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100 Best Albums of the 2000s

100 Best Albums of the 2000s

Radiohead Kid A

Radiohead's Kid A

All through the last decade, you’d find a lot of people insisting that the album was dead, a victim of the MP3, the iPod and a la carte downloading. But that never happened. If anything, artists doubled down on the format, resulting in a renaissance of long form artistic statements from a wide range of artists. This list of the decade’s 100 best albums includes the work of rock revivalists (the Strokes, the White Stripes), dance floor visionaries (M.I.A., LCD Soundsystem), hip-hop icons (Jay-Z, Eminem, Kanye West) and old standbys like Bruce Springsteen, Bob Dylan and U2, who reinvented their sound without losing touch with what made them living legends. This list is not just an argument in favor of the enduring appeal of the album format, but a compelling case that some of the best music of all time came out between 2000 and 2009.

1

Radiohead, ‘Kid A’

"Kid A is like getting a massive eraser out and starting again," Thom Yorke said in October 2000, the week this album became the British band's first Number One record in America. "I find it difficult to think of the path we've chosen as 'rock music'."

In texture and structure, Kid A, Radiohead's fourth album, renounced everything in rock that, to Yorke in particular, reeked of the tired and overfamiliar: clanging arena-force guitars, verse-chorus-bridge song tricks.

With producer Nigel Godrich, Yorke, guitarist Ed O'Brien, drummer Phil Selway, bassist Colin Greenwood and guitarist Jonny Greenwood created an enigma of slippery electronics and elliptical angst, sung by Yorke in an often indecipherable croon. The closest thing to riffing on Kid A was the fuzz-bass lick in "The National Anthem"; the guitars in "Morning Bell" sounded more like seabirds.

The result was the weirdest hit album of that year, by a band poised to be the modern-rock Beatles, following the breakthrough of OK Computer. In fact, only 10 months into the century, Radiohead had made the decade's best album — by rebuilding rock itself, with a new set of basics and a bleak but potent humanity. Yorke's loathing of celebrity inspired the contrary beauty of "How to Disappear Completely," with its watery orchestration and his voice flickering in and out of earshot. His electronically squished pleading in "Kid A" sounded like a baby kicking inside a hard drive.

Ironically, Radiohead, by the end of this decade, had fulfilled much of that modern-Beatles promise by following rock's first commandment: Go your own way.

"Music as a lifelong commitment — if that's what someone means by rock, great," Yorke said in that 2000 interview. By that measure, with Kid A, Radiohead made the first true rock of the future.

Related:
Rolling Stone's Original 2000 Review

Rolling Stone's 500 Greatest Albums of All Time: Radiohead's 'Kid A'

Fifteen Years of Radiohead: Photos of the Band From "Pablo Honey" to "In Rainbows"

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