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100 Best Albums of the ’90s

From Moby to Nirvana, the records that defined a decade

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Rolling Stone picks the 100 greatest albums of the 1990s.

The Nineties as a musical era started late and ended early — kicked in by the scritchy-scratch power chords of “Smells Like Teen Spirit,” ushered out by the doomy piano intro of “. . . Hit Me Baby One More Time.” Anti-pop defeated by pop — full circle, all apologies. You’ve heard the story.

But the real Nineties were richer, funnier and weirder than that, with fake grunge bands writing better songs than some of the real ones, Eighties holdovers U2 and R.E.M. reaching creative peaks with Achtung Baby and Automatic for the People, Metallica and the Black Crowes co-existing on MTV, Phish tending to the Deadhead nation after Jerry’s passing — and Vanilla Ice and MC Hammer ceding their pop thrones in a few short years to Dr. Dre, Snoop and Eminem. — Brian Hiatt

This is an excerpt from the introduction to Rolling Stone‘s book The ’90s: The Inside Stories From the Decade that Rocked. Copyright © 2010 by Collins Design, an Imprint of HarperCollins Publishers.

78

Oasis, ‘Definitely Maybe’

While stateside bands agonized over fame, Oasis announced, "Tonight, I'm a rock & roll star." Indeed, the title of this debut album — a blast of guitar muscle, sneering vocals, retro hooks and arrogant flash — is the only ambivalent thing about it. "You can have it all/But how much do you want it?" the brothers Gallagher ask in "Supersonic," and the answer is, a fuckin' lot. The hits came later, but this is where Oasis established a beachhead on these shores in the war to restore British rock to the throne.

Rolling Stone Original 1998 Review

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77

Neil Young and Crazy Horse, ‘Ragged Glory’

To kick-start the Nineties, Neil Young reunited with Crazy Horse, cranked the amps and, as a songwriter, took a look back to see if anything was still standing. There's some blood on the tracks ("Love to Burn," "Fuckin' Up"), but "Days That Used to Be" and "Mansion on the Hill" revisit the era of peace, love and granola with a sentimentality that Young rarely permits himself. The long guitar solos are this album's real story, however. They're ragged and glorious, indeed, and they turn this look back into a look ahead: The guitar barrage of grunge is right around the corner.

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