10 New Artists You Need to Know: June 2016 - Rolling Stone
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10 New Artists You Need to Know: June 2016

Dreezy, Matoma, Ian William Craig and more

Xenia Rubinos, Big Thief

Xenia Rubinos and Big Thief are two of the new artists you should not miss in June 2016.

Camillo Fuentealba, Sasha Arutyunova

Once again, we talked to 10 of the hottest artists who are climbing the charts, breaking the Internet or just dominating our office stereos. This month: Chicago hip-hop sensation Dreezy, tape artist Ian William Craig, Israeli folktronic sisters A-Wa, emerging tropical house producer Matoma and more.

Xenia Rubinos talks second album, 'Black Terry Cat.'

Camillo Fuentealba

Xenia Rubinos

Sounds Like: In her own words, "Shellac meets Andre 3000"

For Fans of: Janelle Monaé, Esperanza Spalding, the Internet, Ibeyi

Why You Should Pay Attention: A graduate of the Berklee College of Music, Rubinos' infusion of R&B, punk, electronic and jazz is pure New York — that is, the side of New York that Girls won't show you. Her sophomore album, Black Terry Cat, is Rubinos' kaleidoscopic showcase of fizzy electronic and funky analog textures. Her complex arrangements bolster some hefty analyses of everything from romance ("Lonely Lover") to racial politics ("I Won't Say"). Spoken, sung and spit as percussively as a poet, her verses waver between English and Spanish — but she's not keen on her music being pigeonholed as "Latin." "I'm proud of where I'm from," says Rubinos, who's of Cuban-Puerto Rican descent. "But it's inaccurate to call my music Latin because I am. [Latin] means a lot of things, but it doesn't describe the actual sound of my music." She was recently featured in an all-star Prince tribute video, "Pop Life," maneuvering the keyboard alongside fellow pop eccentrics Alan Palomo of Neon Indian and Kristin Kontrol.

She Says: "Most songs on Black Terry Cat started with basslines I improvised. I was also more intentional with my words and what I wanted to say. I was really inspired by Kendrick Lamar's [To Pimp a Butterfly] — his voice is so fluid, he sounds like many different Kendricks. I do like that street poetry sound. My go-to right now is Busta Rhymes' "Still Shining". He does that "rah-rah-reow" dragon thing. It reminded me to take my time and experiment more with my own voice…. Put my own stank on it.

"My song, 'Mexican Chef' … came about after I ran some errands in Brooklyn and saw kitchens setting up for the night. In the front of every restaurant you got white, hipster waiters playing Phantogram, then in the back you got brown kitchen staff blasting ranchera, bachata music.… My mom's a registered nurse, she used to work at a nursing home. She once told me, 'Brown women are often there to welcome you into the world.… And they're the same ones who will send you off.' That image just stuck with me."

Hear for Yourself: The jazzy "Mexican Chef" holds no punches. Suzy Exposito

$ilkmoney is an emerging Southern rapper with a technical edge.

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Hannah Sider


Sounds Like: Classicist Southern hip-hop with a subtly lyrical bent and a bit of a cool-kid edge 

For Fans of: Goodie Mob, Curren$y, Madeintyo

Why You Should Pay Attention: In an era dominated by melody and a scant few narrative styles, Richmond, Virginia's $ilkmoney and his crew Divine Council are exploring new avenues of capital-L lyricism. The rapper — who counts Curren$y as his biggest influence — makes rap stylization seem full of surprise and possibility. With Chicago producer Icytwat and his rhyming compatriots Lord Linco and and Cyrax!, $ilk and his crew have created a new and refreshing lane — one which also caught the attention of Andre 3000 and Erykah Badu, both of whom heard of the rappers from their son Seven. $ilkmoney himself has a baritone delivery with the heft of Fat Trel and brings elaborate rhyme schemes to chiming, atmospheric production.

He Says: For $ilkmoney, who spoke from his grandmother's home in Virginia, the most stunning part of the group's rise has been the respect afforded by some of hip-hop and R&B's most respected stars. "I remember when we first met Andre," he says of the legendary Outkast frontman. "That shit blew the fuck out my mind. I didn't know who the fuck this nigga was. I was like, 'This nigga look just like Andre 3000.' And it deadass was Andre 3000. He was like, 'What's up, I'm big fans of y'all.' I was like, 'We big fans of you!' He sat next to us eating tomato soup and shit. That nigga flew from Texas to New York just to see us perform. He was saying how we remind him of Outkast because he ain't never heard anything like us. And I was blown away. I just got on a plane for the first time in my life ever to come to New York. And I'm having the time of my life and this shit is happening."

Hear for Yourself: "Dick in Da Dope" counters its silly title with $ilk's highly technical delivery. David Drake

Lido, New, Artists, Need to Know, Rolling Stone

Norwegian producer Lido talks about working on Chance the Rapper's 'Coloring Book'

Michael Ray Vera Cruz


Sounds Like: Auto-Tuned Kanye hanging off French house's Eiffel tower

For Fans of: Cashmere Cat, Chance the Rapper, Halsey

Why You Should Pay Attention: Still in his early twenties, Norwegian producer Lido has already sold out shows in the U.S. and done production work for the likes of Ariana Grande, Halsey and Banks. When his gospel-inflected tracks for Chicago's Towkio caught the ear of Chance the Rapper, Lido soon found himself contributing to this year's most acclaimed rap album, Coloring Book. Born Peder Losnegård, he grew up in a gospel music household (his father conducted a nondenominational church choir) and gravitated to the likes of Kirk Franklin and Fred Hammond, but he soon pivoted to hip-hop. By the time of his 2014 debut EP, he had moved into a space where EDM, bass and gospel intersect.

He Says: "I flew out to Chicago and did work on Chance's live show, co-musical directing it with the band," Lido said. "We wrote a ton of music, some of it came out on Coloring Book, but some of it is still on secret hard drives around the country."

While Lido has focused on collaborations of late, when he played at Coachella this past spring, he premiered his debut album, set for release later this fall, before an unsuspecting crowd. "I decided to play the whole thing and use Coachella as the pre-listening party and see how people react to the new music," he said. "People at festivals want to hear songs they've already heard. My goal was to stand out in the crowd and surprise people and trigger an emotional reaction. I was really, really scared to be quite frank."

Hear for Yourself: "Crazy" is Blackstreet-flipping manicness. Andy Beta

Troller, New Artists, Need to Know, Rolling Stone

Olivia Vale


Sounds Like: A peek behind the doors of Twin Peaks brothel One Eyed Jack's

For Fans of: Nite Jewel, Mazzy Star, Cold Cave

Why You Should Pay Attention: Austin creepgaze trio Troller push the darkwave lexicon into doom metal, noise and ultra-romantic Lana Del Rage. Their second album, Graphic, was released on vinyl and cassette on the local Holodeck imprint and recently caught a CD reissue courtesy of metal stalwarts Crucial Blast. A moody — and pop-leaning! — counterpart to the local community of Austin synth enthusiasts (Survive, Flatliner, Ssleeperhold), Troller is both ugly and beautiful, full of swooning melodies that blow lushly through dank electronic dungeons.

They Say: "We're always trying to find a balance between hard and soft in our sound, and when we found these source images for the record, we just sort of fell in love," says Amber Goers about the arresting bondage images of the Graphic artwork. "These photos seemed to perfectly represent that balance, pleasure versus pain."

"In general, we think that most people who are drawn to our album art will enjoy our music," says Adam Jones. "No blowback, no regrets."

The band's video for "Not Here" goes one step farther, exploring a BDSM underworld with a local drag queen, some dominitrixes and their naughty props — including some leather masks for the band's wardrobe. "I'm not gonna lie, I felt completely at home in my latex gimp mask," says Goers. "Comfort is a relative term, right?"

Hear for Yourself: Album highlight "Storm Maker" is a slow-pulsing grind that's part Julee Cruise croon and part darkwave howl. Christopher R. Weingarten

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