100 Greatest Artists – Rolling Stone
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100 Greatest Artists

The Beatles, Eminem and more of the best of the best

Best Artists of all time 100 Rolling Stone

Rolling Stones in London circa 1960s.

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In 2004 — 50 years after Elvis Presley walked into Sun Studios and cut “That’s All Right” — Rolling Stone celebrated rock & roll’s first half-century in grand style, assembling a panel of 55 top musicians, writers and industry executives (everyone from Keith Richards to ?uestlove of the Roots) and asking them to pick the most influential artists of the rock & roll era. The resulting list of 100 artists, published in two issues of Rolling Stone in 2004 and 2005, and updated in 2011, is a broad survey of rock history, spanning Sixties heroes (the Beatles) and modern insurgents (Eminem), and touching on early pioneers (Chuck Berry) and the bluesmen who made it all possible (Howlin’ Wolf).

The essays on these top 100 artists are by their peers: singers, producers and musicians. In these fan testimonials, indie rockers pay tribute to world-beating rappers (Vampire Weekend’s Ezra Koenig on Jay-Z), young pop stars honor stylistic godmothers (Britney Spears on Madonna) and Billy Joel admits that Elton John “kicks my ass on piano.” Rock & roll is now a music with a rich past. But at its best, it is still the sound of forward motion. As you read this book, remember: This is what we have to live up to.

84

James Taylor

By Art Garfunkel

I sing to James Taylor before every show I do. I warm up in my dressing room to "Handy Man," "Sarah Maria," "Song for You Far Away," "Sweet Baby James," "Copperline" and about 20 other favorites. Then I go from James' bass-baritone to tenor singing with the Everly Brothers — first Don, later Phil.

While I'm unisoning with James, my reverence rises; my heart and mind become engaged in the sober intelligence of the song and the beauty of the singing. James' accuracy of pitch is like a trader's honesty. To me, it has always been paramount in singing. There is an illuminating love of living things — all of them here on earth — that lies within the tenderness of his line readings (listen to his song "Gaia," from Hourglass). If vocal-cord vibration were like surfing off the swelling of the heart, James would be my favorite rider on the cusp — a little in the air, sublime in the spray.

It's no accident that the Beatles' Apple Records signed James Taylor at its inception. He is the finest of us Americans. I know the "folk music" he must have listened to (I, too, had been wand'ring early and late…). I have experienced the thrill of collaborating with him numerous times as we have invited each other into our respective albums. I recall our trio arrangement of "(What a) Wonderful World" with my Paul — we met up at Paul's apartment (of course). It was '77. Two extraordinary artists were giving me the gift of their vocals and guitar parts for my album, Watermark. I must have done something right. What is memorable today is the ease and efficiency with which we three found our harmonies. There was a mutual musical sensibility and a serious mutual respect.

James is so fine. His exactitude with the Note is simple, impeccable musicianship. Call it his refinement or the civility of intelligent life. Hear the innate dignity of James' tribute song to Martin Luther King Jr. ("Shed a Little Light"). Some people have a hard time with the self-consciousness of perfectionism. But I think "perfect" is the best review.

I hope he reads this tribute of mine and recognizes what a great personal value his existence is to one of his colleagues. And I hope he breaks into another grin from ear to ear as he feels "that's why I'm here."

83

Eminem

By Elton John

When Eminem and I did "Stan" at the Grammys in 2001, we got together to rehearse out in the Valley. We had never met or really spoken, so I was a little intimidated. When we started to do the song and Eminem made his entrance, I got goose bumps, the likes of which I have not felt since I first saw Jimi Hendrix, Mick Jagger, James Brown and Aretha Franklin. Eminem was that good. I just thought, "Fuck, this man is amazing." There are very few performers who can grab you like that the first time — only the greats.

Eminem is a true poet of his time, someone we'll be talking about for decades to come. He tells stories in such a powerful and distinctive way. As a lyricist, he's one of the best ever. Eminem does for his audience what Dylan did for his: He writes how he feels. His anger, vulnerability and humor come out. That's why we look forward to listening to Eminem's lyrics and finding out where the hell he's headed next.

Eminem lives, sleeps and breathes music — he's a bit like me in that respect. He's pretty much a recluse. I think he's enthralled with what he's doing; he's intimately involved with his art. There's a mystique about him. From the start, I have always admired Eminem's thinking. That's the reason I wanted to appear on the Grammys with him when I was asked, despite all the nonsense talked about his being homophobic and crap like that. The Boy Georges of the world all got up in a twist about it. If they didn't have the intelligence to see his intelligence, that was their problem.

Eminem has the balls to say what he feels and to make offensive things funny. That's very necessary today, when irony is becoming a lost art. Artists like Eminem who use their free speech to get a point across are vitally important. There just aren't many people in the world with balls that big and talent that awesome.