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100 Greatest Bruce Springsteen Songs of All Time

An expert panel of writers and artists pick Springsteen’s best songs, from “Rosalita” to “Wrecking Ball”

bruce springsteen

bruce springsteen

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In the 41 years since the release of his debut, Greetings from Asbury Park, N.J., Bruce Springsteen has built up a catalog of songs nearly unrivaled in the history of rock, from the streetwise drama of his early work, through to the stadium-shaking heights of Born in the U.S.A., and continuing on to his recent socially and politically impassioned efforts like the new High Hopes.

Such sustained greatness makes choosing highlights a deeply subjective job, but we’ve given it our best shot. Selected with the help of a panel of writers and artists, here are our picks for Springsteen’s 100 greatest songs. 

The panel: Win Butler (Arcade Fire), Andy Greene (Associate editor, Rolling Stone), Dr. Lauren Onkey (The Rock and Roll Hall of Fame and Museum), Jackson Browne (singer-songwriter, Rock and Roll Hall of Famer), Mikal Gilmore (Contributing editor, Rolling Stone), Christopher Phillips (Editor and publisher, Backstreets magazine), Peter Ames Carlin (Journalist, Springsteen biographer), Brian Hiatt, (Senior writer, Rolling Stone), Rob Sheffield (Contributing editor, Rolling Stone), Bethany Cosentino (Founding member, Best Coast), Alan Light (Journalist and author, The Holy or the Broken), Steven Van Zandt (Actor, guitarist, E Street Band member), Bill Flanagan (Executive vice president, MTV Networks), Edward Norton (Actor-director, two-time Oscar nominee), Warren Zanes (Founding member, the Del Fuegos), David Fricke (Senior writer, Rolling Stone), Tom Morello (Solo artist, Rage Against the Machine guitarist)

bruce springsteen

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2

“Badlands”

Darkness on the Edge of Town, 1978

"I came up with titles, and I went in search of songs that would deserve the title," Springsteen said, describing the writing of Darkness. "'Badlands' – that's a great title, but it would be easy to blow it! But I kept writing, and I kept writing, and I kept writing and writing until I had a song that I felt deserved that title." He nicked a riff from the Animals' "Don't Let Me Be Misunderstood" and tapped the ferocity of the punk singles he'd been listening to at the time and ended up with a song that perfectly fits Pete Townshend's definition of a rock anthem: "praying onstage." "I believe in the faith that can save me/I believe and I hope and I pray/That someday it will raise me/Above these Badlands," Springsteen sings. "That's him singing the high part, while his other voice, this full-throated thing, continues below," says Jackson Browne. "It's cool and thrilling. There is an economy of language that comes in here. He's building a persona, a lexicon of references."

bruce springsteen

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1

“Born to Run”

Born to Run, 1975

When a 24-year-old Bruce Springsteen began writing "Born to Run," he had a title, a surf-guitar riff indebted to Duane Eddy's "Because They're Young" and the Tornados' "Telstar," and some desperate, extravagant hopes. "I had these enormous ambitions for it," said Springsteen, who was, at the time, a hitless cult artist in dire danger of losing his record deal. "I wanted to make the greatest rock record that I'd ever heard. I wanted it to sound enormous, to grab you by your throat and insist that you take that ride, insist that you pay attention – not just to the music, but to life, to being alive." Springsteen started work on the song one day in early 1974, sitting in his bed in a rented cottage a couple of blocks from the beach in Long Branch, New Jersey, and the record then took shape in a small Hudson Valley studio, via six months worth of overdubs, some never used: endless acoustic and electric guitars, electric and acoustic piano, organ, glockenspiel, strings, violin, synth, engine noises and a choir.

"We went through a lot of different ways of playing it," said former E Street Band drummer Ernest "Boom" Carter, who left the band shortly after finishing the song. "I became a pretty good dart player, pool player, hanging out in that studio." Springsteen hit his target, ending up with a brash, careening masterpiece that became his signature anthem. At age 64, he's still able to infuse passion and meaning when he plays it with the E Street Band under blazing house lights.

"It was a record of enormous longing," he says, "and those emotions and desires never leave you. You're dead when that leaves you. The song transcends your age and continues to speak to that part of you that is both exhilarated and frightened about what tomorrow brings. It will always do that – that's how it was built."

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