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15 Great Prince Songs That Were Hits for Other Artists

The purple touch that helped the Bangles, Sinead O’Connor, Chaka Khan and more

Tom Jones; the Bangles; Sinead O'Connor

Tom Jones, the Bangles and Sinead O'Connor have all found success with Prince songs.

Minneapolis' favorite son was a whirlwind of creativity that knew no bounds, the purple-minded genius releasing dozens of albums on his own, but also mentoring and producing dozens of bands like dirty-minded girl group Vanity 6 and synth-funk dynamos the Time. His songs became massive pop hits for stars as disparate as Sinead O'Connor, Chaka Khan, the Bangles and Tevin Campbell. He turned his personal treatises on sexual persona, spiritual angst and social unrest into a universal art that spoke to millions, no matter their race, class, or gender. Few pop artists over the past four decades were as universally beloved as Prince. These are some of the best Prince songs that became hits for others.

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Sinead O’Connor, “Nothing Compares 2 U” (1990)

Hot 100 Chart Position: Number One

In 1990, five years after "Nothing Compares 2 U" was released by Prince side project the Family without causing too much of a ripple, Sinead O'Connor became a star with her evocative, emotionally pummeling cover. The Irish singer shifted the lyrics from being a break-up ballad to an exploration of loss, dedicating the song to her mother who died the same year the song had been originally released. The year O'Connor's version blew up, her and the track's original songwriter appeared on Rolling Stone's cover four months apart. "I love it, it's great!" Prince said of the new star's take. "I look for cosmic meaning in everything. I think we just took that song as far as we could, then someone else was supposed to come along and pick it up."

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The Time, “Jerk Out” (1990)

Hot 100 Chart Position: Number Nine

Like so much of Prince's work with the Time, "Jerk Out" has a complicated and perhaps unknowable history. The song is officially credited to the Time, but Jimmy Jam has said that he, bassist Jesse Johnson, keyboardist Terry Lewis and Prince wrote the song. "Back in those days, Prince would come in with a lot of the ideas… and then we'd flesh them out," Jimmy Jam told Billboard. "It was always like a jam session. 'Jerk Out' was written like that. It was a drum machine groove that we filled in." Written sometime in the early Eighties, "Jerk Out" finally appeared as the first single on the Time's 1990 reunion, Pandemonium, and delighted their fans with its vintage Minneapolis funk swing. However, the comeback also coincided with Prince's film disaster Graffiti Bridge, and when the Time appeared on BET's Video Soul that year, they seemed to mock the entire fiasco. Decades later, when group members reunited for a critically acclaimed 2012 album and tour, the Purple One legally kept the funk juggernaut from using the Time name, so they were forced to call themselves the Original 7ven. "I think he feels like he's a member of the group because he was the architect of those earlier records," Jam said. However, he added, "As the Time or the Original 7ven, we can't make a record without Prince's influence… In a way, we feel like we're his kids."

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Tevin Campbell, “Round and Round” (1990)

Hot 100 Chart Position: Number 13

Graffiti Bridge may have been a flop at the box office, but the accompanying album boasted the buoyant debut single from the charismatic Texas teenager who had previously worked with Quincy Jones. From the ecstatic opening cry to the airy chorus boasting Campbell's young MJ-style vocals to the loose-limbed groove, "Round and Round" sparkled with youthful charm. It also featured classic Prince-ly lyrics like "Is the truth really there or is it right under our hair?" The payoff comes in the spoken word bridge during which Campbell predicts making it in the big city before signing off "'Cuz I plan to be a cool kitty." The song, which also appeared on Campbell's debut album T.E.V.I.N., garnered a Grammy nomination for Best Male R&B Vocal Performance.

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Martika, “Love… Thy Will Be Done” (1991)

Hot 100 Chart Position: Number 10

Two years after her chart-topping hit "Toy Soldiers," Martika sought out Prince for help with her second LP. He ended up writing four of the 10 songs on Martika's Kitchen, including the somber and meditative "Love… Thy Will Be Done." She calls it a hymn, but it actually started out as prayer Martika had written in a notebook she brought along to their sole meeting at Paisley Park. He borrowed her book for a few hours that day and when he returned it, she says Prince told her, "I have photocopied a few things. Why don't you just let me live with this for a bit and we'll go from there." A week later, back in L.A., she received a fax with the lyrics and a cassette with the music in the mail. Martika never saw him in person again, but "Love… Thy Will Be Done" became a hit in the U.S., and an occasional touring song for Prince himself.

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Alicia Keys, “How Come You Don’t Call Me Anymore” (2001)

Hot 100 Chart Position: Number 59

On her seven-times platinum debut Songs in A Minor, Alicia Keys interpreted this classic Prince B-side. It wasn't the first time a woman had covered his breakup ballad – just months after he originally issued "How Come You Don't Call Me Anymore" as the flipside to "1999," Stephanie Mills recorded a version with distinctly gospel tones in 1983. But Keys represented a new generation embracing the genius of Prince. The 19-year-old prodigy added a steady and pulsing bass line to the piano arrangement, and hummed and growled huskily in homage to her hero, while adding new details like, "I always thought you'd be by my side, poppa, and now you're gone … and I'm not trying to hear that shit). " She subsequently became friends with the legendary guitarist, and when he entered the Rock and Roll Hall of Fame in 2004, Keys inducted him. "There are many kings … but there is only one Prince," she said. "[He wrote] songs that made me look at songwriting as stories that are untold passions dying to be heard."

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