10 New Artists You Need to Know: May 2015 - Rolling Stone
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10 New Artists You Need to Know: May 2015

Kyle, Kelsea Ballerini, Songhoy Blues and more

Eternal Summers and Kamasi Washington

Eternal Summers and Kamasi Washington

Brett Winter Lemon; Mike Park

Once again, we talked to 10 of the hottest artists who are climbing the charts, breaking the Internet or just dominating our office stereos. This month: Kendrick Lamar's saxman Kamasi Washington, burgeoning country star Kelsea Ballerini, speedy post-hardcore quartet Super Unison, Mali's celebrated rock band Songhoy Blues and more.

Eternal Summers

Brett Winter Lemon

Eternal Summers

Sounds Like: Sun-drenched, shimmery crush-pop with hooks to spare

For Fans of: Velocity Girl, Talulah Gosh, limited-edition seven-inches on lollipop-colored vinyl

Why You Should Pay Attention: The Roanoke-based trio of Nicole Yun (guitar/vocals), Daniel Cundiff (drums) and Jonathan Woods (bass) has been fashioning clamorous indie pop since 2009. On their fourth full-length, Gold and Stone, Eternal Summers burrow deeper into feedback-drenched guitars and just-sweet-enough vocals, displaying a newfound urgency on songs like the charging "Bloom" and the whispery "Ebb Tide." They're hitting the road at the end of May, kicking their tour off at the NYC Popfest, where they'll be sharing the bill with similarly heart-on-sleeve acts like Club 8 and the Darling Buds.

They Say: "With this album, a lot of the songs were written in different types of spaces," says Yun. "I was a counselor at Girls Rock! Camp — a really great experience — and the drive was about 30 minutes every day; and I'd be like, 'There's only one way for me to deal with this.' Roanoke is a small town, so any drive over 15 minutes is, oh my goodness, a big deal. During the drive, I would use my phone to record vocal melodies and melodic ideas. When the band first started, I wrote those short, jangly nuggets of songs while noodling around with vocal ideas. [We didn't] worry about guitars until later. A lot of that was because I really sucked at guitar and wanted to highlight my strength, which is writing tunes. I've slowly gotten a little bit better at guitar over the years, but I thought it would be cool to go back to that method of just humming something and seeing what happens."

Hear for Yourself: "Together or Alone," the first single from Gold & Stone, is feisty yet wistful, with Yun's voice ping-ponging between a sigh and a yelp. Maura Johnston

songhoy blues

Songhoy Blues

Sounds Like: A churning, loose-limbed garage-rock take on traditional Malian music

For Fans of: Tinariwen, the Black Keys, Amadou & Mariam

Why You Should Pay Attention: In Bamako, Mali's capital, the group's electrified version of the stately desert boogie personified by the late Ali Farka Touré was quickly recognized as the real deal. They appeared on Damon Albarn's Africa Express compilation in 2013 and opened for him at the Royal Albert Hall in London last year. The Yeah Yeah Yeahs' Nick Zinner co-produced their recent debut album, Music in Exile, whose tough, hypnotic thwack also nods to the vamping guitars and excitable spirit of northern Mali's nomadic Tuareg rebels. The group — Aliou Touré (voice), Garba Touré (guitar), Oumar Touré (bass) and Nathanael Dembélé (drums) — half-joke that they'd never have started a band if three of them hadn't been driven out of their northern Mali hometowns by militant jihadists vehemently opposed to non-religious music. "It's not safe at all to play music," Garba Touré says. "It's quite dangerous."

They Say: "The world has known our country as Mali since independence in 1959," says Touré. "Before that, the Songhai empire extended across Mali, from north to south and east to west. That empire included many different ethnicities, and the Songhai musical tradition includes many different things. We take different parts of that tradition, rhythmically and melodically, and play them on modern instruments like the drum set and electric guitar. But it all comes from traditional Songhai music."

Hear for Yourself: "Al Hassidi Terei" is a grooving critique of selfishness. Richard Gehr

highly suspect

Shervin Lainez

Highly Suspect

Sounds Like: A Guitar Hero song that you've five-starred but can't stop playing

For Fans of: Queens of the Stone Age, Velvet Revolver, Royal Blood

Why You Should Pay Attention: Highly Suspect are from Brooklyn, and they've played shows with very Brooklyn-sounding bands (like Grizzly Bear) — but the hard-charging, Cape Cod-born rock trio sound like they'd rather guzzle battery acid than sip artisanal coffee. Their upcoming debut, Mister Asylum, is the first album by a rock band released on the Lyor Cohen co-founded 300 imprint; and it's a hooky trip to the gutter with guitars that melodically gleam under the grit. This summer they're hitting Bonnaroo, touring with Scott Weiland and then following that up with a trek alongside New Artists You Need to Know alumni Catfish and the Bottlemen.

They Say: Highly Suspect's music is chaotic and barnburning, and it sounds like their live shows are no different. "There has been a disaster at every show in one way or another," says guitarist-vocalist Johnny Stevens. "A kick pedal breaks or an amp blows, or [drummer Ryan Meyer] has the flu and keeps his puke bucket right next to him — but it's our mission to never let the audience know when things are going wrong." They have a sweet side too: First single "Lydia" is about a failed relationship, but Stevens got to keep their cat, Pam. "I want to have my own house and a yard one day that she can explore," he says. "I wanna have a nice warm fireplace nestled into a big hearth and on the shelf above it there will be a Grammy."

Hear for Yourself: Stevens may have Pam on his side, but that doesn't make the static sludge of "Lydia" any less heartbroken. Larry Fitzmaurice



Sounds Like: A smoky, slow-mo mosh pit in a high school gym

For Fans of: Nirvana, Failure, Title Fight, melancholy and infinite sadness

Why You Should Pay Attention: The second album from the Pennsylvanian band once known as Daylight, Ours Is Chrome, debuted at Number One on the Billboard Alternative New Artist chart and Number Two on the general New Artist chart. Call it a breakthrough; just don't call it grunge, as many critics have branded Superheaven's superfuzzy bummer rock. "People comment on the fact that we wear flannel kind of often, but shit, man, so does the rest of the world!" gripes singer-guitarist Taylor Madison. He adds, "I think it's cool to draw influence from something you really like and put your own spin on it — that's what we try to do." Superheaven succeed by mixing shimmery shoegaze and emo-smeared post-hardcore into their grungy big riffs.

They Say: Madison taps into many dark real-life experiences with his lyrics, from the time his family was evicted from their home ("Room"), to the motorcycle accident that paralyzed his younger brother ("From the Chest Down"), to the struggles surrounding his sister's heroin addiction ("Gushin' Blood"). "My family is aware of what a lot of the songs are about," he says. "They like some of it, because they think it's cool that I care enough about them to write about them. But I don't think my mom knows the one song is about us being evicted. And I think if she knew, she'd be embarrassed and probably not be that happy about it. But I write about my life, and that was a very big part of it, unfortunately."

Hear for Yourself: Guitars squeal and soar on "I've Been Bored" as Madison, in his gravelly, slackerish voice, shares a worthy sentiment: "I've been so sick of flowers on everything." Brandon Geist

The Weather Station

Yuula Benivolski

The Weather Station

Sounds Like: Tradition-spanning contemplative folk that captures rare beauty in both lyrics and melodies

For Fans of: Joni Mitchell, the Tallest Man on Earth, Sufjan Stevens

Why You Should Pay Attention: On her third album, Loyalty, Toronto-based songwriter Tamara Lindeman's poetic reflections are set to minimalist combos of acoustic guitar, keys and just enough percussion to add bite to her words. For the album, she worked closely with Feist engineer Robbie Lackritz and Afie Jurvanen (a.k.a. Bahamas). "Lately, I've outsourced my boundaries to other people," she says. "I require someone or something to tell me when to stop." In the case of Loyalty, she found out with two months to spare that she was going to record at La Frette Studios in France. When she arrived, she was still rewriting, and had to sing scratch vocals on a few tracks. "There were still one or two words, or like one line that I was going to change," she recalls. "Everyone just loved the scratch vocal. My two collaborators were like, 'You're not allowed to sing it again.'" In turn, her low, rich voice brings out the textures of dry grass, the cityscape, and relentless rain in intimate fashion.

She Says: "I listen really closely to words. I love country music and I love a lot of pop music. Different singers require different material. I can appreciate the simplest song, or the simplest sentiment. If Otis Redding sings it, it's amazing. I'm always just curious. It's often very obvious in a song, you can tell if someone believes in what they're singing. Generally when I don't like music, it's when I hear it and I can tell the person doesn't believe what they're saying. It can be anything, as long as you're committed. . .My style of songwriting is I tend to play guitar and daydream and sorta sing stuff. I tend to record it to remember. In that phase, I tend to sing all the same stuff anyone else sings. I sing about rain and the moon. My tendency over time is to refine that into something that feels really meaningful and I can hang onto it for a long time."

Hear for Yourself: Lindeman's pin-point attention to detail turns a late-night phone call into a gorgeous, lonely meditation on "Loyalty."

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