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Outlaw Country Exhibit: 12 Most Badass Items at Country Hall of Fame’s New Showcase

From Willie Nelson’s well-worn sneakers to Bobby Bare’s mink-skull hat, the must-see artifacts at the ‘Outlaws & Armadillos’ exhibit in Nashville

Outlaw Country Exhibit: 12 Most Badass Items at Country Hall of Fame's New Showcase

Waylon Jennings, Willie Nelson and other key figures of the Outlaw movement are spotlighted in the new 'Outlaws & Armadillos' exhibit at the Country Music Hall of Fame and Museum in Nashville.

The Country Music Hall of Fame and Museum in Nashville follows the wild success of its Dylan, Cash, and the Nashville Cats exhibit with a deep dive into the Outlaw country era. Opening May 25th and running for nearly three years, Outlaws & Armadillos: Country’s Roaring ’70s traces the origins of the movement, beginning with Bobby Bare’s game-changing 1973 album Lullabyes, Legends and Lies through the rise of Waylon, Willie and the boys.

A full multimedia experience, the exhibit features essays on little-known but integral figures like college football coach Darrell Roy, new video packages – including a can’t-miss history of the Armadillo World Headquarters in Austin – and a cache of memorabilia from Willie Nelson, Waylon Jennings, Townes Van Zandt and more. Ahead of Outlaws & Armadillos‘ opening to the public, Rolling Stone Country toured the showcase to assemble this list of must-see artifacts. (Photos by Jordan O’Donnell.)

Jordan O'Donnell

Bobby Bare’s Mink-Skull Hat

When Bobby Bare recorded 1973’s Bobby Bare Sings Lullabyes, Legends and Lies, a concept record of Shel Silverstein compositions, he picked his own players and produced the album himself. Both were no-no’s in Music City at the time, but the album was a success, refreshing Bare’s career and giving him a hit with the voodoo queen Number One “Marie Laveau.” The greater impact, however, was how the double LP emboldened other artists, like Willie Nelson and Waylon Jennings, to push for their own creative freedom in the studio. This outrageous hat, adorned with a mink skull and snake skin, was a gift from Nelson to Bare. 

Jordan O'Donnell

Cowboy Jack Clement’s Guitar

The Outlaws & Armadillos showcase has a number of important guitars in its collection, but few as impactful as this 1952 Gibson SJ-200. Owned by Cowboy Jack Clement, it was the lifelong guitar of the producer, songwriter, artist and bon vivant, who played it on two of Johnny Cash’s most well-known hits: “Ring of Fire” and “Big River.” He also used the instrument to write “Let’s All Help the Cowboys (Sing the Blues),” a song recorded by Waylon Jennings for his 1975 LP Dreaming My Dreams.

Jordan O'Donnell

Doug Sahm’s Child-Star Western Costume

Long before he got psychedelic with the Sir Douglas Quintet, Doug Sahm was a cute and uber-talented child star of the 1950s. Performing as “Little Doug Sahm,” the San Antonio native captivated audiences with his skill on the steel guitar, mandolin and fiddle. His triple-neck steel, built in the Forties, is on display – as is this pint-sized Western suit made for Sahm by his mother.

Jordan O'Donnell

Paul English’s “Devil” Cape

While Willie Nelson may have spilled the beans on the troublemaking ways of his longtime drummer Paul English in the 1971 song “Me and Paul,” the percussionist got his nickname “The Devil” more for the way he looked. Sharp sideburns, red leather boots with silver tips and this ornate velvet cape had English, who still plays with Nelson today, cementing his look as both a demon and a dandy. (The adjacaent satin “On the Road Again” jacket was worn onstage by Nelson guitarist Jody Payne, who died in 2013.)

Jordan O'Donnell

Guy Clark’s Father’s Randall Knife

“My father had a Randall knife / my mother gave it to him / when he went off to WWII / to save us all from ruin” sing-speaks Guy Clark in the intro to his song “The Randall Knife,” off 1983’s Better Days. This is that knife, gifted to Clark’s dad by his mother prior to his shipping out for World War II. But the more personal bit of Clark memorabilia may be the original painting by Guy’s wife Susanna Clark, which graces the cover of the songwriter’s 1975 Old No. 1 album.

Jordan O'Donnell

Mickey Raphael’s Handmade Harmonica Case

Aside from his trusty Martin guitar, there is no more essential element to Willie Nelson’s signature sound than Mickey Raphael. The harmonica player has been standing next to Nelson since 1973, adding subtle accents in the studio and onstage with the Family Band. Raphael’s dad built this simple wooden case to hold his harps, which is on display next to a much more expensive (but arguably no more valuable) piece of Raphael’s history: a gold “Willie Nelson” ring with diamonds he wears onstage.

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