world that rejected the hippie counterculture they'd grown up in, the Sex Pistols were definitively "anti-establishment," as the previous counterculture was often described. "I am the Antichrist/I am an anarchist," Johnny Rotten famously declared to open "Anarchy in the U.K."; on "God Save the Queen," he dismissed the Queen Mother, England's most sacred cow, as "no human being." Added bonus: He was once discovered wearing a Pink Floyd T-shirt with the words "I hate" scrawled above the band name. When the Pistols screeched to a halt onstage in San Francisco, a mere three years after Rotten joined, he left with a leering question: "Ever get the feeling you've been cheated?"

Johnny Cash walks inside the gates of Folsom Prison in Folsom, California circa 1964.

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Johnny Cash

Though his mama told him not to play with guns, he shot a man in Reno "just to watch him die." His first band, while serving in the Air Force in Germany, was called the Barbarians. More than any other country artist, Johnny Cash understood the predicament of the outlaw; his prison concerts at Folsom and San Quentin helped underscore the notion that the inmates weren't all monsters, but men who'd simply made bad decisions. His infamous "middle finger" photo, taken at San Quentin by rock photographer (and fellow rebel) Jim Marshall came in response to a request to pose for a shot for the warden. Years later, when Cash was in the midst of a career revival engineered by producer Rick Rubin, they ran an ad in Billboard that featured the photo and a feisty caption thanking "the Nashville music establishment and country radio for your support."

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